The Success of Beyoncé and Colorism.
- Published in:
- Journal of Colorism Studies, 2022, v. 4, n. 1, p. 1
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- Publication type:
- Article
Works matching Beyoncé, 1981-
Results: 95
1
2
Lemons or Lemonade? Beyoncé, Killjoy Style, and Neoliberalism.
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- Women's Studies in Communication, 2020, v. 43, n. 1, p. 45, doi. 10.1080/07491409.2019.1696434
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- Article
3
Fostering Classroom Dialogue Through Beyonce's "Formation" Media.
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- Women & Language, 2018, v. 41, n. 2, p. 174
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- Article
4
Bootylicious Yellow Bone: Beyoncé's Physicality as a Site of Racialized, Socio‐Political Angst Concerning Beauty, Class, and Essentialized Blackness.
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- Journal of Popular Culture (John Wiley & Sons, Inc.), 2023, v. 56, n. 3/4, p. 504, doi. 10.1111/jpcu.13197
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- Article
5
The Death and Resurrection of Oshun in Beyoncé's Lemonade: Subverting the Institutionalized Borders of Western Christian Thought in American Popular Culture.
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- Journal of Popular Culture (John Wiley & Sons, Inc.), 2021, v. 54, n. 4, p. 750, doi. 10.1111/jpcu.13050
- Publication type:
- Article
6
Neoliberalism Goes Pop and Purple: Postfeminist Empowerment from Beyoncé to <italic>Mad Max</italic>.
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- Journal of Popular Culture (John Wiley & Sons, Inc.), 2018, v. 51, n. 2, p. 399, doi. 10.1111/jpcu.12671
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- Article
7
'Yoü and I': Identity and the Performance of Self in Lady Gaga and Beyoncé.
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- Journal of Popular Culture (John Wiley & Sons, Inc.), 2016, v. 49, n. 2, p. 403, doi. 10.1111/jpcu.12405
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- Article
8
BEYOND RADICAL CHIC: THE BLACK PANTHER PARTY: Founded in Oakland, California more than half a century ago, the Black Panther Party's revolutionary image and legacy remain as political and racially divisive as ever.
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- History Today, 2018, v. 68, n. 4, p. 36
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- Article
9
The copyright implications of Beyoncé's choreographic 'borrowings'.
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- Choreographic Practices, 2013, v. 4, n. 1, p. 95, doi. 10.1386/chor.4.1.95_1
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- Article
10
Beyoncé's Lemonade: When Life Gave Us Lemons, We Saved the World.
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- 2017
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- Publication type:
- Music Review
11
Why We Need to Get in "Formation": The Rhetoric of Beyoncé.
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- Young Scholars in Writing, 2017, n. 14, p. 70
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- Publication type:
- Article
12
The poem as meme? Pop video poetry in the digital age (Warsan Shire/Beyoncé).
- Published in:
- Word & Image, 2021, v. 37, n. 2, p. 152, doi. 10.1080/02666286.2020.1866970
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- Article
13
Get Classy: Comparing the Massive Marketing of Anchorman 2 to the Non-marketing of Beyoncé's Beyoncé Album.
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- MEIEA Journal, 2014, v. 14, n. 1, p. 219, doi. 10.25101/14.8
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- Publication type:
- Article
14
Ancestor is king: the role of Afrofuturism in Beyoncé's Black is King.
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- Critical Studies in Media Communication, 2022, v. 39, n. 4, p. 247, doi. 10.1080/15295036.2022.2038386
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- Article
15
TOWARD A GENOSONIC LENS: Linking the Anatomy of a "Screech" to Language and Body.
- Published in:
- 2014
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- Publication type:
- Essay
16
I Don't Give a Damn About Your Bad Reputation: Taylor Swift, Beyoncé Knowles, and Performance.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 1, p. 27, doi. 10.1080/07494467.2021.1945224
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- Article
17
Black Women's Geographies and the Afterlives of the Sugar Plantation.
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- American Literary History, 2019, v. 31, n. 4, p. 741, doi. 10.1093/alh/ajz043
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- Article
18
If Ya Liked It, Then You Shoulda Made a Video Beyonce Knowles, YouTube and the public sphere of images.
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- Performance Research, 2011, v. 16, n. 2, p. 145, doi. 10.1080/13528165.2011.578846
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- Article
19
A Black Girl's Song: Misogynoir, Love, and Beyoncé's Lemonade.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 97
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- Publication type:
- Article
20
Does Beyoncé's Lemonade Really Teach Us How to Turn Lemons into Lemonade? Exploring the Limits and Possibilities Through Black Feminism.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 85
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- Publication type:
- Article
21
A Rhetorical Analysis of Beyoncé's "Freedom": An Examination of Black College Women's Experiences at Predominately White Institutions.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 50
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- Publication type:
- Article
22
How #BlackGirlMagic Cultivates Supreme Love to Heal and Save Souls That Can Heal and Save the World: An Introduction to Endarkened Feminist Epistemlogical and Ontological Evolutions of Self Through a Critique of Beyoncé's Lemonade.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 29
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- Publication type:
- Article
23
From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 7
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- Publication type:
- Article
24
The Bad Bitch Barbie Craze and Beyoncé: African American Women's Bodies as Commodities in Hip-Hop Culture, Images, and Media.
