Works matching IS 21903328 AND DT 2023
Results: 22
The Annihilation of the German Numismatic Market during the Nazi Era, with Some Observations on the Countermeasures Adopted by Jewish Ancient Coin Dealers.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92804
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- Article
"Unclaimed" Artworks Entrusted to French Museums after World War II: The Case of Near Eastern Art and Antiquities.
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- RIHA Journal, 2023, p. 1
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- Article
The Antiquities Trade during the German Occupation of France, 1940-1944.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92784
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The Patronage of Berlin's Egyptian Museum by German-Jewish Press Tycoon Rudolf Mosse (1843-1920) and the Sequestration of His Art Collection During the "Third Reich".
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92780
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- Article
The Fate of the Antiquities Collection of Izabela Działyńska (neé Czartoryska).
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92774
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- Article
Export Regulations and the Role of Ancient Objects in the German List of Nationally Important Artworks.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92771
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- Article
Stolen and Returned: The Marble Statue of Philippe from Samos.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92770
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Göring's Collection of Antiquities at Carinhall.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92769
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- Article
The Role of Antiquities between Fascist Italy and Nazi Germany: Diplomatic Gifting, Legal and Illegal Trades.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92761
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- Article
A Goddess of the Night, a Roman Gem, and the Bachstitz Gallery.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92750
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- Article
A Case Study in Plunder and Restitution: Three Ancient Sculptures from the Lanckoroński Collection.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92737
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- Article
Collecting Classical Antiquities among the Nazi Elite.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92736
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- Article
Antiquities in the Nazi Era: Contexts and Broader View.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2.92735
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Preface.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2
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Foreword.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2
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Foreword.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2
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Foreword.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2022.2
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- Article
Verlockende Struktur und gefährliche Ganzheit: György Kepes' Band Struktur in Kunst und Wissenschaft als Bindeglied zwischen Vorkriegsavantgarden, Strukturalismus und Postmoderne.
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- RIHA Journal, 2023, p. 106, doi. 10.11588/riha.2023.1.96554
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- Article
War Painting and the Soldier as the New Man: Karl Sterrer's Pilot Portraits and the Ambivalent Face of Heroism during the First World War.
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- RIHA Journal, 2023, p. 78, doi. 10.11588/riha.2023.1.94570
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- Article
Aristide Maillol aux États-Unis: De l'Albright Art Gallery à la National Gallery of Art, le chemin de la reconnaissance.
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- RIHA Journal, 2023, p. 34, doi. 10.11588/riha.2023.1.94030
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- Article
Notes on the Early Provenance of Paolo Veronese's Saint Catherine of Alexandria in Prison.
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- RIHA Journal, 2023, p. 19, doi. 10.11588/riha.2023.1.93676
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- Article
Paolo Uccello in French Surrealism: Doubling Antonin Artaud.
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- RIHA Journal, 2023, p. 1, doi. 10.11588/riha.2023.1.92215
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- Article