Wavelet Point-Based Global Illumination.
- Published in:
- Computer Graphics Forum, 2015, v. 34, n. 4, p. 143, doi. 10.1111/cgf.12686
- By:
- Publication type:
- Article
Works matching Special effects (Motion pictures)
Results: 162
1
2
The Screen on the Set: The Problem of Classical-Studio Rear Projection.
- Published in:
- 2012
- By:
- Publication type:
- Essay
3
Inside the “Mind” of Llewyn Davis: Embodying a Melancholic Vision of the World.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
4
special FX.
- Published in:
- Metro, 2001, n. 131/132, p. 131
- By:
- Publication type:
- Article
5
The Digital Aesthetic of Violence: Introducing the Special Issue.
- Published in:
- Journal of Popular Film & Television, 2017, v. 45, n. 1, p. 2, doi. 10.1080/01956051.2017.1270133
- By:
- Publication type:
- Article
6
Of Eight Oscillations and Several Messages Carved in Flesh: Spectacle, Spectatorship, Cognition, and Affect in Dredd and Looper.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
7
Eaton/SFRA 2013.
- Published in:
- 2013
- By:
- Publication type:
- Proceeding
8
Final Frontiers: Computer-Generated Imagery and the Science Fiction Film.
- Published in:
- Science Fiction Studies, 2006, v. 33, n. 1, p. 89
- By:
- Publication type:
- Article
9
Making Culture Into Nature; or, Who Put the "Special" into "Special Effects"?
- Published in:
- Science Fiction Studies, 1980, v. 7, n. 3, p. 263, doi. 10.1525/sfs.7.3.0263
- By:
- Publication type:
- Article
10
THE TECHNIQUE OF SPECIAL-EFFECTS CINEMATOGRAPHY (Book).
- Published in:
- 1967
- By:
- Publication type:
- Book Review
11
A Los Angeles Science Fiction Sublime.
- Published in:
- Space & Culture, 2014, v. 17, n. 4, p. 410, doi. 10.1177/1206331214543872
- By:
- Publication type:
- Article
12
Temporally coherent and spatially accurate video matting.
- Published in:
- Computer Graphics Forum, 2014, v. 33, n. 2, p. 381, doi. 10.1111/cgf.12297
- By:
- Publication type:
- Article
13
Constrained Texture Mapping using Image Warping.
- Published in:
- Computer Graphics Forum, 2010, v. 29, n. 1, p. 160, doi. 10.1111/j.1467-8659.2009.01584.x
- By:
- Publication type:
- Article
14
Visual effects and their importance in the field of visual media creation.
- Published in:
- Journal of Graphic Engineering & Design (JGED), 2022, v. 13, n. 2, p. 5, doi. 10.24867/JGED-2022-2-005
- By:
- Publication type:
- Article
15
LARISSA SANSOUR.
- Published in:
- ArtAsiaPacific, 2018, n. 110, p. 78
- By:
- Publication type:
- Article
16
LE CINÉASTE COCTEAU : UNE CONCEPTION ARTISTIQUE AU CARREFOUR DE LA LITTÉRATURE ET DES ARTS VISUELS.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2010, v. 55, n. 2, p. 81
- By:
- Publication type:
- Article
17
When more is less: CGI, spectacle and the capitalist sublime.
- Published in:
- Science Fiction Film & Television, 2008, v. 1, n. 2, p. 249, doi. 10.3828/sfftv.1.2.4
- By:
- Publication type:
- Article
18
Cinema Cloud: An Enabling Technology for the Movie Industry.
- Published in:
- IT Professional, 2014, v. 16, n. 5, p. 50, doi. 10.1109/MITP.2013.106
- By:
- Publication type:
- Article
19
ŠIUOLAIKINIO KINO ŽIŪROVO VILIONĖS - SKAITMENINIAI MALONUMAI KINO TEATRE IR NAMUOSE.
- Published in:
- Acta Academiae Artium Vilnensis, 2011, n. 63, p. 107
- By:
- Publication type:
- Article
20
The Digital Multitude.
- Published in:
- Cinema Journal, 2010, v. 49, n. 4, p. 90, doi. 10.1353/cj.2010.0005
- By:
- Publication type:
- Article
21
Double Trouble: SRK, Fandom, and Special Effects.
- Published in:
- Framework: The Journal of Cinema & Media, 2017, v. 58, n. 1-5, p. 187, doi. 10.13110/framework.58.1-2.0187
- By:
- Publication type:
- Article
22
A Science Fictionalized Filmosophy of Reality.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
23
Japan's Cinema of Tricks: Optical Effects and Classical Film Style.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
24
"Time Destroys All Things": An Interview With Gaspar Noé.
- Published in:
- 2007
- By:
- Publication type:
- Interview
25
The Vatican to Vegas: A History of Special Effects by Norman M. Klein (New York and London: The New Press, 2004).
