Under Erasure: William Kentridge, Derrida, and Post-Apartheid South Africa.
- Published in:
- Studies in Gender & Sexuality, 2018, v. 19, n. 2, p. 133, doi. 10.1080/15240657.2018.1456019
- By:
- Publication type:
- Article
Works matching DE "KENTRIDGE, William, 1955-"
Results: 65
1
2
Progress, Progression, Procession: William Kentridge and the Narratology of Transitional Justice.
- Published in:
- Narrative, 2012, v. 20, n. 1, p. 1, doi. 10.1353/nar.2012.0005
- By:
- Publication type:
- Article
3
Wandering Stars: William Kentridge's Err(ant) Choreographies.
- Published in:
- Parallax, 2008, v. 14, n. 1, p. 68, doi. 10.1080/13534640701782022
- By:
- Publication type:
- Article
4
EXHIBITIONS.
- Published in:
- 2009
- Publication type:
- Proceeding
5
William Kentridge.
- Published in:
- 2024
- By:
- Publication type:
- Art Exhibition Review
6
Weigh All Tears.
- Published in:
- 2022
- By:
- Publication type:
- Art Exhibition Review
7
Wellington.
- Published in:
- ArtAsiaPacific, 2016, n. 99, p. 18
- By:
- Publication type:
- Article
8
Smash the Thing: William Kentridge, Classical Antiquity, and his Refusal of Time in O Sentimental Machine.
- Published in:
- Classical Receptions Journal, 2022, v. 14, n. 2, p. 264, doi. 10.1093/crj/clab017
- By:
- Publication type:
- Article
9
Time After Time: william kentridge's heterochronies.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2022, v. 27, n. 5, p. 97, doi. 10.1080/0969725X.2022.2110398
- By:
- Publication type:
- Article
10
Q&A: Time transformer.
- Published in:
- 2015
- By:
- Publication type:
- Interview
11
Shandean Resonances in William Kentridge's 'Lesson from the Absurd'.
- Published in:
- Shandean, 2014, v. 25, p. 25, doi. 10.3828/shandean.2014.25.04
- By:
- Publication type:
- Article
12
The Troubles of the Neck.
- Published in:
- 2019
- By:
- Publication type:
- Performance Review
13
I Am Not Me, The Horse Is Not Mine.
- Published in:
- 2010
- By:
- Publication type:
- Script/Play
14
Kentridge's Nose.
- Published in:
- 2010
- By:
- Publication type:
- Essay
15
`The Rock': William Kentridge's Drawings for Projection.
- Published in:
- October, 2000, n. 92, p. 3, doi. 10.2307/779231
- By:
- Publication type:
- Article
16
Conflicts between context and content in William Kentridge: Five Themes : a case study of the Melbourne exhibition.
- Published in:
- 2015
- By:
- Publication type:
- Case Study
17
Obsessive Drawing: I Can't Stop Thinking About-.
- Published in:
- Psychoanalytic Review, 2003, v. 90, n. 5, p. 753, doi. 10.1521/prev.90.5.753.25191
- By:
- Publication type:
- Article
18
I am not Me, the Horse is not Mine, William Kentridge & J. M. Coetzee; or: Machines, Death, and Performance as Prelude to Reading Slow Man.
- Published in:
- 2016
- By:
- Publication type:
- Essay
19
The Head and the Load (review).
- Published in:
- 2020
- By:
- Publication type:
- Performance Review
20
SHOW YOUR FACE!/WOYZECK ON THE HIGHVELD.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
21
Process/Procession: William Kentridge and the Process of Change.
- Published in:
- 2013
- By:
- Publication type:
- Essay
22
INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART: INTERSECTIONS, DURBAN, SOUTH AFRICA.
- Published in:
- 2018
- By:
- Publication type:
- Proceeding
23
William Kentridge's Triumphs and Laments: The Challenges and Pleasures of Collaboration.
- Published in:
- De Arte, 2019, v. 54, n. 1, p. 60, doi. 10.1080/00043389.2019.1619972
- By:
- Publication type:
- Article
24
The "Big Man" as Fictional Archetype in the Work of Robert Hodgins and William Kentridge.
- Published in:
- De Arte, 2019, v. 54, n. 1, p. 25, doi. 10.1080/00043389.2018.1558535
- By:
- Publication type:
- Article
25
Back matter.
- Published in:
- 2018
- Publication type:
- Table of Contents
26
The Many Hands of Thick Time: William Kentridge at the Whitechapel Gallery.
- Published in:
- CounterText, 2018, v. 4, n. 1, p. 128, doi. 10.3366/count.2018.0120
- By:
- Publication type:
- Article
27
Front matter.
- Published in:
- 2018
- Publication type:
- Table of Contents
28
Poetics of Peril.
