Black Lives Matter in History Too: Slavery, Memory, and the Haitian Revolution in Chris Rock's <italic>Top Five</italic>.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "RACIAL identity of white people in motion pictures"
Results: 7
1
2
Proletarian Blackface: Appropriation and Class Struggle in Mike Judge's Office Space.
- Published in:
- Communication, Culture & Critique, 2016, v. 9, n. 3, p. 362, doi. 10.1111/cccr.12120
- By:
- Publication type:
- Article
3
Location shooting in “the Wild East”: risk and masculinity in Hollywood productions in the Philippines.
- Published in:
- Feminist Media Studies, 2017, v. 17, n. 6, p. 988, doi. 10.1080/14680777.2017.1313290
- By:
- Publication type:
- Article
4
"That's Your Uncle? He's White!" "Yeah, a Long Time": Negotiating Whiteness in the Rocky/Creed Series.
- Published in:
- Italian Americana, 2017, v. 35, n. 2, p. 145, doi. 10.5406/2327753x.35.2.03
- By:
- Publication type:
- Article
5
Mediating affect in John Pilger’s Utopia : ‘the good life’ as a structure of whiteness.
- Published in:
- Cultural Studies, 2018, v. 32, n. 1, p. 126, doi. 10.1080/09502386.2017.1394345
- By:
- Publication type:
- Article
6
“You Can't Spend Your Whole Life on a Surfboard”: Elvis Presley, Exotic Whiteness, and Native Performance in Blue Hawaii and Girls! Girls! Girls!
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
7
A Hand that Holds a Machete: Race and the Representation of the Displaced in Jacques Audiard's Dheepan.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review