‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
- By:
- Publication type:
- Article
Works matching Monteverdi, Claudio, 1567-1643
Results: 122
1
2
GEHEIMNISUMWITTERT UND GENIAL.
- Published in:
- Gottesdienst und Kirchenmusik, 2010, v. 10, n. 2, p. 16
- By:
- Publication type:
- Article
3
Echo's Fluid (Im)materiality across Text and Performance.
- Published in:
- Arts (2076-0752), 2023, v. 12, n. 6, p. 249, doi. 10.3390/arts12060249
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- Publication type:
- Article
4
More Monteverdi (and more).
- Published in:
- Early Music, 2018, v. 46, n. 4, p. 697, doi. 10.1093/em/cay071
- By:
- Publication type:
- Article
5
Abstracts.
- Published in:
- 2017
- Publication type:
- Abstract
6
Monteverdi, Marino and the aesthetic of meraviglia.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 415, doi. 10.1093/em/cax045
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- Publication type:
- Article
7
Monteverdi's 'daily bread': the economic life of a professional musician.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 353, doi. 10.1093/em/cax043
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- Publication type:
- Article
8
Monteverdi at the crossroads.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 347, doi. 10.1093/em/cax042
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- Publication type:
- Article
9
Monteverdi in Cremona and Mantua.
- Published in:
- 2017
- By:
- Publication type:
- Proceeding
10
Monteverdi and the parola scenica in performance.
- Published in:
- 2017
- By:
- Publication type:
- Music Review
11
Monteverdi's 'Zefiro torna e 'l bel tempo rimena' as hypertext.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 393, doi. 10.1093/em/cax055
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- Publication type:
- Article
12
Monteverdi in Venice.
- Published in:
- 2017
- By:
- Publication type:
- Proceeding
13
Editorial.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 345, doi. 10.1093/em/cax054
- By:
- Publication type:
- Article
14
Monteverdi's Confitebor primo from the Selva morale et spirituale of 1641: context, text and structure.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 403, doi. 10.1093/em/cax048
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- Publication type:
- Article
15
Rescuing Ariadne.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 377, doi. 10.1093/em/cax049
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- Publication type:
- Article
16
Monteverdi in Venice: new documents and perspectives.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 365, doi. 10.1093/em/cax041
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- Publication type:
- Article
17
Vespers, Sicilian and otherwise.
- Published in:
- 2016
- By:
- Publication type:
- Music Review
18
Reviving early opera: the past as progress.
- Published in:
- Early Music, 2013, v. 41, n. 1, p. 33, doi. 10.1093/em/cat012
- By:
- Publication type:
- Article
19
Italian small-scale motets and antiphons.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
20
Performing the Monteverdian self.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
21
High clefs and down-to-earth transposition: a brief defence of Monteverdi.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 81, doi. 10.1093/em/cas028
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- Publication type:
- Article
22
Editorial.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 487, doi. 10.1093/em/car115
- By:
- Publication type:
- Article
23
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
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- Publication type:
- Article
24
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 489, doi. 10.1093/em/car081
- By:
- Publication type:
- Article
25
Monteverdi past and present.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
26
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
- By:
- Publication type:
- Article
27
Monteverdi's infinite variety.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
28
Getting to know Monteverdi.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
29
The power of love.
- Published in:
- Early Music, 2009, v. 37, n. 4, p. 705, doi. 10.1093/em/cap105
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- Publication type:
- Article
30
Monteverdi in chamber and chapel.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
31
Rediscovering Monteverdi, sacred and secular.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
32
Monteverdi motets and madrigals.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
33
Monteverdi: onwards and downwards.
- Published in:
- Early Music, 2004, v. 32, n. 2, p. 303, doi. 10.1093/em/32.2.303
- By:
- Publication type:
- Article
34
Myths of Venice.
- Published in:
- 2002
- By:
- Publication type:
- Music Review
35
Monteverdi's 1610 Vespers.
- Published in:
- Early Music, 2000, v. 28, n. 4, p. 658, doi. 10.1093/earlyj/XXVIII.4.658
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- Publication type:
- Article
36
Madrigals and duets.
- Published in:
- 2000
- By:
- Publication type:
- Music Review
37
The `Sala degli Specchi' uncovered: Monteverdi, the Gonzagas and the Palazzo Ducale, Mantua.
- Published in:
- Early Music, 1999, v. 27, n. 3, p. 451, doi. 10.1093/earlyj/XXVII.3.451
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- Publication type:
- Article
38
Recording reviews.
- Published in:
- 1996
- By:
- Publication type:
- Music Review
39
`Behold our affliction': Celebration and supplication in the Gonzaga household.
- Published in:
- Early Music, 1996, v. 24, n. 2, p. 250, doi. 10.1093/earlyj/XXIV.2.251
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- Publication type:
- Article
40
Monteverdi circles.
- Published in:
- 1994
- By:
- Publication type:
- Music Review
41
L'armonia sonora: Continuo orchestration in Monteverdi's Orfeo.
- Published in:
- Early Music, 1994, v. 22, n. 1, p. 86, doi. 10.1093/earlyj/XXII.1.86
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- Publication type:
- Article
42
`There was not one lady who failed to shed a tear'.
- Published in:
- Early Music, 1994, v. 22, n. 1, p. 21, doi. 10.1093/earlyj/XXII.1.21
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- Publication type:
- Article
43
`La voce e grata assai, ma...': Monteverdi on singing.
- Published in:
- Early Music, 1994, v. 22, n. 1, p. 7, doi. 10.1093/earlyj/XXII.1.7
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- Publication type:
- Article
44
Monteverdiana 1993.
- Published in:
- Early Music, 1993, v. 21, n. 4, p. 565, doi. 10.1093/earlyj/XXI.4.565
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- Publication type:
- Article
45
`Col nobilissimo esercitio della vivula': Monteverdi's string writing.
- Published in:
- Early Music, 1993, v. 21, n. 4, p. 576, doi. 10.1093/earlyj/XXI.4.577
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- Publication type:
- Article
46
Possente spirto: On taming the power of music.
- Published in:
- Early Music, 1993, v. 21, n. 4, p. 517, doi. 10.1093/earlyj/XXI.4.517
- By:
- Publication type:
- Article
47
The Messa a quattro voci et salmi (1650) and Monteverdi's Venetian church music.
- Published in:
- Recercare, 2016, v. 28, n. 1/2, p. 89
- By:
- Publication type:
- Article
48
PROVE GENERALI DI TEATRO MUSICALE IN LAGUNA. IL CONTESTO MUSICALE VENEZIANO DEL PRIMO SEICENTO E IL RUOLO DI MONTEVERDI NELLA NASCITA DEL MELODRAMMA A VENEZIA.
- Published in:
- Venezia Arti: Bollettino del Dipartimento di Storia Delle Arti e Conservazione Dei Beni Artistici, 2008, v. 22/23, p. 84
- By:
- Publication type:
- Article
49
A GRAND 400TH ANNIVERSARY: THE NONTEVERDI VESPERS OF 1610.
- Published in:
- American Recorder, 2010, v. 51, n. 2, p. 11
- By:
- Publication type:
- Article
50
Monteverdi's Orfeo - Shakespeare's Hamlet: Polycentric composition as the effort to find order in the uncertain times.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2019, v. 55, n. 1, p. 27, doi. 10.4312/mz.55.1.27-41
- By:
- Publication type:
- Article