Film Finances and the British New Wave.
- Published in:
- Historical Journal of Film, Radio & Television, 2014, v. 34, n. 1, p. 23, doi. 10.1080/01439685.2014.879000
- By:
- Publication type:
- Article
Works matching New wave films
Results: 229
1
2
"Heroes of the Working Class"? Work in Czechoslovak Films of the New- Wave and Postcommunist Years.
- Published in:
- Framework: The Journal of Cinema & Media, 2012, v. 53, n. 1, p. 190, doi. 10.1353/frm.2012.0008
- By:
- Publication type:
- Article
3
Listening to the French New Wave. The Film Music and Composers of Postwar French Art Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
4
Demy Monde: the New-Wave Films of Jacques Demy.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 5, p. 382, doi. 10.1080/10509200601093256
- By:
- Publication type:
- Article
5
Subjectivism, uncertainty and individuality: Munk's Człowiek na torze/Man on the Tracks (1956) and its influence on the Czechoslovak New Wave.
- Published in:
- Studies in Eastern European Cinema, 2011, v. 2, n. 1, p. 61, doi. 10.1386/seec.2.1.61_1
- By:
- Publication type:
- Article
6
'Dead Champagne': Variety's 'New Wave.'.
- Published in:
- Film History, 1998, v. 10, n. 2, p. 219
- By:
- Publication type:
- Article
7
Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali.
- Published in:
- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2020, v. 27, n. 36, p. 71, doi. 10.14746/i.2020.36.05
- By:
- Publication type:
- Article
8
Marginalised in the New Wave Tamil Film: Subaltern Aspirations in three films by Bala, Kumararaja and Mysskin.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2019, v. 11, n. 3, p. 1, doi. 10.21659/rupkatha.v11n3.03
- By:
- Publication type:
- Article
9
'La Nouvelle Vague, elle t'emm---!' Louis Malle, Zazie dans le métro and the French New Wave.
- Published in:
- Modern & Contemporary France, 2019, v. 27, n. 4, p. 493, doi. 10.1080/09639489.2019.1645650
- By:
- Publication type:
- Article
10
Teaching French New Wave Cinema in Comparison with Indian New Wave Cinema: Similarities and Differences.
- Published in:
- IUP Journal of English Studies, 2020, v. 15, n. 3, p. 38
- By:
- Publication type:
- Article
11
Queering the New-Wave Deal: Gender and Sexuality in Jacques Demy's A Slightly Pregnant Man.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
12
The Lost Art of Keeping a Secret: Jacques Rivette's Film Criticism for Arts.
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 51
- By:
- Publication type:
- Article
13
Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema.
- Published in:
- Studies in Eastern European Cinema, 2018, v. 9, n. 2, p. 132, doi. 10.1080/2040350X.2018.1435204
- By:
- Publication type:
- Article
14
How New Wave and Rive Gauche Cinema Revolutionized Time for May '68.
- Published in:
- Contemporary French & Francophone Studies, 2019, v. 23, n. 2, p. 145, doi. 10.1080/17409292.2019.1651004
- By:
- Publication type:
- Article
15
The Cinematic French Exception: The Autobiographical Auteur.
- Published in:
- Contemporary French & Francophone Studies, 2008, v. 12, n. 3, p. 385, doi. 10.1080/17409290802284982
- By:
- Publication type:
- Article
16
Paris, city of shadows: French crime cinema before the New Wave.
- Published in:
- New Review of Film & Television Studies, 2008, v. 6, n. 2, p. 213, doi. 10.1080/17400300802098347
- By:
- Publication type:
- Article
17
Análisis temático de Contes des quatre saisons.
- Published in:
- Comunicación y Sociedad, 2003, v. 16, n. 1, p. 95
- By:
- Publication type:
- Article
18
Otto the Barbarian : Patriarchy, Feminism, and Romanian New Wave Cinema.
- Published in:
- Film Matters, 2021, v. 12, n. 3, p. 153, doi. 10.1386/fm_00183_7
- By:
- Publication type:
- Article
19
Good-bye, Children; Good-bye, Mary, Mother of Sorrows: The Church and the Holocaust in the Art of Louis Malle.
- Published in:
- 2002
- By:
- Publication type:
- Film/TV Criticism and Review
20
Supernatural Justice Through the Monstrous Feminine: Reading Bulbbul (2020) as a New Wave Feminist Film.
- Published in:
- Literature & Aesthetics, 2024, v. 34, n. 1, p. 169
- By:
- Publication type:
- Article
21
Total cinema: Chronique d'un été and the end of Bazinian film theory.
- Published in:
- 2007
- By:
- Publication type:
- Essay
22
Reprezentacija jugoslovenskog novog talasa u dokumentarnom filmu "Novi talas u SFRJ kao društveni pokret".
- Published in:
- Issues in Ethnology Anthropology, 2019, v. 14, n. 1, p. 79, doi. 10.21301/eap.v14i1.3
- By:
- Publication type:
- Article
23
Dogmatic Shakespeare: a 'recognition of ghostly presences' in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive.
- Published in:
- Journal of Adaptation in Film & Performance, 2009, v. 2, n. 2, p. 109, doi. 10.1386/jafp.2.2.109_1
- By:
- Publication type:
- Article
24
Weirdness, Feel-Bad and New Extremity in Contemporary European Film: the Examples of Greece, Austria, France and Romania.
- Published in:
- Ekphrasis (2067-631X), 2015, n. 2, p. 88
- By:
- Publication type:
- Article
25
29.1: A New Achromatic Quarter-Wave Film Using Liquid-Crystal Materials for Anti-Reflection of OLEDs.
