"Bloody" Sam Peckinpah: His Films and Legacy.
- Published in:
- Journal of the West, 2011, v. 50, n. 4, p. 34
- By:
- Publication type:
- Article
Works matching Montage (Cinematography)
Results: 94
1
2
The crevice and the stitch.
- Published in:
- Critical Quarterly, 2009, v. 51, n. 3, p. 41, doi. 10.1111/j.1467-8705.2009.01873.x
- By:
- Publication type:
- Article
3
'Speculation and the Imagination': History, Storytelling and the Body in Godfried Donkor's 'Financial Times' (2007).
- Published in:
- Slavery & Abolition, 2008, v. 29, n. 2, p. 203, doi. 10.1080/01440390802027855
- By:
- Publication type:
- Article
4
The Soundlapse Project: Exploring Spatiotemporal Features of Wetland Soundscapes.
- Published in:
- Leonardo, 2022, v. 55, n. 3, p. 267, doi. 10.1162/leon_a_02142
- By:
- Publication type:
- Article
5
An Expanded Perceptual Laboratory: Public Art and the Cinematic Techniques of Superimposition, Montage and Apparatus/Dispositif.
- Published in:
- Public Art Dialogue, 2015, v. 5, n. 2, p. 112, doi. 10.1080/21502552.2015.1066571
- By:
- Publication type:
- Article
6
The rediscovery of a Kuleshov experiment: A dossier.
- Published in:
- Film History, 1996, v. 8, n. 3, p. 357
- By:
- Publication type:
- Article
7
Rules of Digital Attraction: The Lure of the Ghost in Joel Anderson's Lake Mungo.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
8
The Cinema of the Interstice: Jean-Luc Godard's Prénom Carmen and the Power of Montage.
- Published in:
- Quarterly Review of Film & Video, 2006, v. 23, n. 2, p. 111, doi. 10.1080/10509200590490619
- By:
- Publication type:
- Article
9
Montage as the Meaning-generative Principle of Avant-garde: From Montage in Cinema to Montage in Theatre (Soviet and Post-Soviet Theatre and Cinema).
- Published in:
- KnE Social Sciences, 2018, p. 114, doi. 10.18502/kss.v3i7.2469
- By:
- Publication type:
- Article
10
Colombian found footage: The tradition of rupture.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2015, v. 13, n. 1, p. 51, doi. 10.1386/ncin.13.1.51_1
- By:
- Publication type:
- Article
11
"Ça fait d'excellents montages": Documentary Technique in Le chagrin et la pitié.
- Published in:
- 2008
- By:
- Publication type:
- Essay
12
Sergei Eisenstein and Montage: When Cultures Collide in Once Upon a Time in China II.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 3, doi. 10.1386/fm.3.4.3_1
- By:
- Publication type:
- Article
13
Montage(s) of a Disaster: Voyage(s) en utopie by Jean-Luc Godard.
- Published in:
- Cinema Journal, 2015, v. 54, n. 2, p. 24, doi. 10.1353/cj.2015.0006
- By:
- Publication type:
- Article
14
Going South: On Documentary as a Form of Cognitive Geography.
- Published in:
- Cinema Journal, 2010, v. 50, n. 1, p. 147, doi. 10.1353/cj.2010.a405363
- By:
- Publication type:
- Article
15
Montage in Fernando Pérez Valdez's Suite Habana (2003).
- Published in:
- Confluencia: Revista Hispánica de Cultura y Literatura, 2011, v. 26, n. 2, p. 31
- By:
- Publication type:
- Article
16
Literary images: towards a phenomenology of cinematic writing.
- Published in:
- 2016
- By:
- Publication type:
- Essay
17
ON ADRIAN STOKES AND FILM AESTHETICS.
- Published in:
- Screen, 1980, v. 21, n. 4, p. 91, doi. 10.1093/screen/21.4.91
- By:
- Publication type:
- Article
18
Montage as a gesture of mediation and education.
- Published in:
- Film Education Journal, 2023, v. 6, n. 2, p. 141, doi. 10.14324/FEJ.06.2.06
- By:
- Publication type:
- Article
19
Abstract Space, Microcosmic Narrative, and the Disavowal of Modernity in Berlin: Symphony of a Great City.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
20
Acting Choices/Filmic Choices: Rethinking Montage and Performance.
- Published in:
- 2007
- By:
- Publication type:
- Editorial
21
Shooting space, tracking time: the city from animated photography to vernacular relativity.
