Fortunate Iberia.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
Works matching IS 03061078 AND DT 2011 AND VI 39 AND IP 4
Results: 39
1
2
Purcell's elusive life.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
3
Medieval repertories.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
4
Index for 2011.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 673, doi. 10.1093/em/car124
- Publication type:
- Article
5
A Mozart bonanza.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
6
Editorial.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 487, doi. 10.1093/em/car115
- By:
- Publication type:
- Article
7
‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 547, doi. 10.1093/em/car083
- By:
- Publication type:
- Article
8
‘Kleinmeister’ music—A conflict of interests?
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
9
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
- By:
- Publication type:
- Article
10
Instrumental fantasy in the Habsburg lands.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
11
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
- By:
- Publication type:
- Article
12
Abstracts.
- Published in:
- 2011
- Publication type:
- Abstract
13
A Viennese woman composer.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
14
Bach in Edinburgh.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
15
Kroměříž explored.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
16
Mozart: text and interaction.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
17
Advertisers' Index.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 683, doi. 10.1093/em/car118
- Publication type:
- Article
18
Frescobaldi keyboard music.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
19
New variations on Bach’s chorus.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
20
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 489, doi. 10.1093/em/car081
- By:
- Publication type:
- Article
21
News and events.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 668, doi. 10.1093/em/car111
- Publication type:
- Article
22
Celebrating the Eton Choirbook.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
23
More on Vivaldi in Switzerland.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 597, doi. 10.1093/em/car102
- By:
- Publication type:
- Article
24
Renaissance masterworks.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
25
J. S. Bach’s Trauer-Music for Prince Leopold: clarification and reconstruction.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 587, doi. 10.1093/em/car104
- By:
- Publication type:
- Article
26
Monteverdi past and present.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
27
The fortepiano at a crossroads.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
28
D’Anglebert in multiple texts.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
29
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
- By:
- Publication type:
- Article
30
Period-instrument performances of choral works, 1794–1846.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
31
Magnano Clavichord Symposium.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
32
The beginnings of Christian singing.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
33
Significance and effect of the stile antico in Handel's oratorios.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 563, doi. 10.1093/em/car071
- By:
- Publication type:
- Article
34
‘The ripienists must also be at least eight, namely two for each part’: The Leipzig line of 1730—some observations.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 575, doi. 10.1093/em/car101
- By:
- Publication type:
- Article
35
English Masses at home and abroad.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
36
Buxtehude vocal music.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
37
Instrumental Handel.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
38
A classicist tackles opera.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
39
The lives of German musicians in novels and autobiographies.
- Published in:
- 2011
- By:
- Publication type:
- Book Review