"Bloody" Sam Peckinpah: His Films and Legacy.
- Published in:
- Journal of the West, 2011, v. 50, n. 4, p. 34
- By:
- Publication type:
- Article
Works matching Montage (Cinematography)
Results: 94
1
2
The crevice and the stitch.
- Published in:
- Critical Quarterly, 2009, v. 51, n. 3, p. 41, doi. 10.1111/j.1467-8705.2009.01873.x
- By:
- Publication type:
- Article
3
Montage as the Meaning-generative Principle of Avant-garde: From Montage in Cinema to Montage in Theatre (Soviet and Post-Soviet Theatre and Cinema).
- Published in:
- KnE Social Sciences, 2018, p. 114, doi. 10.18502/kss.v3i7.2469
- By:
- Publication type:
- Article
4
The Art of Stage to Screen Adaptation in Denzel Washington's Fences.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
5
"Cinema's First Domestic Epic": Tracing The Proust Screenplay in Harold Pinter's Archive.
- Published in:
- 2015
- By:
- Publication type:
- Essay
6
Lady Be Good --montage in the success sequence.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
7
An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage.
- Published in:
- Journal of Visual Art Practice, 2021, v. 20, n. 1/2, p. 16, doi. 10.1080/14702029.2021.1917858
- By:
- Publication type:
- Article
8
Spatial dialectics: montage and spatially organised narrative in stories without human leads.
- Published in:
- Digital Creativity, 2006, v. 17, n. 4, p. 221, doi. 10.1080/14626260601074136
- By:
- Publication type:
- Article
9
Narrative logic of enactive cinema: Obsession.
- Published in:
- Digital Creativity, 2006, v. 17, n. 4, p. 205, doi. 10.1080/14626260601074078
- By:
- Publication type:
- Article
10
Patterning reconfigurable narrative: interactive cinema as architectural elevation within 3D interactive digital environments.
- Published in:
- Digital Creativity, 2006, v. 17, n. 4, p. 243, doi. 10.1080/14626260601074243
- By:
- Publication type:
- Article
11
"Turn off the dark": A Tale of Two Shakespeares in Julie Taymor's Tempest.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
12
The Kino-Eye Montage Procedure as a Formal Experiment.
- Published in:
- Art + Media: Journal of Art & Media Studies, 2018, n. 15, p. 23, doi. 10.25038/am.v0i15.227
- By:
- Publication type:
- Article
13
Digital gleaning, feminist futures: Around Alina Marazzi's Un'ora sola ti vorrei (For One More Hour with You) (2002).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
14
Reality unbound. The politics of fragmentation in the experimental productions of kinema ikon.
- Published in:
- 2016
- By:
- Publication type:
- Essay
15
Seeing through ¡Que viva México!: Eisenstein's Travels in Mexico.
- Published in:
- Journal of Iberian & Latin American Studies, 2006, v. 12, n. 2/3, p. 173, doi. 10.1080/14701840601085022
- By:
- Publication type:
- Article
16
Indexing of Fictional Video Content for Event Detection and Summarisation.
- Published in:
- EURASIP Journal on Image & Video Processing, 2007, v. 2007, p. 2, doi. 10.1155/2007/14615
- By:
- Publication type:
- Article
17
Wholly Communion: Scenario, Film, Novelization.
- Published in:
- 2011
- By:
- Publication type:
- Essay
18
Cinematic Borderlands: Jean Vigo's L'Atalante and the Allure of entre-deux.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
19
Shooting space, tracking time: the city from animated photography to vernacular relativity.
- Published in:
- Cultural Geographies, 2007, v. 14, n. 4, p. 589, doi. 10.1177/1474474007082295
- By:
- Publication type:
- Article
20
An Expanded Perceptual Laboratory: Public Art and the Cinematic Techniques of Superimposition, Montage and Apparatus/Dispositif.
- Published in:
- Public Art Dialogue, 2015, v. 5, n. 2, p. 112, doi. 10.1080/21502552.2015.1066571
- By:
- Publication type:
- Article
21
MEMORY AND SPACE IN KAZUO ISHIGURO'S NOVEL "THE BURIED GIANT": INTERMEDIAL ASPECT.
- Published in:
- Scientific Journal of Polonia University, 2021, v. 48, n. 5, p. 56, doi. 10.23856/4807
- By:
- Publication type:
- Article
22
The rediscovery of a Kuleshov experiment: A dossier.
- Published in:
- Film History, 1996, v. 8, n. 3, p. 357
- By:
- Publication type:
- Article
23
Montage and Theatricality as Sources of Estrangement A Tendency in Contemporary Brechtian Cinema.
- Published in:
- Theatre Symposium, 2011, v. 19, p. 111, doi. 10.1353/tsy.2011.0002
- By:
- Publication type:
- Article
24
UP-TO-SPEED CINEMA: AN ELUCIDATION OF GRIFFITH'S 1909 CONTRIBUTION TO MONTAGE AND REPRESENTATION, THROUGH THE RATIO OF SHOTS TO CAMERA SETUPS.
