A Peasant's Interview with a Foreign Journalist by Predrag Milošević in Relation to the Question of Socialist Realism in Serbian Music History.
- Published in:
- Muzikologija, 2016, n. 21, p. 71, doi. 10.2298/MUZ1621071M
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- Publication type:
- Article
Works matching Socialist realism in music
Results: 32
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THEORIES ON SOCIALIST REALISM AND SOCIALIST MUSIC CULTURE IN THE 1960S IN HUNGARY.
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- Muzikologija, 2019, n. 26, p. 125, doi. 10.2298/MUZ1926125R
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- Article
3
AFTER ZERO HOUR: STATES AS “CUSTODIANS OF UNIVERSAL HUMAN CULTURE,” OR “GUARDIANS OF ADVANCED ART”.
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- Muzikologija, 2017, n. 23, p. 41, doi. 10.2298/MUZ1723041M
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- Article
4
Aram Khachaturian and Socialist Realism: A Reconsideration.
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- Muzikologija, 2016, n. 20, p. 87, doi. 10.2298/MUZ1620087S
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- Article
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EESTI NÕUKOGUDEAEGSE KULTUURI TÄHENDUSVÄLJADEST HILISSTALINISMIAEGSE DŽÄSSIAJALOO NÄITEL.
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- Acta Historica Tallinnensia, 2016, n. 22, p. 89, doi. 10.3176/hist.2016.1.05
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- Article
6
Muzyczna kultura ludowa na Lubelszczyźnie w warunkach socrealizmu (1944–1956) Prolegomena.
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- Literatura Ludowa, 2021, n. 1, p. 23, doi. 10.12775/ll.1.2021.002
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- Article
7
Chopin on Barricades: About the 100th Anniversary of Chopin's Birth (1949) and Socialist Realism Doctrine in Poland.
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- Kwartalnik Mlodych Muzykologów UJ, 2018, v. 36, n. 1, p. 77, doi. 10.4467/23537094KMMUJ.18.017.9020
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- Article
8
A Well-oiled Machine: The Creation and Dissolution of East Germany's VEB Deutsche Schallplatten.
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- 2012
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- Publication type:
- Essay
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Svobodi naproti Demetrija Žebreta v presečišču socialističnega realizma in zmernega modernizma.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 1, p. 39, doi. 10.4312/mz.50.1.39-47
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- Article
10
Socialist Realism or Cybernetics? Music, Information Theory, and Posthumanism in the German Democratic Republic.
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- Musical Quarterly, 2022, v. 105, n. 3/4, p. 357, doi. 10.1093/musqtl/gdac008
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- Article
11
THE EARLY PRAGUE SPRING: ANALYSING THE RE-ESTABLISHMENT OF MODERNIST ASPECTS ACCORDING TO THE EXAMPLE OF THREE PIANO CONCERTOS BY THE “PRAGUE GROUP” OF COMPOSERS.
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- Muzikologija, 2017, n. 23, p. 127, doi. 10.2298/MUZ1723127G
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- Article
12
“MUSIC FOR MILLIONS”. JÁNOS MARÓTHY AND ACADEMIC RESEARCH ON POPULAR MUSIC IN SOCIALIST HUNGARY.
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- Muzikologija, 2017, n. 23, p. 117, doi. 10.2298/MUZ1723117I
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- Article
13
Continuities and Discontinuities in Serbian Music, 1930-1950.
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- Musicology Today, 2016, n. 27, p. 231
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- Article
14
Gender Discourse and Musical Life in the GDR.
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- 2011
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- Publication type:
- Essay
15
A Preliminary Investigation of Music, Socialist Realism, and the Romanian Experience, 1948-1959: (Re)reading, (Re)listening, and (Re)writing Music History for a Different Audience.
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- Journal of Musicological Research, 2007, v. 26, n. 2-3, p. 151, doi. 10.1080/01411890701354446
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- Article
16
THE 'PERESTROYKA' OF SOVIET SYMPHONISM: SHOSTAKOVICH IN 1935.