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- Taboo: The Journal of Culture & Education, 2017, v. 16, n. 2, p. 65
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- Publication type:
- Article
25
"They're Closin' Up Girl Land": Female Masculinities in Children's Fantasy.
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- 2010
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- Publication type:
- Essay
26
Beyoncé's Response (eh?).
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- TDR: The Drama Review (MIT Press), 2015, v. 59, n. 1, p. 67, doi. 10.1162/DRAM_a_00429
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- Article
27
Black Respectable Currency: Reading Black Feminism and Sexuality in Contemporary Performance.
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- Journal of American Culture, 2019, v. 42, n. 1, p. 10, doi. 10.1111/jacc.12970
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- Article
28
The Beyoncé Effect: Essays on Sexuality, Race, and Feminism.
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- 2018
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- Publication type:
- Book Review
29
Pop Culture Without Culture: Examining the Public Backlash to Beyoncé's Super Bowl 50 Performance.
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- Journal of Black Studies, 2017, v. 48, n. 8, p. 715, doi. 10.1177/0021934717729504
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- Publication type:
- Article
30
"She invited other people to that space": audience habitus, place, and social justice in Beyoncé's Lemonade.
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- 2019
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- Publication type:
- Music Video Review
31
The sexual politics of veggies: Beyoncé's "commodity veg*ism".
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- Feminist Media Studies, 2018, v. 18, n. 2, p. 294, doi. 10.1080/14680777.2017.1358200
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- Article
32
Cardi B: Love & Hip Hop ’s unlikely feminist hero.
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- Feminist Media Studies, 2017, v. 17, n. 6, p. 1114, doi. 10.1080/14680777.2017.1380431
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- Article
33
Beyoncé: At Work, On Screen, and Online.
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- 2023
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- Publication type:
- Book Review
34
Beyoncé, Lemonade. Parkwood Entertainment, B01EPOY1AQ, 2016, CD/DVD/Digital Download.
- Published in:
- 2017
- By:
- Publication type:
- Music Review
35
The Future of Online User-Generated Content in the Video-Sharing Business: Capitol Records LLC v. Vimeo LLC.
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- Tulane Journal of Technology & Intellectual Property, 2014, v. 17, p. 375
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- Publication type:
- Article
36
Find Your Way Back: Black Colleagues Return to the Erotic.
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- Journal of the Scholarship of Teaching & Learning, 2021, v. 21, n. 4, p. 255, doi. 10.14434/josotl.v21i4.33167
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- Publication type:
- Article
37
"I Love to Love You Baby": Beyoncé, Disco Aesthetics, and Black Feminist Politics.
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- Theory & Event, 2020, v. 29, n. 3, p. 512, doi. 10.1353/tae.2020.0052
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- Publication type:
- Article
38
Letters.
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- 2014
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- Publication type:
- Letter to the Editor
39
Beyoncé is doing it her way.
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- New Humanist, 2014, v. 129, n. 1, p. 18
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- Publication type:
- Article
40
The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters' Afrosurrealist music video.
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- Postcolonial Studies, 2021, v. 24, n. 4, p. 484, doi. 10.1080/13688790.2021.1985245
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- Article
41
Body image survey of young women.
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- Youth Studies Australia, 2005, v. 24, n. 4, p. 8
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- Publication type:
- Article
42
From Lemonade to Homecoming: Beyoncé's Visual Spaces.
- Published in:
- Atlantis (0210-6124), 2022, v. 44, n. 1, p. 55, doi. 10.28914/Atlantis-2022-44.1.04
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- Publication type:
- Article
43
“We Are Not an Organically City People”: Black Modernity and the Afterimages of Julie Dash’s Daughters of the Dust.
- Published in:
- Black Scholar, 2018, v. 48, n. 3, p. 46, doi. 10.1080/00064246.2018.1475836
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- Publication type:
- Article
44
The Snapchat Monteur? New Platforms for Photomontage.
- Published in:
- History of Photography, 2019, v. 43, n. 2, p. 206, doi. 10.1080/03087298.2019.1682834
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- Publication type:
- Article
45
Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”.
- Published in:
- 2016
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- Publication type:
- Film/TV Criticism and Review
46
Beyoncé’s “Formation”.
- Published in:
- 2016
- By:
- Publication type:
- Music Video Review
47
Beyoncé's "Formation".
- Published in:
- Film Criticism, 2016, v. 40, n. 1, p. 1, doi. 10.3998/fc.13761232.0040.309
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- Publication type:
- Article
48
Entrepreneurs in Brown Skins? Performing Matter into Contemporary Black Lives.
- Published in:
- Journal of African American Studies, 2021, v. 25, n. 3, p. 367, doi. 10.1007/s12111-021-09544-4
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- Publication type:
- Article
49
The Power of Black Girl Magic Anthems: Nicki Minaj, Beyoncé, and "Feeling Myself" as Political Empowerment.
- Published in:
- Souls: A Critical Journal of Black Politics, Culture & Society, 2018, v. 20, n. 2, p. 222, doi. 10.1080/10999949.2018.1520067
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- Publication type:
- Article
50
Who Slays? Queer Resonances in Beyoncé's Lemonade.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 82, doi. 10.1080/03007766.2019.1555896
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- Publication type:
- Article