Works matching Mira Nair

Results: 38

'Tired of Taking Sides': Repressive Tolerance in Mira Nair's The Reluctant Fundamentalist.

Published in:

Adaptation, 2017, v. 10, n. 3, p. 305, doi. 10.1093/adaptation/apx010

By:

SMITH, ERIC D.;
ROSS, HANNAH

Publication type:

Article

The masala of globalism: Repositioning 'dis/placement' in the films of Mira Nair.

Published in:

Studies in South Asian Film & Media, 2010, v. 2, n. 2, p. 85, doi. 10.1386/safm.2.2.85_1

By:

Mukherjee, Ishani

Publication type:

Article

THE POLITICS OF RE-PRESENTING VANITY FAIR: MIRA NAIR'S BECKY SHARP.

Published in:

2010

By:

Moya, Ana

Publication type:

Film/TV Criticism and Review

LOVE, DESI STYLE: ARRANGED MARRIAGE AND TRANSNATIONAL MOBILITY IN MIRA NAIR'S THE NAMESAKE.

Published in:

Canadian Journal of Film Studies, 2017, v. 26, n. 1, p. 64, doi. 10.3138/CJFS.26.1.2017-0004

By:

RICHARDS, RASHNA WADIA

Publication type:

Article

ADAPTATION AND THE SHIFTING ALLEGIANCES OF THE INDIAN DIASPORA: JHUMPA LAHIRI'S AND MIRA NAIR'S THE NAMESAKE(S).

Published in:

Literature Film Quarterly, 2014, v. 42, n. 4, p. 609

By:

Chakraborty, Madhurima

Publication type:

Article

At the Crossroads of Two Empires: Mira Nair's Mississippi Masala and the Limits of Hybridity.

Published in:

Journal of Asian American Studies, 2003, v. 6, n. 2, p. 177, doi. 10.1353/jaas.2004.0013

By:

Urmila Seshagiri

Publication type:

Article

Body Matters: the Politics of Provocation in Mira Nair's Films.

Published in:

Quarterly Review of Film & Video, 2001, v. 18, n. 1, p. 91, doi. 10.1080/10509200109361515

By:

Sharma, Alpana

Publication type:

Article

Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair's The Namesake.

Published in:

Screen, 2023, v. 64, n. 3, p. 357, doi. 10.1093/screen/hjad026

By:

Riquet, Johannes

Publication type:

Article

AFRO-ASIAN INTIMACIES AND THE POLITICS AND AESTHETICS OF CROSS-RACIAL STRUGGLE IN MIRA NAIR'S MISSISSIPPI MASALA.

Published in:

Journal of Asian American Studies, 2015, v. 18, n. 3, p. 233, doi. 10.1353/jaas.2015.0021

By:

Reddy, Vanita

Publication type:

Article

Translating Multilingualism in Mira Nair's Monsoon Wedding.

Published in:

Languages, 2023, v. 8, n. 2, p. 129, doi. 10.3390/languages8020129

By:

Corrius, Montse;
Espasa, Eva;
Santamaria, Laura

Publication type:

Article

Body Movements and Audience Emotion in Mira Nair's Filmic Bombay.

Published in:

Projections: The Journal for Movies & Mind, 2009, v. 3, n. 2, p. 91, doi. 10.3167/proj.2009.030207

By:

Aldama, Frederick Luis

Publication type:

Article

MIRA NAIR'S NEW FILM MONSOON WEDDING:A DISCUSSION OF.

Published in:

Metro, 2001, n. 131/132, p. 1

By:

Boltin, Kylie

Publication type:

Article

Dangerous Values: A Film Review of The Reluctant Fundamentalist.

Published in:

2022

By:

Cavalli, Thom F.

Publication type:

Book Review

Time, Space, and National Belonging in The Namesake: Redrawing South Asian American Citizenship in the Shadow of 9/11.

Published in:

2011

By:

Brennan, Sue

Publication type:

Essay

Transgressive Sexualities: Politics of Pleasure and Desire in Kamasutra: A Tale of Love and Fire.

Published in:

Journal of Lesbian Studies, 2012, v. 16, n. 2, p. 135, doi. 10.1080/10894160.2011.605008

By:

Lohani-Chase, Rama

Publication type:

Article

Pliant and Compliant: Colonial Indian Art and Postcolonial Cinema.

Published in:

Women, 2002, v. 13, n. 1, p. 48, doi. 10.1080/09574040210122977

By:

Rajan, Gita

Publication type:

Article

Shifting Social Awareness: From Monsoon Wedding to Made in Heaven.

Published in:

Cultural Perspectives. Journal for Literary & British Cultural Studies in Romania, 2020, v. 25, p. 219

By:

Moreno-Álvarez, Alejandra

Publication type:

Article

An Outsider's Perspectives on Asian Canadian Studies: A Response to Donald Goellnicht.