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- Music & Letters, 2002, v. 83, n. 2, p. 259, doi. 10.1093/ml/83.2.259
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- Article
17
ВОЈИСЛАВ ВУЧКОВИЋ КАО МУЗИЧКИ КРИТИЧАР.
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- Muzikologija, 2024, n. 37, p. 139, doi. 10.2298/MUZ2437139V
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- Article
18
The Story of Creative Resistance: Pascal Bentoiu, the Man and His Music.
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- Musicology Today, 2019, v. 37, n. 1, p. 53
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- Article
19
FACING A NEW REALITY: POLISH COMPOSERS IN THE FIRST YEARS AFTER 1945.
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- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2019, v. 19, n. 1, p. 3
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- Article
20
Pārskats par 20. gadsimta modernisma attīstību Baltijas valstu mūzikā un tā lomu sovetiskās normatīvās estētikas pārvarēšanā: 1940–1990.
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- Letonica, 2024, n. 55, p. 4, doi. 10.35539/LTNC.2024.0055.03
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- Article
21
"THE PHENOMENON OF CULTURE IS THE PHENOMENON OF BREAD": THE DEBATE ON CULTURE IN BELARUS (1988-1991).
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- Baltic Journal of Art History, 2020, v. 19, p. 101, doi. 10.12697/BJAH.2020.19.04
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- Article
22
Soviet Spaceships In Socialist China: Reading Soviet Popular Literature In The 1950s.
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- Modern China Studies, 2015, v. 22, n. 1, p. 191
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- Article
23
Subversive Sounds: Music and Censorship in Communist Poland.
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- Music Reference Services Quarterly, 2008, v. 11, n. 2, p. 143, doi. 10.1080/10588160802143488
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- Article
24
Związki kultury muzycznej i filmowej.
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- Film Quarterly / Kwartalnik Filmowy, 2025, n. 129, p. 261, doi. 10.36744/kf.3975
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- Publication type:
- Article
25
GEORGIAN TRADITIONAL MUSIC TUDAY: REVIVAL AS PRESERVATION?
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- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2018, v. 17, n. 1, p. 70
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- Article
26
»Priti k ljudstvu« – »Glasba narodu«: soodvisnost glasbe in ideologije na primeru glasbenega življenja Pule od 1926. do 1952. leta.
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- Musicological Annual / Muzikoloski Zbornik, 2013, v. 49, n. 1, p. 119, doi. 10.4312/mz.49.1.119-127
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- Article
27
Gregory Haimovsky: a pianist’s odyssey to freedom.
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- Journal of Contemporary European Studies, 2018, v. 26, n. 4, p. 474, doi. 10.1080/14782804.2018.1536875
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- Publication type:
- Article
28
Politics, Patronage, and the State in British Avant-Garde Music, c.1959-c.1974.
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- Twentieth Century British History, 2016, v. 27, n. 2, p. 242, doi. 10.1093/tcbh/hww010
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- Article
29
Reconstructing the National Heritage: Socialist Folk Music in North Korea and East Germany, 1945-1963.
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- Korea Journal, 2021, v. 61, n. 1, p. 186, doi. 10.25024/kj.2021.61.1.186
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- Article
30
Dodecaphonic Composition in 1950s and 1960s Europe: The Ideological Issue of Rightist or Leftist Orientation.
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- Journal of Musicological Research, 2007, v. 26, n. 2-3, p. 177, doi. 10.1080/01411890701351566
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- Publication type:
- Article
31
INTRODUCTION Serbian Twentieth- and Twenty-First-Century Musical Avant-Gardes: An Introduction.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 5/6, p. 471, doi. 10.1080/07494467.2021.2022884
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- Article
32
La réception en France de la musique soviétique: l'évolution de la censure de 1948 à 1958.
- Published in:
- Slovo, 2023, v. 53, p. 137
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- Article