Cross-undressing in Colette: Performance, gender and music-hall labour practice.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
Works matching DE "GENDER identity in the theater"
Results: 22
1
2
Out of all keeping: Revolution and gender upheaval in Ixion.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 275, doi. 10.1386/smt.5.3.275_1
- By:
- Publication type:
- Article
3
From book to Broadway: Elphaba's gender ambiguity and her journey into heteronormativity in Wicked.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 245, doi. 10.1386/smt.5.3.245_1
- By:
- Publication type:
- Article
4
Why Must As You Like It Be Gayed Up?
- Published in:
- 2010
- By:
- Publication type:
- Letter to the Editor
5
A Split Discourse: Body Politics in Pakistan's Popular Punjabi Theatre.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 1, p. 114, doi. 10.1162/DRAM_a_00146
- By:
- Publication type:
- Article
6
“Strange Star”: Same-Sex Love and William Burnaby's Love Betray'd or The Agreeable Disapointment (1703).
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
7
Medea is a Good Boy: performing, subverting, and unmasking tragic gender.
- Published in:
- 2020
- By:
- Publication type:
- Literary Criticism
8
SEX AND WAR ON THE AMERICAN STAGE: LYSISTRATA IN PERFORMANCE, 1930–2012.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
9
Masculine Appearances: Male Physicality on the Late-Victorian Stage.
- Published in:
- Critical Survey, 2008, v. 20, n. 3, p. 44, doi. 10.3167/cs.2008.200304
- By:
- Publication type:
- Article
10
FLYING THE FEATHER: George, Prince of Wales and the Performance of Masculinity on the Late-Eighteenth-Century Stage.
- Published in:
- European Drama & Performance Studies, 2018, n. 10, p. 29
- By:
- Publication type:
- Article
11
'If I Sing': Voice, singing and song.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 1, p. 3, doi. 10.1386/smt.6.1.3_2
- By:
- Publication type:
- Article
12
The Girl I Left Behind Me: The disjunction between vocal and visual performance in male impersonation.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 1, p. 99, doi. 10.1386/smt.6.1.99_1
- By:
- Publication type:
- Article
13
京劇表演與性別意識 ――戲曲史考察的一個視角.
- Published in:
- Chinese Studies / Hanxue Yanjiu, 2011, v. 29, n. 2, p. 153
- By:
- Publication type:
- Article
14
The Boy in the Dress : queering Mantle of the Expert.
- Published in:
- Research in Drama Education, 2013, v. 18, n. 2, p. 192, doi. 10.1080/13569783.2013.787264
- By:
- Publication type:
- Article
15
Spectacular Men: Race, Gender, and Nation on the Early American Stage by Sarah E. Chinn (review).
- Published in:
- 2019
- By:
- Publication type:
- Book Review
16
"In That Dimension Grossly Clad": Transgender Rhetoric, Representation, and Shakespeare.
- Published in:
- Shakespeare Studies (Rosemont Publishing & Printing Corporation), 2019, v. 47, p. 120
- By:
- Publication type:
- Article
17
Abstracts.
- Published in:
- 2018
- Publication type:
- Abstract
18
British Muslim Feminisms on Stage.
- Published in:
- Contemporary Theatre Review, 2018, v. 28, n. 3, p. 378, doi. 10.1080/10486801.2018.1475361
- By:
- Publication type:
- Article
19
Pretty like the Girl: Gender, Race and Oklahoma!
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 35, doi. 10.1080/10486800802547260
- By:
- Publication type:
- Article
20
Queering Actor Training and Supporting Gender Dissidence.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
21
Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote and Rae Spoon.
- Published in:
- 2012
- By:
- Publication type:
- Interview
22
'Ni contigo ni sin ti': la visión absurdista de Nocturnos de Edna Ochoa.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism