Works matching DE "RESPONSES (Musical form)"
Results: 27
Self-selected “favourite” stimulative and sedative music listening - how does familiar and preferred music listening affect the body?
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- Nordic Journal of Music Therapy, 2009, v. 18, n. 2, p. 150, doi. 10.1080/08098130903062363
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- Article
Using music to influence cognitive and affective responses in queues of low and high crowd density.
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- Journal of Marketing Management, 2008, v. 24, n. 5-6, p. 589, doi. 10.1362/026725708X326002
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- Article
Caracterización del comportamiento dinámico de la tribuna occidental del estadio Pascual Guerrero durante un concierto musical.
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- Ingeniería y Competitividad, 2007, v. 9, n. 2, p. 49
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- Article
Aesthetic Responses to Repetition in Unfamiliar Music.
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- Empirical Studies of the Arts, 2013, v. 31, n. 1, p. 45, doi. 10.2190/EM.31.1.c
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- Article
Cautious response of inexperienced birds to conventional signal of stronger threat.
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- Journal of Avian Biology, 2007, v. 38, n. 6, p. 644, doi. 10.1111/j.2007.0908-8857.04255.x
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- Article
Evaluation of Concert Hall Auralization with Virtual Symphony Orchestra.
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- Building Acoustics, 2011, v. 18, n. 3/4, p. 349, doi. 10.1260/1351-010X.18.3-4.349
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- Article
Congruence-Association Model and Experiments in Film Music: Toward Interdisciplinary Collaboration.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 5, doi. 10.5406/musimoviimag.8.2.0005
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- Article
The Effects of Orchestration on Musicians' and Nonmusicians' Perception of Musical Tension.
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- Research & Issues in Music Education, 2011, v. 9, n. 1, p. 1
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- Article
MACHAUT AND THE 'CRITICAL' PHASE OF MEDIEVAL POLYPHONY.
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- Music & Letters, 2006, v. 87, n. 2, p. 262, doi. 10.1093/ml/gci233
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- Article
A Response to David J. Elliott, "Music and Affect: The Praxial View.".
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- Philosophy of Music Education Review, 2000, v. 8, n. 2, p. 114
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- Article
The role of exposure in emotional responses to music.
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- Behavioral & Brain Sciences, 2008, v. 31, n. 5, p. 594, doi. 10.1017/S0140525X08005499
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- Article
Chills As an Indicator of Individual Emotional Peaks.
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- Annals of the New York Academy of Sciences, 2009, v. 1169, p. 351, doi. 10.1111/j.1749-6632.2009.04783.x
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- Article
Musical Tempo and Waiting Perceptions.
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- Psychology & Marketing, 2003, v. 20, n. 8, p. 685, doi. 10.1002/mar.10092
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- Article
Aesthetic Response to Music: Musicians versus Nonmusicians.
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- Journal of Music Therapy, 1993, v. 30, n. 3, p. 174, doi. 10.1093/jmt/30.3.174
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- Article
Control of Acquisition of Eye Contact by Distorted and Undistorted Music Stimuli.
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- Journal of Music Therapy, 1983, v. 20, n. 3, p. 132, doi. 10.1093/jmt/20.3.132
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- Article
Choice of Televised Music Lessons Versus Free Play in Relationship to Academic Improvement.
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- Journal of Music Therapy, 1976, v. 13, n. 4, p. 154, doi. 10.1093/jmt/13.4.154
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- Article
A Comparison of Music as Reinforcement for Correct Mathematical Responses Versus Music as Reinforcement for Attentiveness.
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- Journal of Music Therapy, 1975, v. 12, n. 2, p. 84, doi. 10.1093/jmt/12.2.84
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- Article
EFEITOS DA MÚSICA SOBRE RESPOSTAS PERCEPTIVAS E ESTRATÉGIA DE CORRIDA.
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- Brazilian Journal of Biomotricity, 2011, v. 5, n. 3, p. 210
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RUMINATIONS ON MUSIC AS AN EXEMPLARY ART.
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- New Sound: International Magazine for Music, 2013, n. 40, p. 201
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THE RECEPTION OF MINIMALIST COMPOSITION TECHNIQUES IN SERBIAN MUSIC OF THE LATE 20<sup>TH</sup> CENTURY.
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- New Sound: International Magazine for Music, 2013, n. 40, p. 181
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IMPROVISATION AS A CALL FOR COMMUNICATION.
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- New Sound: International Magazine for Music, 2008, n. 32, p. 16
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- Article
Order within disorder: what kinds of tonal plans exist in Gesualdo's Tenebrae Responsories?
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- Early Music, 2018, v. 46, n. 3, p. 465, doi. 10.1093/em/cay021
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Montpellier in Oxford.
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- 2014
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- Proceeding
Is music a discrete mode of experience?
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- Recercare, 2009, v. 21, n. 1/2, p. 7
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- Article
Race, Music, and the Ravages of History: Response, Responsiveness, and Responsibility.
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- Action, Criticism & Theory for Music Education, 2005, v. 4, n. 3, p. 1
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- Article
Client Experiences With The Music in the Bonny Method of Guided Imagery And Music (BMGIM).
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- Qualitative Inquiries in Music Therapy, 2005, v. 2, p. 36
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- Article
A Collaborative Heuristic Analysis of Imagery-M: A Classical Music Program Used in The Bonny Method of Guided Imagery and Music (BMGIM).
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- Qualitative Inquiries in Music Therapy, 2005, v. 2, p. 1
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- Article