Found: 27
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Ludford and Croce.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Bach's singers.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 350, doi. 10.1093/em/32.2.350
- Publication type:
- Article
Basle, Cambridge and openness.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 349, doi. 10.1093/em/32.2.349-a
- Publication type:
- Article
Pitch in early Anglican church music.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 348, doi. 10.1093/em/32.2.348
- Publication type:
- Article
Small-town Spain.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Seicento opera edited.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Performing pitch.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 349, doi. 10.1093/em/32.2.349
- Publication type:
- Article
Balancing a catalogue.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Early America and Cuba.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Harold Copeman (1918-2003).
- Published in:
- 2004
- By:
- Publication type:
- Obituary
Two Trasuntino harpsichord copies.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 345, doi. 10.1093/em/32.2.345
- By:
- Publication type:
- Article
Renaissance miscellany.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 343, doi. 10.1093/em/32.2.343
- By:
- Publication type:
- Article
Biber's Mystery Sonatas.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 341, doi. 10.1093/em/32.2.341
- By:
- Publication type:
- Article
Music for plucked strings.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 339, doi. 10.1093/em/32.2.339
- By:
- Publication type:
- Article
Annibale Stabile and performance practice at two Roman institutions.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 271, doi. 10.1093/em/32.2.271
- By:
- Publication type:
- Article
Biblical instruments.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
The guitar in its fullness.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Medieval performances.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
Words without music in the German Baroque.
- Published in:
- 2004
- By:
- Publication type:
- Book Review
New polyphonic fragments from 15th-century Spain: a preliminary report.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 244, doi. 10.1093/em/32.2.244
- By:
- Publication type:
- Article
Monteverdi: onwards and downwards.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 303, doi. 10.1093/em/32.2.303
- By:
- Publication type:
- Article
New light on the old bow—1.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 286, doi. 10.1093/em/32.2.286
- By:
- Publication type:
- Article
The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526-1550: music, letters and the meeting of cultures.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 194, doi. 10.1093/em/32.2.194
- By:
- Publication type:
- Article
More about Renaissance slide trumpets: fact or fiction?
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 252, doi. 10.1093/em/32.2.252
- By:
- Publication type:
- Article
Morales's Officium, chant traditions, and performing 16th-century music.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 225, doi. 10.1093/em/32.2.225
- By:
- Publication type:
- Article
Editorial.
- Published in:
- 2004
- By:
- Publication type:
- Editorial
The Spanish plucked viola in Renaissance Italy, 1480-1530.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 177, doi. 10.1093/em/32.2.177
- By:
- Publication type:
- Article