- Published in:
- 2007
- By:
- Publication type:
- Book Review
26
Crossing Borders and Opening Boxes: Disney and Hybrid Animation.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 2, p. 107, doi. 10.1080/10509200500486155
- By:
- Publication type:
- Article
27
الحلول التشكيلية لمختارات من الكائنات البحرية وطباعتها باستخدام معالجات تقنية للطباعة باإلزالة.
- Published in:
- AmeSea International Journal, 2023, v. 9, n. 36, p. 779
- By:
- Publication type:
- Article
28
Digital sculpting for historical representation: Neville tomb case study.
- Published in:
- Digital Creativity, 2017, v. 28, n. 2, p. 123, doi. 10.1080/14626268.2016.1258421
- By:
- Publication type:
- Article
29
TÜRK SİNEMASINDA ÖZEL EFEKT TEKNOLOJİLERİ ARACILIĞIYLA OLUŞTURULAN KORKU İKONLARI.
- Published in:
- Global Media Journal: Turkish Edition, 2014, v. 5, n. 9, p. 372
- By:
- Publication type:
- Article
30
Thinking filming thinking filming.
- Published in:
- Journal of Aesthetics & Culture, 2009, v. 1, p. 1, doi. 10.3402/jac.v1i0.2122
- By:
- Publication type:
- Article
31
Hardcore: Schizoanalysis as Audiovisual Thinking of Cinematic Drug Injection Images.
- Published in:
- Rhizomes: Cultural Studies in Emerging Knowledge, 2012, n. 24, p. 14
- By:
- Publication type:
- Article
32
Blood on Boylston: Digital Memory and the Dramatisation of Recent History in Patriots Day.
- Published in:
- M/C Journal, 2017, v. 20, n. 5, p. 1, doi. 10.5204/mcj.1288
- By:
- Publication type:
- Article
33
SCREENTECH.
- Published in:
- Metro, 2005, n. 142, p. 188
- By:
- Publication type:
- Article
34
WHERE'S MASSIVE?
- Published in:
- Metro, 2004, n. 139, p. 142
- By:
- Publication type:
- Article
35
THE MONSTROUS TALENTS OF NICK HILLIGOSS.
- Published in:
- Metro, 2003, n. 138, p. 160
- By:
- Publication type:
- Article
36
ONE UPON A TIME...THE ROLE OF VISUAL EFFECTS DESIGN IN STORYTELLLING.
- Published in:
- 2003
- By:
- Publication type:
- Interview
37
WELCOME.
- Published in:
- Metro, 2003, n. 138, p. 154
- By:
- Publication type:
- Article
38
Bracing the Opportunities in the Nigerian Animation Industry: Unlocking the Challenging Phase.
- Published in:
- Animation (17468477), 2025, v. 20, n. 1, p. 41, doi. 10.1177/17468477251324057
- By:
- Publication type:
- Article
39
Wonder, Magic and the Fantastical Margins: Medieval Visual Culture and Cinematic Special Effects.
- Published in:
- Journal of Visual Culture, 2010, v. 9, n. 2, p. 163, doi. 10.1177/1470412910372757
- By:
- Publication type:
- Article
40
Special effects and uncanny affect: CGI and the post-cinematic uncanny.
- Published in:
- Ubiquity (2045-6271), 2016, v. 5, n. 1, p. 75, doi. 10.1386/ubiq.5.1.75_1
- By:
- Publication type:
- Article
41
The Pathaan Effect.
- Published in:
- Bioscope: South Asian Screen Studies, 2023, v. 14, n. 2, p. 134, doi. 10.1177/09749276231198044
- By:
- Publication type:
- Article
42
Nature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema.
- Published in:
- Comparative Critical Studies, 2009, v. 6, n. 3, p. 373, doi. 10.3366/E1744185409000858
- By:
- Publication type:
- Article
43
THE INDEPENDENT FILMMAKER'S GUIDE TO WRITING A BUSINESS PLAN FOR INVESTORS (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
44
Old Tropes in New Dimensions: Stereoscopy and Franchise Spectatorship.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
45
Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 95
- By:
- Publication type:
- Article
46
Pixel Visions: Digital Intermediates and Micromanipulations of the Image.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 72
- By:
- Publication type:
- Article
47
Sensing an Intellectual Nemesis.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 49
- By:
- Publication type:
- Article
48
The Migration of Forms: Bullet Time as Microgenre.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 26
- By:
- Publication type:
- Article
49
Digital Visual Effects and Popular Cinema: An Introduction.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 2
- By:
- Publication type:
- Article
50
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films.
- Published in:
- Film Criticism, 2004, v. 29, n. 2, p. 34
- By:
- Publication type:
- Article