Das kritische Potential des Zeigens. Brett Baileys Exhibit Series im / als Netzwerk visueller Wieder-Holungen.Published in:Forum Modernes Theater, 2020, v. 31, n. 1/2, p. 76, doi. 10.1353/fmt.2020.0006By:Ortmann, LuciePublication type:Article
Artists' Pages: A Site for the Repetition and Extension of Conceptual Art.Published in:Visual Resources: An International Journal of Documentation, 2016, v. 32, n. 3/4, p. 247, doi. 10.1080/01973762.2016.1229350By:Ismail-Epps, SamanthaPublication type:Article
Appropriation: Back Then, In Between, and Today.Published in:Art Bulletin, 2012, v. 94, n. 2, p. 172By:Frohne, Ursula AnnaPublication type:Article
How Not to See (Or, How Not to Not See) the Photographs of Tseng Kwong Chi.Published in:Amerasia Journal, 2014, v. 40, n. 2, p. 25By:Liu, WarrenPublication type:Article
Drawing Time.Published in:October, 2015, n. 151, p. 3, doi. 10.1162/OCTO_a_00210By:LAJER-BURCHARTH, EWAPublication type:Article