V ariation as T hematic A ctualisation: the C ase of B rahms's O p. 9.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 37, doi. 10.1111/j.1468-2249.2012.00341.x
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2012 AND VI 31 AND IP 1
Results: 6
1
2
C oda with a F inal T wist: the V ivace C odetta in the F irst M ovement of B rahms' s C ello sonata in F major.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 90, doi. 10.1111/j.1468-2249.2012.00337.x
- By:
- Publication type:
- Article
3
U nearthing the P ast: T heory and A rchaeology in R obert G jerdingen' s M usic in the G alant S tyle.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 112, doi. 10.1111/j.1468-2249.2012.00348.x
- By:
- Publication type:
- Article
4
B rahms' s S ix S ongs, O p. 3.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 2, doi. 10.1111/j.1468-2249.2012.00343.x
- By:
- Publication type:
- Article
5
New Editor's Note.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 1, doi. 10.1111/musa.12000
- Publication type:
- Article
6
A Note: On Informal Thinking.
- Published in:
- Music Analysis, 2012, v. 31, n. 1, p. 125, doi. 10.1111/musa.12004
- By:
- Publication type:
- Article