Architecture as Political Technology: Siah Armajani, Thomas Jefferson's Monticello and the Politics of Space, 1975-1977.
- Published in:
- Oxford Art Journal, 2019, v. 42, n. 2, p. 157, doi. 10.1093/oxartj/kcz004
- By:
- Publication type:
- Article
Works matching IS 01426540 AND DT 2019 AND VI 42 AND IP 2
Results: 9
1
2
Burning Through: Derek Jarman's Realism in The Last of England (1987).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
3
Illustration as Pleasure and Problem.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
4
The Living Image in Bio-Art and in Philosophy.
- Published in:
- Oxford Art Journal, 2019, v. 42, n. 2, p. 177, doi. 10.1093/oxartj/kcz007
- By:
- Publication type:
- Article
5
Notes on Contributors.
- Published in:
- Oxford Art Journal, 2019, v. 42, n. 2, p. 245, doi. 10.1093/oxartj/kcz011
- Publication type:
- Article
6
Ray Johnson's Robin Gallery: Queer Publicity Network as Counterpublic.
- Published in:
- Oxford Art Journal, 2019, v. 42, n. 2, p. 197, doi. 10.1093/oxartj/kcz006
- By:
- Publication type:
- Article
7
Self-portrait of the Artist as a Dog.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
8
Theatricality, Materiality, and Social Critique in the Work of Georges Rouault.
- Published in:
- Oxford Art Journal, 2019, v. 42, n. 2, p. 137, doi. 10.1093/oxartj/kcz005
- By:
- Publication type:
- Article
9
Abstracts.
- Published in:
- 2019
- Publication type:
- Abstract