Textuality in a Jazz Aesthetic: Textual Rituals for Transformation in Sharon Bridgforth's love conjure/blues.
- Published in:
- MELUS, 2021, v. 46, n. 2, p. 172, doi. 10.1093/melus/mlab024
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- Publication type:
- Article
Works matching The Man Who Cried I Am by John A. Williams
Results: 3
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The "Con" in Conspiracy: Racial Violence as Political Assassination in Suzan-Lori Parks's Topdog/Underdog.
- Published in:
- MELUS, 2021, v. 46, n. 2, p. 24, doi. 10.1093/melus/mlab017
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- Publication type:
- Article
3
Black Power beyond Black Nationalism: John A. Williams, Cultural Pluralism, and the Popular Front.
- Published in:
- 2009
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- Publication type:
- Literary Criticism