- Published in:
- CounterText, 2017, v. 3, n. 3, p. 377, doi. 10.3366/count.2017.0104
- By:
- Publication type:
- Article
29
Science for art: multi-years' evaluations of biocidal efficacy in support of artwork conservation.
- Published in:
- Frontiers in Microbiology, 2023, p. 1, doi. 10.3389/fmicb.2023.1178900
- By:
- Publication type:
- Article
30
Out of Sight, Out of Body: The Sugimoto/Demand Effect.
- Published in:
- Grey Room, 2006, v. 22, p. 86, doi. 10.1162/152638106775434422
- By:
- Publication type:
- Article
31
HISTORY AS THE MAIN COMPLAINT: WILLIAM KENTRIDGE AND THE MAKING OF POST-APARTHEID SOUTH AFRICA.
- Published in:
- Art History, 2004, v. 27, n. 4, p. 671, doi. 10.1111/j.0141-6790.2004.00443.x
- By:
- Publication type:
- Article
32
History as the main complaint: William Kentridge and the making of post-apartheid South Africa.
- Published in:
- 2004
- By:
- Publication type:
- Abstract
33
KENTRIDGE'S SUBTEXT.
- Published in:
- Zivot Umjetnosti, 2013, v. 92, p. 18
- By:
- Publication type:
- Article
34
PROJECTS WE LOVE.
- Published in:
- 2016
- By:
- Publication type:
- Art Exhibition Review
35
PROBING White Guilt, PURSUING White Redemption.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
36
TIDE TABLES TURNED: FATHERS AND SONS IN WILLIAM KENTRIDGE.
- Published in:
- English Studies in Africa, 2009, v. 52, n. 1, p. 75, doi. 10.1080/00138390903172559
- By:
- Publication type:
- Article
37
Representing the South African Landscape: Coetzee, Kentridge, and the Ecocritical Enterprise.
- Published in:
- 2007
- By:
- Publication type:
- Literary Criticism
38
'Heterochronotopical' Stagings.
- Published in:
- Thamyris/Intersecting: Place, Sex & Race, 2008, v. 19, n. 1, p. 35
- By:
- Publication type:
- Article
39
Die moderne self as toneelpop in Woyzeck on the Highveld.
- Published in:
- Literator, 2011, v. 32, n. 2, p. 65, doi. 10.4102/lit.v32i2.12
- By:
- Publication type:
- Article
40
El viaje in situ. De cómo el caminar en espacios confinados puede potenciar la imaginación.
- Published in:
- Artnodes, 2021, n. 27, p. 1, doi. 10.7238/a.v0i27.373921
- By:
- Publication type:
- Article
41
William Kentridge: Restrospective.
- Published in:
- Art Journal, 1999, v. 58, n. 3, p. 74, doi. 10.2307/777862
- By:
- Publication type:
- Article
42
Visualizing the discourse in Material Thinking: Conversations between China and South Africa, Chen Qingqing, Feng Jiali, Gu Lin, Liu Liguo, Qi Zhilong, Qing Taimao, Wang Xiaojin and Zhong Biao (China); William Kentridge, Diane Victor, Colbert Mashile, Kristin NG-Yang and Rory Klopper (South Africa), curated by Zhang Siyong
- Published in:
- Journal of Arts & Communities, 2020, v. 12, n. 1/2, p. 119, doi. 10.1386/jaac_00026_7
- By:
- Publication type:
- Article
43
Taking a Joke Seriously: Mickey Mouse and William Kentridge.
- Published in:
- MLN, 2013, v. 128, n. 5, p. 1146, doi. 10.1353/mln.2013.0093
- By:
- Publication type:
- Article
44
William Kentridge: Thick Time.
- Published in:
- 2017
- By:
- Publication type:
- Exhibition Review
45
William Kentridge: Oh To Believe in Another World.
- Published in:
- 2023
- By:
- Publication type:
- Exhibition Review
46
William Kentridge WITH ANN MCCOY.
- Published in:
- 2016
- By:
- Publication type:
- Interview
47
La articulación de la memoria histórica en Drawings for projection, de William Kentridge.
- Published in:
- Revista Fotocinema, 2020, n. 20, p. 79, doi. 10.24310/fotocinema.2020.v0i20.7593
- By:
- Publication type:
- Article
48
Victoria.
- Published in:
- Art Monthly Australasia, 2012, n. 247, p. 60
- By:
- Publication type:
- Article
49
Faustus in Africa.
- Published in:
- Contemporary Theatre Review, 1999, v. 9, n. 4, p. 43
- By:
- Publication type:
- Article
50
Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge.
- Published in:
- Film-Philosophy, 2013, v. 17, n. 1, p. 402, doi. 10.3366/film.2013.0023
- By:
- Publication type:
- Article