Published in:

Concentric: Literacy & Cultural Studies, 2013, v. 39, n. 2, p. 109, doi. 10.6240/concentric.lit.2013.39.2.07

By:

Chiwen Liu, Kate

Publication type:

Article

Where Are the Film Directors (Who Happen to be Women)?

Published in:

Quarterly Review of Film & Video, 2012, v. 29, n. 4, p. 310, doi. 10.1080/10509201003601167

By:

Lauzen, Martha M.

Publication type:

Article

Mississippi Masala (1991).

Published in:

2023

By:

Verhar, Emi

Publication type:

Film/TV Criticism and Review

Amelia.

Published in:

2010

By:

Smith, Judith E.

Publication type:

Film/TV Criticism and Review

Gender, Family, and Nation in Indian-American Literature and Film.

Published in:

2014

By:

JANI, PRANAV

Publication type:

Essay

Cross-cultural Conflict in Celluloid.

Published in:

Muse India, 2011, n. 39, p. 42

By:

Guha, Rajdeep

Publication type:

Article

The Name of the Child: Cinema as Social Critique.

Published in:

Film Criticism, 1990, v. 14, n. 2, p. 12

By:

Ehrlich, Linda C.

Publication type:

Article

On Cinematic Genius: Ontology and Appreciation.

Published in:

Royal Institute of Philosophy Supplement, 2012, v. 71, p. 85, doi. 10.1017/S1358246112000215

By:

O'Hear, Anthony;
Livingston, Paisley

Publication type:

Article

Transposal from Fiction to Motion Picture: Crafting Jhumpa Lahiri's The Namesake on Celluloid.

Published in:

Language in India, 2013, v. 13, n. 3, p. 540

By:

Nagajothi, N.

Publication type:

Article

The Namesake : Word to Image.

Published in:

Language in India, 2011, v. 11, n. 11, p. 585

By:

Shinde, Subhash K.

Publication type:

Article

All's Fair in Love and War?

Published in:

Academic Questions, 2019, v. 32, n. 3, p. 435, doi. 10.1007/s12129-019-09802-8

By:

Iannone, Carol

Publication type:

Article

CHAPTER 5 Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan's Saturday, Ali Smith's The Accidental, and Mohsin Hamid's The Reluctant Fundamentalist.

Published in:

Costerus (New Series), 2016, n. 218, p. 79, doi. 10.1163/9789004324220_006

By:

Mohr, Dunja M.

Publication type:

Article

Post-Feminist Narratives in Cinema and Web: a Study of Zoya Akhtar's Female Characters.

Published in:

Global Media Journal: Indian Edition, 2020, v. 12, n. 2, p. 133

By:

Srivastav, Sonali;
Rai, Shikha

Publication type:

Article

Mechanisms of Mobility in a Capitalist Culture: The Localisation of the Eye of (Global) Authority in the Novel and the Film of Jhumpa Lahiri's The Namesake.

Published in:

KEMANUSIAAN: The Asian Journal of Humanities, 2016, v. 23, p. 137, doi. 10.21315/kajh2016.23.s2.8

By:

ASL, MOUSSA POURYA;
ABDULLAH, NURUL FARHANA LOW;
YAAPAR, MD SALLEH

Publication type:

Article

Straddling the Cultural Divide: Second-Generation South Asian Identity and The Namesake.

Published in:

Changing English: Studies in Culture & Education, 2008, v. 15, n. 4, p. 457, doi. 10.1080/13586840802493100

By:

Shariff, Farha

Publication type:

Article

Exploring Diasporic Interdependence: A Comparative Analysis of Literary and Cinematic Narratives in Jhumpa Lahiri's The Namesake.

Published in:

Journal of African Film & Diaspora Studies (JAFDIS), 2024, v. 7, n. 2, p. 39, doi. 10.31920/2516-2713/2024/7n2a3

By:

D., Balaji;
M., Thenmozhi

Publication type:

Article

Monsoon Wedding Makes Its Way to Brooklyn.

Published in:

2023

By:

Considine, Allison

Publication type:

Interview

The Namesake.

Published in:

2013

By:

Perreire Hawkins, Blendine;
Jackson, Melanie N. G.

Publication type:

Journal Article

Book reviews.

Published in:

Studies in South Asian Film & Media, 2019, v. 10, n. 2, p. 195, doi. 10.1386/safm_00014_5

By:

V. G., Bijoy Philip;
Vij, Sonal;
Nizaruddin, Fathima;
Sathe, Namrata Rele;
Baishya, Anirban K.;
Mini, Darshana Sreedhar

Publication type:

Article

On Location: The Home and the Street in Recent Films about Street Children.

Published in:

International Research in Children's Literature, 2012, v. 5, n. 1, p. 1, doi. 10.3366/ircl.2012.0040

By:

Reimer, Mavis

Publication type:

Article

MONSOON WEDDING: RAINING ON TRADITION.

Published in:

2003

By:

KARENA, CYNTHIA

Publication type:

Film/TV Criticism and Review