Works matching IS 15749630 AND DT 2017 AND VI 21
Results: 13
"A Family Romance": Oedipal Melancholia and Masochism in The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 212, doi. 10.1163/9789004344143_014
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- Article
"Of the Question of the Sex-Instinct I Know Very Little": The Good Soldier and the Discourse of Indecency.
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- Dialogue (15749630), 2017, v. 21, p. 192, doi. 10.1163/9789004344143_013
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- Article
"Like Chasing a Scrap of Paper": Hysterical Detection in The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 175, doi. 10.1163/9789004344143_012
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- Article
Not Just Another Perplexity.
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- Dialogue (15749630), 2017, v. 21, p. 144, doi. 10.1163/9789004344143_011
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"Nearly as Bright as in Provençe!": An Episode of Dowell's Narrative Passion.
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- Dialogue (15749630), 2017, v. 21, p. 126, doi. 10.1163/9789004344143_010
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- Article
Rewriting Trauma: A Study of Ford Madox Ford's The Good Soldier as Modernist Chronicle.
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- Dialogue (15749630), 2017, v. 21, p. 111, doi. 10.1163/9789004344143_009
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- Article
The Motive for Metaphor: The Words of a Sentimentalist in The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 91, doi. 10.1163/9789004344143_008
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- Article
A Tale of Two Babies - One Dead, the Other Powerless to Be Born: Ambivalent Beginnings in Ford Madox Ford's The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 72, doi. 10.1163/9789004344143_007
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- Article
The Silences of Modernism in The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 53, doi. 10.1163/9789004344143_006
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The Definition of Modernity in The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 36, doi. 10.1163/9789004344143_005
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Tory-Papists and Ford's The Good Soldier.
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- Dialogue (15749630), 2017, v. 21, p. 18, doi. 10.1163/9789004344143_004
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- Article
The Good Soldier: Tragic, Comic, Ironic.
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- Dialogue (15749630), 2017, v. 21, p. 10, doi. 10.1163/9789004344143_003
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- Article
Introduction.
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- Dialogue (15749630), 2017, v. 21, p. 1, doi. 10.1163/9789004344143_002
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- Article