Kung Fu Knight Errant: Globalized/Localized Chinese American Heroic Culture.
- Published in:
- 2010
- By:
- Publication type:
- Essay
Works matching DE "MARTIAL arts in motion pictures"
Results: 69
1
2
An equivocal space for the protestant ethnic: US popular culture and martial arts fantasia.
- Published in:
- Social Semiotics, 2010, v. 20, n. 4, p. 377, doi. 10.1080/10350330.2010.494392
- By:
- Publication type:
- Article
3
In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
4
China Inc., Limited.
- Published in:
- 2010
- By:
- Publication type:
- Essay
5
Crouching Tiger, Hidden Dragon: A Diasporic Reading.
- Published in:
- Cinema Journal, 2004, v. 43, n. 4, p. 18, doi. 10.1353/cj.2004.0035
- By:
- Publication type:
- Article
6
Aesthetic Identities: A Response to Kenneth Chan and Christina Klein.
- Published in:
- Cinema Journal, 2004, v. 43, n. 4, p. 43, doi. 10.1353/cj.2004.0038
- By:
- Publication type:
- Article
7
The Grandmaster: Socio-Political Plurality in Contemporary Hong Kong.
- Published in:
- Framework: The Journal of Cinema & Media, 2018, v. 59, n. 2, p. 101, doi. 10.13110/framework.59.2.0101
- By:
- Publication type:
- Article
8
The Real and the Fantastic IN THE WUXIA PIAN.
- Published in:
- Metro, 2006, n. 148, p. 106
- By:
- Publication type:
- Article
9
Tarantino AND THE RE-INVENTIN OF THE MARTIAL ARTS FILM.
- Published in:
- Metro, 2006, n. 148, p. 100
- By:
- Publication type:
- Article
10
'You made me look bad. And that's not good': the millennial cultification of Fatal Deviation, Ireland's only martial arts film.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2019, v. 33, n. 6, p. 692, doi. 10.1080/10304312.2019.1677982
- By:
- Publication type:
- Article
11
Popular history and the Chinese martial arts biopic.
- Published in:
- History Australia, 2011, v. 8, n. 1, p. 42, doi. 10.1080/14490854.2011.11668356
- By:
- Publication type:
- Article
12
Violence, wuxia , migrants: Jia Zhangke's cinematic discontent in A Touch of Sin.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
13
Remembering the body: Deleuze's recollection-image, and the spectacle of physical memory in Yip Man/Ip Man (2008).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
14
Imagining hybrid cosmopolitan Malaysia through Chinese kung fu comedies: Nasi Lemak 2.0 (2011) and Petaling Street Warriors (2011).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
15
Donnie Yen's Wing Chun body as a cyber-intertext.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
16
Jackie Chan: a new dragon for a new generation.
- Published in:
- Journal of Chinese Cinemas, 2008, v. 2, n. 2, p. 137, doi. 10.1386/jcc.2.2.137_1
- By:
- Publication type:
- Article
17
'Bruce Lee' after Bruce Lee: A life in conjectures.
- Published in:
- Journal of Chinese Cinemas, 2008, v. 2, n. 2, p. 123, doi. 10.1386/jcc.2.2.123_1
- By:
- Publication type:
- Article
18
Virtual bodies, flying objects: the digital imaginary in contemporary martial arts films.
- Published in:
- Journal of Chinese Cinemas, 2007, v. 1, n. 1, p. 9, doi. 10.1386/jcc.1.1.9/1
- By:
- Publication type:
- Article
19
Crouching Sensibility, Hidden Sense.
- Published in:
- Film Criticism, 2001, v. 26, n. 1, p. 42
- By:
- Publication type:
- Article
20
Al-Assi Cinema Studio: Glorious Past & Pale Present.
- Published in:
- 2017
- By:
- Publication type:
- Establishment Review
21
A critical interrogation of culture globalisation and hybridity: Considering Chinse martial arts films as an example.
- Published in:
- Journal of International Communication, 2008, v. 14, n. 1, p. 46, doi. 10.1080/13216597.2008.9674721
- By:
- Publication type:
- Article
22
INTERSECTING ANGLICIZATION AND SINICIZATION.
- Published in:
- Cultural Studies, 2012, v. 26, n. 5, p. 765, doi. 10.1080/09502386.2012.697738
- By:
- Publication type:
- Article
23
Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film.
- Published in:
- Screen, 2024, v. 65, n. 2, p. 233, doi. 10.1093/screen/hjae020
- By:
- Publication type:
- Article
24
Bruce Lee: His Influence on the Evolution of the Kung Fu Genre.
- Published in:
- Journal of Popular Film & Television, 1981, v. 9, n. 1, p. 30, doi. 10.1080/01956051.1981.10661886
- By:
- Publication type:
- Article
25
Martial arts and combat sports in the Spanish No-Do newsreels.
- Published in:
- Revista de Artes Marciales Asiaticas, 2016, v. 11, p. 108, doi. 10.18002/rama.v11i2s.4195
- By:
- Publication type:
- Article
26
Martial Arts Films and Dutch-Chinese Masculinities.
- Published in:
- China Information, 2008, v. 22, n. 2, p. 331, doi. 10.1177/0920203X08091549
- By:
- Publication type:
- Article
27
The changing charismatic status of the performing male body in Asian martial arts films.
