Works matching IS 18796419 AND DT 2019 AND VI 36
Results: 58
Wilhelm Freddie -- Art and the Sexual Revolution.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 930, doi. 10.1163/9789004388291_058
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Niels Bukh's Functionalist Body Architecture -- Gymnastics between Avant-Garde and Popular Culture.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 920, doi. 10.1163/9789004388291_057
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Turbulence in Icelandic Art -- Landscape, the Avant-Garde and Public Discourse in the 1940s.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 903, doi. 10.1163/9789004388291_056
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Cleansing the Domestic Evil -- On the Degenerate Art Exhibition in Reykjavík, 1942.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 879, doi. 10.1163/9789004388291_055
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From Bauhaus to Our House -- Kritisk Revy, Popular Culture, and the Roots of "Scandinavian Design".
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- Avant-Garde Critical Studies, 2019, v. 36, p. 860, doi. 10.1163/9789004388291_054
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Jewishness, Internationalism and the Swedish Music Scene -- The Reception of Moses Pergament.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 849, doi. 10.1163/9789004388291_053
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Expo Aleby, 1949 -- Wilhelm Freddie, Gösta Kriland and Surrealist Magic Art in Stockholm.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 831, doi. 10.1163/9789004388291_052
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Olav Dalgard -- Politics, Film, Theatre and the Avant-Garde in Norway in the Interwar Years.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 816, doi. 10.1163/9789004388291_051
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The Socialist Utopia in Norway and the Changing Art Production and Reception.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 803, doi. 10.1163/9789004388291_050
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The Socio-Cultural Conditions of the Avant-Gardes in Finland in the 1920s and 1930s.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 788, doi. 10.1163/9789004388291_049
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Introduction to Section 6.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 783, doi. 10.1163/9789004388291_048
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Understandable and Revolutionary -- The Influence of Russian Avant-Garde Picture Books in Denmark in the 1930s.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 770, doi. 10.1163/9789004388291_047
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A New Approach to Language -- Volter Kilpi's Alastalon Salissa (1933).
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- Avant-Garde Critical Studies, 2019, v. 36, p. 761, doi. 10.1163/9789004388291_046
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Avant-Garde Moments in Nykyaikaa etsimässä, by Olavi Paavolainen.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 746, doi. 10.1163/9789004388291_045
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Hagar Olsson and the Soldier of Modernism -- War, Brutality and Borders in the Interwar Period.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 730, doi. 10.1163/9789004388291_044
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"The Clearance Sale of Ideals" -- Henry Parland and Finland-Swedish Literary Modernism, 1928-1930.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 713, doi. 10.1163/9789004388291_043
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The Sunrise and Sunset of the Avant-Garde according to William Heinesen.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 701, doi. 10.1163/9789004388291_042
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Dark Heerup -- A Not so Quaint Avant-Gardist.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 684, doi. 10.1163/9789004388291_041
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The Melody That Got Lost -- A Unique Example of Avant-Garde Theatre in Denmark.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 671, doi. 10.1163/9789004388291_040
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Gösta Hellström and Interwar Avant-Garde Film Culture in Sweden.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 664, doi. 10.1163/9789004388291_039
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The Rise of Danish Avant-Garde Cinema in the 1940s.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 652, doi. 10.1163/9789004388291_038
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Introduction to Section 5.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 645, doi. 10.1163/9789004388291_037
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Avant-Garde Strategies versus Democratisation and "Popularisation" -- New Artist Roles and Forms of Distribution in the Danish Art World of the Interwar Period.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 615, doi. 10.1163/9789004388291_036
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A Vanguard Claiming Ground -- Swedish Artists on the Market and within the State 1930-1955.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 597, doi. 10.1163/9789004388291_035
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Unionalen -- A Travelling Scandinavian Exhibition Platform.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 579, doi. 10.1163/9789004388291_034
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In the Absence of the Avant-Garde -- Atonality, Satire and De-Romanticisation in the Musical Life of Norway.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 560, doi. 10.1163/9789004388291_033
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Nyrki Tapiovaara -- Between Avant-Garde and Mainstream Cinema.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 548, doi. 10.1163/9789004388291_032
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State-Controlled Avant-Garde? -- Emil Bønnelycke's Radiophonic Portrait of Copenhagen.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 533, doi. 10.1163/9789004388291_031
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Arne Korsmo, PAGON and "Meccano for the Home".
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- Avant-Garde Critical Studies, 2019, v. 36, p. 517, doi. 10.1163/9789004388291_030
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From Bauhaus to Bispebjerg -- Edvard Heiberg and the Social Avant-Garde.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 423, doi. 10.1163/9789004388291_024
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How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 487, doi. 10.1163/9789004388291_028
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Introduction to Section 4.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 479, doi. 10.1163/9789004388291_027
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Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922-1939.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 459, doi. 10.1163/9789004388291_026
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Corporeal Aesthetics -- Primitivism and the Reception of African American Performing Arts around 1930.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 441, doi. 10.1163/9789004388291_025
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The Engineer and the Avant-Garde -- Concrete Artists in Sweden.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 499, doi. 10.1163/9789004388291_029
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Rita Kernn-Larsen -- An International Surrealist Career.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 409, doi. 10.1163/9789004388291_023
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Merz in the Mountains: Peripheral Art in a Peripheral Landscape -- On Kurt Schwitters's Norwegian Exile and Artistic Production in Møre og Romsdal, 1937-1940.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 375, doi. 10.1163/9789004388291_022
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A Nordic Verfremdung -- Bertolt Brecht's Exile in Denmark, Sweden and Finland 1933-1941.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 359, doi. 10.1163/9789004388291_021
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To France with Love -- Surrealism, Schadism, Situationism and Jens August Schade.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 341, doi. 10.1163/9789004388291_020
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Introduction to Section 3.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 335, doi. 10.1163/9789004388291_019
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Linien II -- A Local Avant-Garde Formation in Postwar Denmark.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 318, doi. 10.1163/9789004388291_018
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Universal Language on National Ground -- Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 305, doi. 10.1163/9789004388291_017
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Scandinavian Women Artists and the Académie Moderne -- Abstraction, Gender and the Nordic.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 287, doi. 10.1163/9789004388291_016
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The Birth of a Vanguard -- Icelandic Art 1940-1950.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 272, doi. 10.1163/9789004388291_015
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Smile at the World, and It Will Laugh at You -- Helhesten's Folkelig Avant-Garde.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 257, doi. 10.1163/9789004388291_014
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The Reception of the Halmstad Group in the 1930s.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 241, doi. 10.1163/9789004388291_013
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"Everybody must participate in everything" -- Cross-Aesthetic Practices in and around the Danish Magazine linien (1934-1939).
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- Avant-Garde Critical Studies, 2019, v. 36, p. 225, doi. 10.1163/9789004388291_012
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Surrealism in Denmark -- Vilhelm Bjerke-Petersen's Book Surrealismen, 1934.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 208, doi. 10.1163/9789004388291_011
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Quosego -- Final Blow, Starting Shot.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 196, doi. 10.1163/9789004388291_010
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Introduction to Section 2.
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- Avant-Garde Critical Studies, 2019, v. 36, p. 191, doi. 10.1163/9789004388291_009
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