Fashioning Resistance: The Unsung Fashions of Miriam 'Mama Africa' Makeba.
- Published in:
- Alternation, 2019, v. 26, p. 71, doi. 10.29086/2519-5476/2019/sp26a3
- By:
- Publication type:
- Article
Works matching Miriam Makeba
Results: 30
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2
Fashioning Resistance: The Unsung Fashions of Miriam 'Mama Africa' Makeba.
- Published in:
- Alternation, 2019, v. 26, p. 71, doi. 10.29086/2519-5476/2019/sp26a3
- By:
- Publication type:
- Article
3
South-South cultural cooperation: Transnational identities in the music of Dorothy Masuka and Miriam Makeba.
- Published in:
- Muziki: Journal of Music Research in Africa, 2008, v. 5, n. 1, p. 145, doi. 10.1080/18125980802633052
- By:
- Publication type:
- Article
4
A marriage of inconvenience: Miriam Makeba’s relationship with Stokely Carmichael and her music career in the United States.
- Published in:
- Safundi, 2016, v. 17, n. 3, p. 312, doi. 10.1080/17533171.2016.1176720
- By:
- Publication type:
- Article
5
Screening Antiapartheid: Miriam Makeba, "Come Back, Africa," and the Transnational Circulation of Black Culture and Politics.
- Published in:
- 2013
- By:
- Publication type:
- Essay
6
Remembering Miriam Makeba.
- Published in:
- 2008
- By:
- Publication type:
- Obituary
7
Remembering Miriam Makeba (4 March 1932-10 November 2008).
- Published in:
- 2008
- By:
- Publication type:
- Obituary
8
The Voice of (Which?) Africa: Miriam Makeba in America.
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 251, doi. 10.1080/17533171.2012.715416
- By:
- Publication type:
- Article
9
Indigenised Popular Songs for Oppositional Political Communication: Fela Kuti and Miriam Makeba in Perspectives.
- Published in:
- African Renaissance (1744-2532), 2019, v. 16, n. 1, p. 233, doi. 10.31920/2516-5305/2019/v16n1a12
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- Publication type:
- Article
10
RELAÇÕES DE PODER E QUESTÕES DE GÊNERO NO CONTINENTE AFRICANO: UM ESTUDO DE CASO.
- Published in:
- Revista Ártemis: Estudos de Gênero, Feminismo e Sexualidades, 2021, v. 32, n. 1, p. 217
- By:
- Publication type:
- Article
11
Mama Africa!: How Miriam Makeba Spread Hope with Her Song.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
12
Between Tinseltown and Sophiatown: The Double Temporality of Popular Culture in the Autobiographical Cultural Memory of Bloke Modisane and Miriam Makeba.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
13
Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré's Guinea, 1968-1986.
- Published in:
- Social Dynamics: A Journal of African Studies, 2017, v. 43, n. 2, p. 259, doi. 10.1080/02533952.2017.1364467
- By:
- Publication type:
- Article
14
Anti-Apartheid Solidarity Networks and the Production of Come Back, Africa.
- Published in:
- Safundi, 2015, v. 16, n. 2, p. 188, doi. 10.1080/17533171.2015.1008740
- By:
- Publication type:
- Article
15
Before the window closed: internationalism, crossing borders, and reaching out to sisters across the seas.
- Published in:
- Safundi, 2018, v. 19, n. 1, p. 77, doi. 10.1080/17533171.2018.1404751
- By:
- Publication type:
- Article
16
REVIEW ARTICLE: MUSICAL ECHOES: SOUTH AFRICAN WOMEN THINKING IN JAZZ.
- Published in:
- SAMUS: South African Music Studies, 2013, v. 33, p. 101
- By:
- Publication type:
- Article
17
Decolonizing the Mind Through Song: From Makeba to the Afropolitan present.
- Published in:
- Performance Research, 2019, v. 24, n. 1, p. 58, doi. 10.1080/13528165.2019.1593737
- By:
- Publication type:
- Article
18
South Africa.
- Published in:
- 2008
- Publication type:
- Obituary
19
Film Reviews.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
20
Disempowering Music: The Amandla! Documentary and Other Conservative Musical Projects.
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 295, doi. 10.1080/17533171.2012.715417
- By:
- Publication type:
- Article
21
King Kong-verwerkings (1959-2017): Deurkruisings van kultuur en samelewing.
- Published in:
- Tydskrif vir Geesteswetenskappe, 2020, v. 60, n. 1, p. 16, doi. 10.17159/2224-7912/2020/v60n1a3
- By:
- Publication type:
- Article
22
‘They called me the “Ag Pleez Deddy” man’: On the (Be)longing of Jeremy Taylor.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 44
- By:
- Publication type:
- Article
23
Jazz, Gender and Ambivalence: Todd Matshikiza's 'Joyce' and the Politics of Representation.
- Published in:
- SAMUS: South African Music Studies, 2018, v. 38, p. 335
- By:
- Publication type:
- Article
24
Back to Soweto | The Brooklyn Rail.
- Published in:
- Brooklyn Rail, 2024, p. N.PAG
- By:
- Publication type:
- Article
25
Canines: Enforcing Race & State.
- Published in:
- Modern American History, 2025, v. 8, n. 1, p. 132, doi. 10.1017/mah.2024.53
- By:
- Publication type:
- Article
26
Musical space as site of transculturation of memory and transformation of consciousness: The re-affirmation of Africa in the Black Atlantic assemblage.
- Published in:
- Muziki: Journal of Music Research in Africa, 2014, v. 11, n. 1, p. 63, doi. 10.1080/18125980.2014.893095
- By:
- Publication type:
- Article
27
DVD Reviews.
- Published in:
- Film International (16516826), 2010, v. 8, n. 6, p. 79, doi. 10.1386/fiin.8.6.79
- By:
- Publication type:
- Article
28
Breaking boundaries, defying borders: transnational networks of gender and race in South Africa and the United States.
- Published in:
- Safundi, 2018, v. 19, n. 1, p. 1, doi. 10.1080/17533171.2018.1404739
- By:
- Publication type:
- Article
29
We Can Sing It Without Doing It: Gender Contestation Among Nigerian and South African Women in Music.
- Published in:
- American Music Research Center Journal, 2018, v. 27, p. 77
- By:
- Publication type:
- Article
30
Top Ten Folk Dance Videos on folkdance.com.
- Published in:
- Let's Dance, 2023, v. 80, n. 3, p. 21
- By:
- Publication type:
- Article