D'Urfey and Don Quixote: Plot Fragmentation and the Idea of ‘Opera’.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 134, doi. 10.1093/fmls/cqs004
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- Article
Works matching IS 00158518 AND DT 2012 AND VI 48 AND IP 2
Results: 10
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The Spectacle of Nature in Paul et Virginie: Natural History, Opera and the Novel.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 149, doi. 10.1093/fmls/cqs005
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- Article
3
George Eliot and the ‘Expressiveness of Opera’.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 164, doi. 10.1093/fmls/cqs006
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- Article
4
Opera and Novel Ending Together: Die Meistersinger and Doktor Faustus.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 208, doi. 10.1093/fmls/cqs008
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- Article
5
Reflections on Setting Clarissa.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 236, doi. 10.1093/fmls/cqs002
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- Article
6
Intrusive Narrators: The Representation of Narration and Narrators in the Operatic Adaptations of The Great Gatsby and Sophie's Choice.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 222, doi. 10.1093/fmls/cqs007
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7
Introduction.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 117, doi. 10.1093/fmls/cqs010
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- Article
8
Franz Werfel's ‘Opera Novel’.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 195, doi. 10.1093/fmls/cqs001
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- Article
9
Adaptation and Adaptability in Arnold Schoenberg's Moses und Aron.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 118, doi. 10.1093/fmls/cqs003
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- Article
10
The Prima Donna, Opera Chorus and Amateur Violinist: Music as ‘Event’ in Wilkie Collins's Man and Wife.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 178, doi. 10.1093/fmls/cqs009
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- Article