ART HISTORY VISUAL CULTURE.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 479, doi. 10.1111/j.0141-6790.2004.00434.x
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- Publication type:
- Article
Works matching IS 01416790 AND DT 2004 AND VI 27 AND IP 4
Results: 20
1
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ONEIRIC HORIZONS AND DISSOLVING BODIES: BUDDHIST CAVE SHRINE AS MIRROR HALL.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 494, doi. 10.1111/j.0141-6790.2004.00435.x
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- Publication type:
- Article
3
SENSES AND SENSIBILITY IN BYZANTIUM.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 522, doi. 10.1111/j.0141-6790.2004.00436.x
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- Publication type:
- Article
4
GENDERING THE PERIOD EYE: DESCHI DA PARTO AND RENAISSANCE VISUAL CULTURE.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 538, doi. 10.1111/j.0141-6790.2004.00437.x
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- Publication type:
- Article
5
VISCERAL CULTURE: BLUSHING AND THE LEGIBILITY OF WHITENESS IN EIGHTEENTH-CENTURY BRITISH PORTRAITURE.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 563, doi. 10.1111/j.0141-6790.2004.00438.x
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- Publication type:
- Article
6
History as the main complaint: William Kentridge and the making of post-apartheid South Africa.
- Published in:
- 2004
- By:
- Publication type:
- Abstract
7
Making Sense Out/Of the Visual: Aboriginal Presentations and Representations in Nieteenth-Century Canada.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 593, doi. 10.1111/j.0141-6790.2004.00439.x
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- Publication type:
- Article
8
FRAMING THE COLONY: HOUSES OF ALGERIA PHOTOGRAPHED.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 616, doi. 10.1111/j.0141-6790.2004.00440.x
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- Publication type:
- Article
9
‘MODEST RECORDING INSTRUMENTS’: SCIENCE, SURREALISM AND VISUALITY.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 627, doi. 10.1111/j.0141-6790.2004.00441.x
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- Publication type:
- Article
10
HISTORY AS THE MAIN COMPLAINT: WILLIAM KENTRIDGE AND THE MAKING OF POST-APARTHEID SOUTH AFRICA.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 671, doi. 10.1111/j.0141-6790.2004.00443.x
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- Publication type:
- Article
11
Art history visual culture.
- Published in:
- 2004
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- Publication type:
- Abstract
12
Oneiric horizons and dissolving bodies: Buddhist cave shrine as mirror hall.
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- 2004
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- Publication type:
- Abstract
13
Senses and sensibility in Byzantium.
- Published in:
- 2004
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- Publication type:
- Abstract
14
ART BEYOND AESTHETICS: PHILOSOPHICAL CRITICISM, ART HISTORY AND CONTEMPORARY ART.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 651, doi. 10.1111/j.0141-6790.2004.00442.x
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- Publication type:
- Article
15
Gendering the period eye: deschi da parto and Renaissance visual culture.
- Published in:
- 2004
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- Publication type:
- Abstract
16
Visceral culture: blushing and the legibility of whiteness in eighteenth-century British portraiture.
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- 2004
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- Publication type:
- Abstract
17
Making sense out/of the visual: Aboriginal presentations and representations in nineteenth-century Canada.
- Published in:
- 2004
- By:
- Publication type:
- Abstract
18
Framing the colony: houses of Algeria photographed.
- Published in:
- 2004
- By:
- Publication type:
- Abstract
19
‘Modest recording instruments’: science, surrealism and visuality.
- Published in:
- 2004
- By:
- Publication type:
- Abstract
20
Art beyond aesthetics: philosophical criticism, art history and contemporary art.
- Published in:
- 2004
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- Publication type:
- Abstract