Lea Jacobs, Film Rhythm After Sound: Technology, Music and Performance.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
Works matching IS 00369543 AND DT 2018 AND VI 59 AND IP 3
Results: 10
1
2
Inverting Hollywood from the outside in: the films within Cheryl Dunye's The Watermelon Woman.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 293, doi. 10.1093/screen/hjy036
- By:
- Publication type:
- Article
3
Exhausting horror: twenty-first-century vampires in Jim Jarmusch's Only Lovers Left Alive.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 333, doi. 10.1093/screen/hjy034
- By:
- Publication type:
- Article
4
Total cinema: René Barjavel and the future forms of film.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 372, doi. 10.1093/screen/hjy039
- By:
- Publication type:
- Article
5
Notes to Contributors.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 400, doi. 10.1093/screen/hjy043
- Publication type:
- Article
6
Geraldine Pratt and Rose Marie San Juan, Film and Urban Space: Critical Possibilities.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
7
Contributors.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 398, doi. 10.1093/screen/hjy042
- Publication type:
- Article
8
Conning all over the world: Latin American variations of an American film genre.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 350, doi. 10.1093/screen/hjy041
- By:
- Publication type:
- Article
9
Cinema in the eyes of Simone de Beauvoir.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 381, doi. 10.1093/screen/hjy040
- By:
- Publication type:
- Article
10
Being unlikeable: the failure and optimism of Todd Solondz.
- Published in:
- Screen, 2018, v. 59, n. 3, p. 311, doi. 10.1093/screen/hjy032
- By:
- Publication type:
- Article