Witches and Their Power and Agency in Brett Bailey’s Macbeth (2014).
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 262, doi. 10.1093/adaptation/apx015
- By:
- Publication type:
- Article
Works matching IS 17550637 AND DT 2017 AND VI 10 AND IP 2
Results: 8
1
2
Romeo and Juliet for Two: Shakespeare During the Financial Crisis in Greece.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 141, doi. 10.1093/adaptation/apx014
- By:
- Publication type:
- Article
3
Colour-Conscious Casting and Multicultural Britain in the BBC Henry V (2012): Historicizing Adaptation in an Age of Digital Placelessness.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 176, doi. 10.1093/adaptation/apx013
- By:
- Publication type:
- Article
4
Always Crashing in the Same Car: Shakespeare, Ballard, and Appropriation.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 159, doi. 10.1093/adaptation/apx012
- By:
- Publication type:
- Article
5
Indifference and Repetition: Rehearsing Shakespeare in Piñeiro’s Viola.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 230, doi. 10.1093/adaptation/apx007
- By:
- Publication type:
- Article
6
Crowding out Dover ‘Cliff’ in Korol Lir.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 210, doi. 10.1093/adaptation/apx006
- By:
- Publication type:
- Article
7
‘Shining the Light on Women’: Recreating the Comedies in Matías Piñeiro’s Film Adaptations of Shakespeare.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 192, doi. 10.1093/adaptation/apw063
- By:
- Publication type:
- Article
8
Disruptive Adaptation: Transfiguring Shakespeare in Humphrey Jennings’s Fires Were Started.
- Published in:
- Adaptation, 2017, v. 10, n. 2, p. 245, doi. 10.1093/adaptation/apw037
- By:
- Publication type:
- Article