Works matching IS 18796419 AND DT 2016 AND VI 32
Results: 88
The Alternative Eurovision Song Contest in Sweden, 1975.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 831, doi. 10.1163/9789004310506_087
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"From Everyone to Everyone" - The Countercultural Little Magazine Dikt & datt.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 819, doi. 10.1163/9789004310506_086
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"A Furious Girl from Rome" - Róska and the Mythography of Avant-Garde Bohemianism.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 804, doi. 10.1163/9789004310506_085
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Counterculture.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 794, doi. 10.1163/9789004310506_084
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PUSS 1968-1973.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 789, doi. 10.1163/9789004310506_083
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The Rose Campaign - John Davidsen's Appropriation of Commercial Formats.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 782, doi. 10.1163/9789004310506_082
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Everyday High and Low - Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 772, doi. 10.1163/9789004310506_081
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From Avant-Garde to Pop Culture to Alternative Scenes - The Case of Two Swedish Bands, Blå Tåget and Träd, Gräs & Stenar.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 762, doi. 10.1163/9789004310506_080
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The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 755, doi. 10.1163/9789004310506_079
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Vagn is Also a Bit of a Soft Drink - Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 740, doi. 10.1163/9789004310506_078
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Angli Avant-Gardism - Paul Gadegaard's Art Project in Herning, Denmark.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 727, doi. 10.1163/9789004310506_077
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Gunnar Aagaard Andersen - Commercial Design and Experimental Art.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 709, doi. 10.1163/9789004310506_076
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The Avant-Garde between Market and Counterculture.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 702
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Viggo Andersen's Vigelandsinstallasjon - The History of a Forgotten Anti-monument.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 692, doi. 10.1163/9789004310506_075
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A Sensuous Dramaturgy of Intervention - The Sun Chariot, Copenhagen, 1969-1983.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 681, doi. 10.1163/9789004310506_074
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Christiania - Utopia Realised?
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- Avant-Garde Critical Studies, 2016, v. 32, p. 668, doi. 10.1163/9789004310506_073
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And and and - A Device of One's Own - Reproductive Parataxis in Rex, Thorup and Åkesson.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 660, doi. 10.1163/9789004310506_072
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The Avant-Garde in Public Space - Two Danish Examples.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 649, doi. 10.1163/9789004310506_071
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Kanonklubben - The Oslo Trip and The Garden.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 642, doi. 10.1163/9789004310506_070
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Linguistic Leakage in the Landscape - Early Land Art in Norway.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 633, doi. 10.1163/9789004310506_069
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Jarl Hammarberg's Concrete Poetry and Collective Books.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 623, doi. 10.1163/9789004310506_068
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True Rulers of Their Own Realm - Political Subjectivisation in Modellen - En modell för ett kvalitativt samhälle.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 612, doi. 10.1163/9789004310506_067
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1966 - Thinking the City.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 603, doi. 10.1163/9789004310506_066
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Raping the Whole World in a Warm Embrace of Fascination - Drakabygget's Anti-Authoritarian Artistic Endeavours.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 593, doi. 10.1163/9789004310506_065
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A Borderline Case - Facial Politics in Kjartan Slettemark's The Passport.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 577, doi. 10.1163/9789004310506_064
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Performing Feminism - Kirsten Justesen.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 569, doi. 10.1163/9789004310506_063
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Showtime! - Notes on the Performance Practice of Per Højholt.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 562, doi. 10.1163/9789004310506_062
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Asger Jorn's Work in the Archive of the Revolution in Havana.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 556, doi. 10.1163/9789004310506_061
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Leiksmiðjan - Collaborating on a New Theatre.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 549, doi. 10.1163/9789004310506_060
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Odin Teatret - Between Tradition and the Avant-Garde.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 540, doi. 10.1163/9789004310506_059
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Yvonne Rainer and Robert Morris - An Evening of Talking and Dancing, 1964.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 534, doi. 10.1163/9789004310506_058
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Pistolteatern - Avant-Garde Performance and Political Theatre.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 528, doi. 10.1163/9789004310506_057
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Experiment, Scam and Children's Games - The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 516, doi. 10.1163/9789004310506_056
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To Play To-Day.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 508, doi. 10.1163/9789004310506_055
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The Festum Fluxorum in Copenhagen 23-28 November 1962.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 492, doi. 10.1163/9789004310506_054
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- Article
Concrete Poetry as a Score for Performance - Bengt Emil Johnson's Gubbdrunkning.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 486, doi. 10.1163/9789004310506_053
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"Hätila ragulpr på fåtskliaben" - Conceiving of Concrete Poetry.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 477, doi. 10.1163/9789004310506_052
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The Detested Interval Music - On Per Nørgård's Calendar Music as Interval Signal on tv.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 464, doi. 10.1163/9789004310506_051
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Fylkingen's Text-Sound Festivals 1968-1974.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 456, doi. 10.1163/9789004310506_050
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Telephone Art.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 453, doi. 10.1163/9789004310506_049
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Artists' Books in the 1960s.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 445, doi. 10.1163/9789004310506_048
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Visions Seen through Felt Boots - "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 433, doi. 10.1163/9789004310506_047
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ABCinema and Super 8 Technology.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 422, doi. 10.1163/9789004310506_046
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The New Monument - Experimental tv and Remediation.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 418, doi. 10.1163/9789004310506_045
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University of Helsinki Electronic Music Studio - Founding and Early Development.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 412, doi. 10.1163/9789004310506_044
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Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds - Erkki Kurenniemi on Music and Technolog.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 401, doi. 10.1163/9789004310506_043
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Computers and Art in the 1960s.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 399, doi. 10.1163/9789004310506_042
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The Case[y] of Husberg.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 396, doi. 10.1163/9789004310506_041
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Collaborators in Art and Technology - The Case of Billy Klüver.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 387, doi. 10.1163/9789004310506_040
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Concrete Poetry as Sign of Technological Changes in Society.
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- Avant-Garde Critical Studies, 2016, v. 32, p. 383, doi. 10.1163/9789004310506_039
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