AFTERWARDSNESS AS CATHOLIC AESTHETIC IN GRAHAM GREENE'S THE END OF THE AFFAIR AND MURIEL SPARK'S THE GIRLS OF SLENDER MEANS: TRAUMA AND EPIPHANIES OF THE EVERYDAY.Published in:2025By:Sinclair, Peter M.Publication type:Literary Criticism
“NOWHERE’S SAFE”: RUINOUS RECONSTRUCTION IN MURIEL SPARK’S THE GIRLS OF SLENDER MEANS.Published in:2016By:RICH, KELLY M.Publication type:Literary Criticism
MURIEL SPARK'S THE GIRLS OF SLENDER MEANS AT THE LIMITS OF THE CATHOLIC NOVEL.Published in:Religion & Literature, 2015, v. 47, n. 2, p. 41By:Tomko, Helena M.Publication type:Article
Discipline and Slenderness: Docile Bodies in Muriel Spark’s The Girls of Slender Means.Published in:2016By:Lee, Joori JoycePublication type:Book Review
Digs and Lodging Houses: Literature, Ruins, and Survival in Postwar Britain.Published in:Eire-Ireland, 2017, v. 52, n. 3/4, p. 57, doi. 10.1353/eir.2017.0022By:WILLS, CLAIRPublication type:Article
Muriel Spark's Caricatural Effects.Published in:2005By:Gregson, IanPublication type:Literary Criticism
Beyond trauma: provisional networks and eccentric forms in fiction of the blitz.Published in:2025By:Gaedtke, AndrewPublication type:Literary Criticism
A light and heartless hand.Published in:Textual Practice, 2018, v. 32, n. 9, p. 1689, doi. 10.1080/0950236X.2018.1533175By:Strachan, ZoëPublication type:Article