- Published in:
- Canadian Journal of Film Studies, 2019, v. 28, n. 1, p. 93, doi. 10.3138/CJFS.28.1.2018-0021
- By:
- Publication type:
- Article
25
MONTAGE IN THEATRE AND FILM: Observations on Eisenstein and Brecht.
- Published in:
- Code / Kodikas, 1988, v. 11, n. 3-4, p. 251
- By:
- Publication type:
- Article
26
Sergei Eisenstein and Montage: When Cultures Collide in Once Upon a Time in China II.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 3, doi. 10.1386/fm.3.4.3_1
- By:
- Publication type:
- Article
27
Inside Out: Representations of Women and Work on Popular Television.
- Published in:
- Journal of Critical Studies in Business & Society, 2010, v. 1, n. 1/2, p. 15
- By:
- Publication type:
- Article
28
Sonidos del trabajo : los montajes de Guillén Landrián en Taller de Línea y 18.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
29
Montage as a gesture of mediation and education.
- Published in:
- Film Education Journal, 2023, v. 6, n. 2, p. 141, doi. 10.14324/FEJ.06.2.06
- By:
- Publication type:
- Article
30
The Philosopher's Stallone: Significance of the Rocky IV Training Montage.
- Published in:
- Cinematic Codes Review, 2017, v. 2, n. 1, p. 61
- By:
- Publication type:
- Article
31
Colombian found footage: The tradition of rupture.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2015, v. 13, n. 1, p. 51, doi. 10.1386/ncin.13.1.51_1
- By:
- Publication type:
- Article
32
Editing and Montage in International Film and Video: Theory and Technique.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
33
The ideological aspect of intersemiotic translation and montage.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 241, doi. 10.12697/SSS.2013.41.2-3.07
- By:
- Publication type:
- Article
34
From stage to brain: Montage as a new principle of scientific narrative.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 200, doi. 10.12697/SSS.2013.41.2-3.04
- By:
- Publication type:
- Article
35
Metrical montage: On the theory of polymetrical compositions.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 187, doi. 10.12697/SSS.2013.41.2-3.03
- By:
- Publication type:
- Article
36
Point - pathos - totality.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 167, doi. 10.12697/SSS.2013.41.2-3.02
- By:
- Publication type:
- Article
37
Preface. Montage principle and the semiotics of culture.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 163, doi. 10.12697/SSS.2013.41.2-3.01
- By:
- Publication type:
- Article
38
Montage in Russian Imaginism: Poetry, theatre and theory.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 219, doi. 10.12697/SSS.2013.41.2-3.05
- By:
- Publication type:
- Article
39
Rapping Postmemory, Sampling the Archive: Reimagining 17 October 1961.
- Published in:
- 2014
- By:
- Publication type:
- Essay
40
Actual Image || Virtual Cut: Schizoanalysis and Montage.
- Published in:
- Deleuze Studies, 2011, v. 5, n. 2, p. 177, doi. 10.3366/dls.2011.0017
- By:
- Publication type:
- Article
41
Introduction: Signatures of the Invisible: On Schizoanalysis and Visual Culture.
- Published in:
- Deleuze Studies, 2011, v. 5, n. 2, p. 151, doi. 10.3366/dls.2011.0015
- By:
- Publication type:
- Article
42
Vsevolod Pudovkin and the Theory of Montage.
- Published in:
- Architectural Design, 2000, v. 70, n. 1, p. 9
- By:
- Publication type:
- Article
43
ARCHITECTURE AND FILM.
- Published in:
- Architectural Design, 1994, v. 64, n. 11/12, p. 90
- By:
- Publication type:
- Article
44
'Speculation and the Imagination': History, Storytelling and the Body in Godfried Donkor's 'Financial Times' (2007).
- Published in:
- Slavery & Abolition, 2008, v. 29, n. 2, p. 203, doi. 10.1080/01440390802027855
- By:
- Publication type:
- Article
45
Literary images: towards a phenomenology of cinematic writing.
- Published in:
- 2016
- By:
- Publication type:
- Essay
46
ON ADRIAN STOKES AND FILM AESTHETICS.
- Published in:
- Screen, 1980, v. 21, n. 4, p. 91, doi. 10.1093/screen/21.4.91
- By:
- Publication type:
- Article
47
INDIVIDUAL AGENCY AND THE STUDIO SYSTEM: DON SIEGEL, MONTAGE, AND WARNER BROS.
- Published in:
- Film & History (03603695), 2016, v. 46, n. 2, p. 4, doi. 10.1353/flm.2016.a643288
- By:
- Publication type:
- Article
48
The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes.
- Published in:
- Leonardo, 2022, v. 55, n. 3, p. 267, doi. 10.1162/leon_a_02142
- By:
- Publication type:
- Article
49
Even The Dead Will Not Be Safe: Part II of III.
- Published in:
- Brooklyn Rail, 2018, p. 1
- By:
- Publication type:
- Article
50
Even The Dead Will Not Be Safe Part III of III.
- Published in:
- Brooklyn Rail, 2017, p. 1
- By:
- Publication type:
- Article