When nothing remains: anatomical collections, the ethics of stewardship and the meanings of absence.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 351, doi. 10.1093/jhc/fhx019
- By:
- Publication type:
- Article
Works matching IS 09546650 AND DT 2018 AND VI 30 AND IP 2
Results: 17
1
2
Provenance and collection history of Tubicaulis solenites (Sprengel) Cotta: a unique fossil tree fern and its 200-year journey through the international museum landscape.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 241, doi. 10.1093/jhc/fhx025
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- Publication type:
- Article
3
Illusion as ingenuityDutch perspective boxes in the Royal Danish Kunstkammer’s ‘Perspective Chamber’.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 187, doi. 10.1093/jhc/fhx024
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- Publication type:
- Article
4
Perceptions of Scottish pottery: nineteenth-century collecting in National Museums Scotland.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 269, doi. 10.1093/jhc/fhx023
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- Publication type:
- Article
5
The Paper Museum of Cassiano dal Pozzo, Series B (parts 4 and 5). Natural History: Birds, Other Animals and Natural Curiosities.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
6
Menagerie. The History of Exotic Animals in England.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
7
Medical collecting on the frontiers of natural history: the rise and fall of Haslar Hospital Museum (1827–1855).
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 253, doi. 10.1093/jhc/fhx027
- By:
- Publication type:
- Article
8
Private Collecting, Exhibitions, and the Shaping of Art History in London. The Burlington Fine Arts Club.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
9
Der Zeustempel in Berlin: Zur öffentlichen Präsentation und Rezeption der Funde aus Olympia in Berlin von 1875 bis 1945.
- Published in:
- 2018
- By:
- Publication type:
- Correction Notice
10
From a royal residence to a royal collection: the state apartments at Hampton Court Palace, 1737–1838.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 217, doi. 10.1093/jhc/fhx040
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- Publication type:
- Article
11
Francesco I’s museum: cultural politics at the Galleria degli Uffizi.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 203, doi. 10.1093/jhc/fhx017
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- Publication type:
- Article
12
The fate of seven ‘Lion headed sphinxes’ and the sale of the Egyptian collection of John Barker in London, 1833.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 235, doi. 10.1093/jhc/fhx044
- By:
- Publication type:
- Article
13
The Evolution of Taste in American Collecting.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
14
How one global collection of Old Master prints was created: nine albums by the Sadeler family in the Baillieu Library of the University of Melbourne.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 339, doi. 10.1093/jhc/fhx018
- By:
- Publication type:
- Article
15
Der Zeustempel in BerlinZur öffentlichen Präsentation und Rezeption der Funde aus Olympia in Berlin von 1875 bis 1945.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 281, doi. 10.1093/jhc/fhx026
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- Publication type:
- Article
16
Books Received.
- Published in:
- 2018
- Publication type:
- Bibliography
17
‘Renowned and unknown’Calouste Gulbenkian as collector of paintings.
- Published in:
- Journal of the History of Collections, 2018, v. 30, n. 2, p. 317, doi. 10.1093/jhc/fhx037
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- Publication type:
- Article