This paper argues that brahmanical conceptions of India centered on Aryavarta and structured by casteist logics undergirds the hegemony of north India by provincializing the south and its lowered-caste inhabitants. I term this phenomenon northernism, which renders the idea of India as synonymous with a brahminized rendering of north India. Drawing from Jyoti Nisha's elaboration of Bahujan spectatorship, I develop Dravidian spectatorship as a methodology to analyze a Bollywood film as a representative text that elucidates northernism. I conclude the essay with a call to center casteism as a first step towards understanding different oppressions constituting Indian society.