- Published in:
- SID Symposium Digest of Technical Papers, 2014, v. 45, n. 1, p. 381, doi. 10.1002/j.2168-0159.2014.tb00103.x
- By:
- Publication type:
- Article
26
Suburban landscape and the painterly screen in Kurkvaara's Open Secret.
- Published in:
- Journal of Scandinavian Cinema, 2018, v. 8, n. 1, p. 5, doi. 10.1386/jsca.8.1.5_1
- By:
- Publication type:
- Article
27
Shinoda's Pale Flower as a Japanese film noir.
- Published in:
- Journal of Japanese & Korean Cinema, 2012, v. 3, n. 1, p. 13, doi. 10.1386/jjkc.3.1.13_1
- By:
- Publication type:
- Article
28
Class S: appropriation of 'lesbian' subculture in modern Japanese literature and New Wave cinema.
- Published in:
- Cultural Studies, 2021, v. 35, n. 1, p. 27, doi. 10.1080/09502386.2020.1844259
- By:
- Publication type:
- Article
29
The Signature of the French New Wave (Godard's Le Mépris).
- Published in:
- Critical Quarterly, 2011, p. 62, doi. 10.1111/j.1467-8705.2011.00047.x
- By:
- Publication type:
- Article
30
(((1973))).
- Published in:
- Film International (16516826), 2015, v. 13, n. 3, p. 6, doi. 10.1386/fiin.13.3.6_1
- By:
- Publication type:
- Article
31
No Start, No End: Auteurism and the auteur theory.
- Published in:
- Film International (16516826), 2012, v. 10, n. 6, p. 37, doi. 10.1386/fiin.10.6.37_1
- By:
- Publication type:
- Article
32
Editorial Issue 45.
- Published in:
- Film International (16516826), 2010, v. 8, n. 3, p. 4, doi. 10.1386/fiin.8.3.4
- By:
- Publication type:
- Article
33
Europe's irresolvable messiness.
- Published in:
- Studies in European Cinema, 2023, v. 20, n. 1, p. 1, doi. 10.1080/17411548.2023.2181568
- By:
- Publication type:
- Article
34
Shouldn't Love Be the One True Thing? Godard and the Legacy of Surrealist Ethics.
- Published in:
- Quarterly Review of Film & Video, 2017, v. 34, n. 8, p. 687, doi. 10.1080/10509208.2017.1347862
- By:
- Publication type:
- Article
35
An Interview with Agnieszka Holland: The Politics of Ambiguity.
- Published in:
- 2008
- By:
- Publication type:
- Interview
36
The absent father of Sino-French cinema: contemporary Taiwanese cinema and 1950s French auteurs.
- Published in:
- Journal of Chinese Cinemas, 2014, v. 8, n. 1, p. 37, doi. 10.1080/17508061.2013.875728
- By:
- Publication type:
- Article
37
JACQUES DEMY'S BAY OF ANGELS: A NEW WAVE MODE OF PRODUCTION.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
38
El nuevo documental y el activismo de la cuarta ola feminista. Arenas de silencio: olas de valor (Chelo Álvarez-Stehle, 2016) y El techo amarillo (Isabel Coixet, 2022).
- Published in:
- Revista Fotocinema, 2024, n. 29, p. 201, doi. 10.24310/fotocinema.29.2024.19224
- By:
- Publication type:
- Article
39
Art, cinema and Paristitution: social context and visual narrative in Impressionist art and New Wave cinema.
- Published in:
- Word & Image, 1996, v. 12, n. 3, p. 291, doi. 10.1080/02666286.1996.10434257
- By:
- Publication type:
- Article
40
The Delinquency of the Script: Corneliu Porumboiu's Police, Adjective (2009).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
41
Radu Mihăileanu, a New Cinematic Humanism.
- Published in:
- Film Criticism, 2009, v. 34, n. 2/3, p. 67
- By:
- Publication type:
- Article
42
The New Romanian Cinema: A Realism of Impressions.
- Published in:
- Film Criticism, 2009, v. 34, n. 2/3, p. 22
- By:
- Publication type:
- Article
43
Between Land Reclamation and Labour, Empathy and Asian New Wave Film: Fungibility in Yeo Siew Hua's A Land Imagined 幻土.
- Published in:
- Wasafiri, 2023, v. 38, n. 4, p. 6, doi. 10.1080/02690055.2023.2237767
- By:
- Publication type:
- Article
44
ABSTRACTS.
- Published in:
- 1964
- Publication type:
- Abstract
45
The Trouble with Harry: The Difficult Relationship of Harry Saltzman and Film Finances.
- Published in:
- Historical Journal of Film, Radio & Television, 2014, v. 34, n. 1, p. 43, doi. 10.1080/01439685.2014.879001
- By:
- Publication type:
- Article
46
The Khasi New Wave. Addressing Indigenous Issues from a Literary and Cinematic Perspective.
- Published in:
- Anglistica AION: An Interdisciplinary Journal, 2015, v. 19, n. 1, p. 51
- By:
- Publication type:
- Article
47
What's wrong with the Romanian New Wave? Auteur cinema, the communist and the production of the violent working class.
- Published in:
- Studies in Eastern European Cinema, 2018, v. 9, n. 1, p. 89, doi. 10.1080/2040350X.2017.1404701
- By:
- Publication type:
- Article
48
Nouvelle manga and cinema.
- Published in:
- Studies in Comics, 2012, v. 3, n. 1, p. 47, doi. 10.1386/stic.3.1.47_1
- By:
- Publication type:
- Article
49
AFTER THE NEW WAVE RECENT Tailwanese Film.
- Published in:
- Metro, 2010, n. 164, p. 66
- Publication type:
- Article
50
A History of the French New Wave Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Book Review