Scenarios, Mostly from the Early Days of MusA.
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- Music Analysis, 2002, v. 21, p. 5, doi. 10.1111/j.0262-5245.2002.00161.x
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Works matching IS 02625245 AND DT 2002 AND VI 21
Results: 21
1
2
R eading B erg.
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- Music Analysis, 2002, v. 21, n. 3, p. 383, doi. 10.1111/1468-2249.00171
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3
Olivier Messiaen's Analysis Seminar and the Development of Post-War Serial Music.
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- Music Analysis, 2002, v. 21, n. 1, p. 35, doi. 10.1111/1468-2249.00149
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4
T he M usical O bject R evisited.
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- Music Analysis, 2002, v. 21, n. 3, p. 327, doi. 10.1111/1468-2249.00170
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5
R econstructing M ozart.
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- Music Analysis, 2002, v. 21, n. 3, p. 307, doi. 10.1111/1468-2249.00169
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6
N otes O n C ontributors.
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- Music Analysis, 2002, v. 21, n. 3, p. 429, doi. 10.1111/1468-2249.00173
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- Article
7
Allen Forte, The Atonal Music of Anton Webern.
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- Music Analysis, 2002, v. 21, n. 3, p. 417, doi. 10.1111/1468-2249.00172
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8
N omos/N omos: L aw, M elody and the D econstructive in W ebern's'L eichteste B ürden der B äume', C antata II O p. 31.
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- Music Analysis, 2002, v. 21, n. 3, p. 259, doi. 10.1111/1468-2249.00168
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9
Work Published in Music Analysis 1982-2001 (Vols. 1-20).
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- Music Analysis, 2002, v. 21, p. 37, doi. 10.1111/j.0262-5245.2002.00167.x
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10
Thoughts on Musis Analysis.
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- Music Analysis, 2002, v. 21, p. 13, doi. 10.1111/j.0262-5245.2002.00162.x
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11
Contributors.
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- Music Analysis, 2002, v. 21, p. 35, doi. 10.1111/j.0262-5245.2002.00166.x
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- Article
12
Defusing Dionysus? New Perspectives on The Rite of Spring.
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- Music Analysis, 2002, v. 21, n. 1, p. 87, doi. 10.1111/1468-2249.00151
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- Article
13
Then and Now: or, Analysists are Human Too.
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- Music Analysis, 2002, v. 21, p. 29, doi. 10.1111/j.0262-5245.2002.00165.x
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- Article
14
Introduction: Music Analysis Twenty Years On.
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- Music Analysis, 2002, v. 21, p. 1, doi. 10.1111/j.0262-5245.2002.00160.x
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- Article
15
Music Analysis: not Universal, not Almighty, but Indispensable.
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- Music Analysis, 2002, v. 21, p. 23, doi. 10.1111/j.0262-5245.2002.00164.x
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16
Analysis: Past, Present and Future.
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- Music Analysis, 2002, v. 21, p. 17, doi. 10.1111/j.0262-5245.2002.00163.x
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17
Acknowledgements.
- Published in:
- Music Analysis, 2002, v. 21, n. 1, p. 1, doi. 10.1111/1468-2249.00147
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- Article
18
Notes on Contributors.
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- Music Analysis, 2002, v. 21, n. 1, p. 113, doi. 10.1111/1468-2249.00153
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- Article
19
Carl S.Leafstedt, Inside Bluebeard's Castle: Music and Drama in Béla Bartók's Opera.
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- Music Analysis, 2002, v. 21, n. 1, p. 105, doi. 10.1111/1468-2249.00152
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20
Olivier Messiaen as Serialist.
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- Music Analysis, 2002, v. 21, n. 1, p. 3, doi. 10.1111/1468-2249.00148
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21
Messiaen's Triadic Colouration: Modes as Interversion.
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- Music Analysis, 2002, v. 21, n. 1, p. 53, doi. 10.1111/1468-2249.00150
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- Article