- Published in:
- Sport in Society, 2008, v. 11, n. 2/3, p. 174, doi. 10.1080/17430430701823414
- By:
- Publication type:
- Article
28
FILM PRODUCER ANDRE MORGAN & THE EVOLUTION OF ASIAN MARTIAL ARTS IN MOVIES.
- Published in:
- 2002
- By:
- Publication type:
- Interview
29
At the Feet of the Master: Three Stages in the Appropriation of Okinawan Karate Into Anglo-American Culture.
- Published in:
- Cultural Studies/Critical Methodologies, 2001, v. 1, n. 4, p. 395, doi. 10.1177/153270860100100401
- By:
- Publication type:
- Article
30
Martial arts in area of mass culture - chosen examples of presence.
- Published in:
- Journal of Combat Sports & Martial Arts, 2016, v. 7, n. 1, p. 1, doi. 10.5604/20815735.1196410
- By:
- Publication type:
- Article
31
The Shimmering Scales of the Dragon: Bruce Lee's Cinematic Surfaces.
- Published in:
- Critical Studies in Media Communication, 2009, v. 26, n. 4, p. 312, doi. 10.1080/15295030903176633
- By:
- Publication type:
- Article
32
Chinese Martial Arts Films and China's Soft Power in Singapore.
- Published in:
- China Media Research, 2013, v. 9, n. 2, p. 11
- By:
- Publication type:
- Article
33
YOUTH (SUB)CULTURES AND MONASTICISM: AN UNCONSCIOUS AFFINITY?
- Published in:
- American Benedictine Review, 2017, v. 68, n. 3, p. 323
- By:
- Publication type:
- Article
34
Doing It (Un)like a Lady: Rethinking Gender in Martial Arts Cinema.
- Published in:
- Graduate Journal of Asia-Pacific Studies, 2004, v. 2, n. 1, p. 11
- By:
- Publication type:
- Article
35
Entering the cinema of attractions' Matrix: Yuen Wo-Ping's merging of Hollywood spectacle with kungfu choreography.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 81, doi. 10.1386/ac.29.1.81_1
- By:
- Publication type:
- Article
36
Ghosts in the Theatre: Generic play and temporality in Tsai Ming-liang's Goodbye, Dragon Inn.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 33, doi. 10.1386/ac.25.1.33_1
- By:
- Publication type:
- Article
37
Martial arts and the globalization of US and Asian film industries.
- Published in:
- Comparative American Studies, 2004, v. 2, n. 3, p. 360, doi. 10.1177/1477570004046776
- By:
- Publication type:
- Article
38
Projecting the ‘Chineseness’: Nationalism, Identity and Chinese Martial Arts Films.
- Published in:
- International Journal of the History of Sport, 2014, v. 31, n. 3, p. 320, doi. 10.1080/09523367.2013.866093
- By:
- Publication type:
- Article
39
Must an International Chinese (Auteur) Filmmaker Make a Martial Arts Film?: Genre Filmmaking and Industrialised Cultural Production in Global East Asian Cinema.
- Published in:
- Studies in the Humanities, 2017, v. 44/45, n. 1/2, p. 132
- By:
- Publication type:
- Article
40
Kung Fu Production for Global Consumption: The Depoliticization of Kung Fu in Stephen Chow's Kung Fu Hustle.
- Published in:
- Style, 2009, v. 43, n. 1, p. 65
- By:
- Publication type:
- Article
41
M. Roy Lott. The American Martial Arts Film.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
42
I Am the Invincible Sword Goddess: Mediatization of Chinese Gender Ideology through Female Kung-Fu Practitioners in Films.
- Published in:
- Societies (2075-4698), 2014, v. 4, n. 3, p. 477, doi. 10.3390/soc4030477
- By:
- Publication type:
- Article
43
Watching Hong Kong martial arts film under apartheid.
- Published in:
- Journal of African Cultural Studies, 2017, v. 29, n. 1, p. 46, doi. 10.1080/13696815.2016.1236720
- By:
- Publication type:
- Article
44
Powerfully queered: representations of castrated male characters in Chinese martial arts films.
- Published in:
- Gender & Language, 2017, v. 11, n. 4, p. 529, doi. 10.1558/genl.31592
- By:
- Publication type:
- Article
45
Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong.
- Published in:
- TDR: The Drama Review (MIT Press), 2018, v. 62, n. 2, p. 115, doi. 10.1162/DRAM_a_00751
- By:
- Publication type:
- Article
46
Virtuality, Nationalism, and Globalization in Zhang's Hero.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2013, v. 15, n. 2, p. 1, doi. 10.7771/1481-4374.2227
- By:
- Publication type:
- Article
47
Ong-Bak: New Thai Cinema, Hong Kong and the cult of the 'real.'.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 2, p. 69, doi. 10.1386/ncin.3.2.69/1
- By:
- Publication type:
- Article
48
Oriental Contributions to Western Popular Culture: The Martial Arts.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 1991, v. 25, n. 1, p. 129, doi. 10.1111/j.0022-3840.1991.2501_129.x
- By:
- Publication type:
- Article
49
WU DANG.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
50
Hollywood domination of the Chinese kung fu market.
- Published in:
- Inter-Asia Cultural Studies, 2007, v. 8, n. 3, p. 414, doi. 10.1080/14649370701393782
- By:
- Publication type:
- Article