Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch-Class Specific Collection.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 203, doi. 10.1111/1468-2249.00117
- By:
- Publication type:
- Article
Works matching IS 02625245 AND DT 2000 AND VI 19 AND IP 2
Results: 7
1
2
Analysing Post-Tonal Diatonic Music: A Modulo 7 Perspective.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 167, doi. 10.1111/1468-2249.00116
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- Publication type:
- Article
3
Britten's Lament: The World of Owen Wingate.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 145, doi. 10.1111/1468-2249.00115
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- Publication type:
- Article
4
Compromise, Conflation and Contextualism in English Music(ology).
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 257, doi. 10.1111/1468-2249.00119
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- Publication type:
- Article
5
Notes on Contributors.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 287, doi. 10.1111/1468-2249.00121
- Publication type:
- Article
6
Accounting and Mediating: Modes, Genera, Voice-leading and Form in Milhaud.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 233, doi. 10.1111/1468-2249.00118
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- Publication type:
- Article
7
Review of Johnathan Cross, The Stravinsky Legacy.
- Published in:
- Music Analysis, 2000, v. 19, n. 2, p. 279, doi. 10.1111/1468-2249.00120
- By:
- Publication type:
- Article