- Published in:
- Cultural Geographies, 2007, v. 14, n. 4, p. 589, doi. 10.1177/1474474007082295
- By:
- Publication type:
- Article
22
Editing and Montage in International Film and Video: Theory and Technique.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
23
Digital gleaning, feminist futures: Around Alina Marazzi's Un'ora sola ti vorrei (For One More Hour with You) (2002).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
24
From stage to brain: Montage as a new principle of scientific narrative.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 200, doi. 10.12697/SSS.2013.41.2-3.04
- By:
- Publication type:
- Article
25
The ideological aspect of intersemiotic translation and montage.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 241, doi. 10.12697/SSS.2013.41.2-3.07
- By:
- Publication type:
- Article
26
Montage in Russian Imaginism: Poetry, theatre and theory.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 219, doi. 10.12697/SSS.2013.41.2-3.05
- By:
- Publication type:
- Article
27
Metrical montage: On the theory of polymetrical compositions.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 187, doi. 10.12697/SSS.2013.41.2-3.03
- By:
- Publication type:
- Article
28
Point - pathos - totality.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 167, doi. 10.12697/SSS.2013.41.2-3.02
- By:
- Publication type:
- Article
29
Preface. Montage principle and the semiotics of culture.
- Published in:
- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 163, doi. 10.12697/SSS.2013.41.2-3.01
- By:
- Publication type:
- Article
30
The Cine-poetics of Fulldome Cinema.
- Published in:
- Animation Practice, Process & Production, 2013, v. 3, n. 1/2, p. 219, doi. 10.1386/ap3.3.1-2.219_1
- By:
- Publication type:
- Article
31
The Merchant in Volpone: Narrative and Conceptual Montage in Maurice Tourneur's Film.
- Published in:
- 2001
- By:
- Publication type:
- Essay
32
The Art of Stage to Screen Adaptation in Denzel Washington's Fences.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
33
"Cinema's First Domestic Epic": Tracing The Proust Screenplay in Harold Pinter's Archive.
- Published in:
- 2015
- By:
- Publication type:
- Essay
34
The Philosopher's Stallone: Significance of the Rocky IV Training Montage.
- Published in:
- Cinematic Codes Review, 2017, v. 2, n. 1, p. 61
- By:
- Publication type:
- Article
35
Trends in Network News Editing Strategies From 1969 Through 2005.
- Published in:
- Journal of Broadcasting & Electronic Media, 2009, v. 53, n. 3, p. 347, doi. 10.1080/08838150903102600
- By:
- Publication type:
- Article
36
MONTAŽO ONTOLOGIJA IR ANAPUS JOS.
- Published in:
- Religion & Culture / Religija ir Kultura, 2012, v. 11, p. 30, doi. 10.15388/Relig.2012.0.840
- By:
- Publication type:
- Article
37
Sonidos del trabajo : los montajes de Guillén Landrián en Taller de Línea y 18.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
38
Vsevolod Pudovkin and the Theory of Montage.
- Published in:
- Architectural Design, 2000, v. 70, n. 1, p. 9
- By:
- Publication type:
- Article
39
ARCHITECTURE AND FILM.
- Published in:
- Architectural Design, 1994, v. 64, n. 11/12, p. 90
- By:
- Publication type:
- Article
40
"Turn off the dark": A Tale of Two Shakespeares in Julie Taymor's Tempest.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
41
Cinematic Borderlands: Jean Vigo's L'Atalante and the Allure of entre-deux.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
42
INDIVIDUAL AGENCY AND THE STUDIO SYSTEM: DON SIEGEL, MONTAGE, AND WARNER BROS.
- Published in:
- Film & History (03603695), 2016, v. 46, n. 2, p. 4, doi. 10.1353/flm.2016.a643288
- By:
- Publication type:
- Article
43
Verbal Montage and Visual Apostrophe: Zanzotto's "Filò" and Fellini's Voce della luna.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
44
Lady Be Good --montage in the success sequence.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
45
MONTAGE IN THEATRE AND FILM: Observations on Eisenstein and Brecht.
- Published in:
- Code / Kodikas, 1988, v. 11, n. 3-4, p. 251
- By:
- Publication type:
- Article
46
The Crystal Palace as the Parliament of Objects: On Alexander Kluge's Collage Film The Power of Emotion.
- Published in:
- RIHA Journal, 2024, p. 1, doi. 10.11588/riha.2024.2.91537
- By:
- Publication type:
- Article
47
Raciocínio na montagem: análise da montagem dos filmes "O bandido da luz vermelha" e "A vermelha luz do bandido".
- Published in:
- Revista Urutágua, 2013, n. 29, p. 39
- By:
- Publication type:
- Article
48
Between Symptom and Specter: A Quest within the Visible in Giuseppe Tornatore's A Pure Formality.
- Published in:
- Caietele Echinox, 2011, v. 21, p. 292
- By:
- Publication type:
- Article
49
Rapping Postmemory, Sampling the Archive: Reimagining 17 October 1961.
- Published in:
- 2014
- By:
- Publication type:
- Essay
50
Cinema, poetry, pedagogy: Montage as metaphor.
- Published in:
- English Teaching: Practice & Critique (University of Waikato), 2005, v. 4, n. 1, p. 60
- By:
- Publication type:
- Article