¡Luces, cámara, persuasión!: Sergei Eisenstein, el cineasta propagandista de la Unión Soviética y su ideología (1925-1929).
- Published in:
- Revista de Historia (07169108), 2023, n. 30, p. 1, doi. 10.29393/RH30-13LCSR10013
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- Publication type:
- Article
Works matching Sergei Eisenstein
Results: 294
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2
James Joyce and Sergei Eisenstein: Haunting Samuel Beckett's Film.
- Published in:
- Journal of Beckett Studies (Edinburgh University Press), 2012, v. 21, n. 2, p. 181, doi. 10.3366/jobs.2012.0045
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- Article
3
In the borders of being: Mexico, space, and time in Sergei Eisenstein and Octavio Paz.
- Published in:
- 2010
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- Publication type:
- Essay
4
The Idea and the Image. On Sergei Eisenstein's Battleship Potemkin.
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- Hermeneia: Journal of Hermeneutics, Art Theory & Criticism, 2020, n. 24, p. 77
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- Publication type:
- Article
5
Sergei Eisenstein's "The Form of the Script": A New Translation.
- Published in:
- Film History, 2022, v. 34, n. 4, p. 109, doi. 10.2979/fih.2022.a900044
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- Article
6
Haiku and Kabuki: How Global Art Informed the Science of Pioneer Filmmaker Sergei Eisenstein.
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- International Journal of Science in Society, 2012, v. 3, n. 2, p. 171, doi. 10.18848/1836-6236/CGP/v03i02/51222
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- Article
7
Sergei Eisenstein and Montage: When Cultures Collide in Once Upon a Time in China II.
- Published in:
- Film Matters, 2012, v. 3, n. 4, p. 3, doi. 10.1386/fm.3.4.3_1
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- Article
8
Marxist Historiography and Narrative Form in Sergei Eisenstein's ¡Que viva Mexico!
- Published in:
- Rethinking Marxism, 2009, v. 21, n. 2, p. 228, doi. 10.1080/08935690902743393
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- Publication type:
- Article
9
Sergei Eisenstein, Aleksandr Ptushko and Valentin Kadochnikov: on the history of the Soviet fantasy film.
- Published in:
- Studies in Russian & Soviet Cinema, 2021, v. 15, n. 2, p. 92, doi. 10.1080/17503132.2021.1904707
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- Article
10
Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer's Cubist Egypt.
- Published in:
- Arts (2076-0752), 2022, v. 11, n. 5, p. N.PAG, doi. 10.3390/arts11050092
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- Article
11
Sergei Eisenstein: Selected Works, Volume I, Writings, 1922-1934/Sergei Eisenstein: Selected Works, Volume III, Writings, 1934-47.
- Published in:
- 2011
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- Publication type:
- Book Review
12
Sergei Eisenstein: selected works volume 1. Writings, 1922–1934; Sergei Eisenstein: selected works volume 2. Writings, 1934–1947; Sergei Eisenstein: selected works volume 3. Towards a theory of montage.
- Published in:
- 2012
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- Publication type:
- Book Review
13
Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing: Meaning and Method in The Lure.
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- Music, Sound & the Moving Image, 2020, v. 14, n. 1, p. 3, doi. 10.3828/msmi.2020.2
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- Publication type:
- Article
14
Sergei Eisenstein's ¡Que viva Mexico! through time: Historicizing value judgement.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2010, v. 24, n. 5, p. 693, doi. 10.1080/10304312.2010.505336
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- Publication type:
- Article
15
Sergei Eisenstein.
- Published in:
- 2010
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- Publication type:
- Book Review
16
Sergei Eisenstein and the Haitian Revolution: ‘The Confrontation Between Black and White Explodes Into Red’.
- Published in:
- History Workshop Journal, 2014, v. 78, n. 1, p. 157, doi. 10.1093/hwj/dbu011
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- Publication type:
- Article
17
The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein's The Battleship Potemkin.
- Published in:
- 2017
- Publication type:
- Film/TV Criticism and Review
18
‘The miracle of our century’: Sergei Eisenstein, Élie Faure and colour in the Silly Symphonies.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 383, doi. 10.1093/screen/hjq046
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- Article
19
Sergei Eisenstein.
- Published in:
- 2010
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- Publication type:
- Book Review
20
Remembering Sergei Mikhailovich Eisenstein, 1898-1998: Wagnerian Opera in Stalin's Diplomacy.
- Published in:
- Film & History (03603695), 1998, v. 28, n. 3/4, p. 48, doi. 10.1353/flm.1998.a395868
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- Publication type:
- Article
21
The Mexican, as visualised by Sergei Eisenstein.
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- Contemporary Theatre Review, 1995, v. 4, n. 1, p. 5, doi. 10.1080/10486809508568354
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- Publication type:
- Article
22
Sergei Eisenstein.
- Published in:
- 2010
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- Publication type:
- Book Review
23
Revisiting Kurosawa Akira's The Idiot: A comparison with Sergei Eisenstein.
- Published in:
- Journal of Japanese & Korean Cinema, 2010, v. 2, n. 1, p. 3, doi. 10.1386/jjkc.2.1.3_1
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- Publication type:
- Article
24
The correspondence of Sergei Eisenstein and Gavriil Popov, 1933–1939.
- Published in:
- Studies in Russian & Soviet Cinema, 2017, v. 11, n. 2, p. 163, doi. 10.1080/17503132.2017.1300424
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- Publication type:
- Article
25
IN EXCESS: SERGEI EISENSTEIN'S MEXICO.
- Published in:
- 2010
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- Publication type:
- Book Review
26
LEV KULESHOV: PROEKT INZHENERA PRAITA/ENGINEER PRITE'S PROJECT (1918), 30 MINUTES / SERGEI EISENSTEIN [EIZENSHTEIN]: OKTIABR', ILI DESIAT' DNEI, KOTORYE POTRIASLI MIR/OCTOBER, OR TEN DAYS THAT SHOOK THE WORLD (1927), 115 MINUTES/ LEV KULESHOV: VELIKII UTESHITEL' (O. GENRI V TIUR'ME)/THE GREAT CONSOLER (O HENRY IN PRISON) (1933), 91 MINUTES...
- Published in:
- 2010
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- Publication type:
- Arts/Entertainment Review
27
Sergei Eisenstein's letters to Hollywood film-makers.
- Published in:
- Studies in Russian & Soviet Cinema, 2010, v. 4, n. 2, p. 245, doi. 10.1386/srsc.4.2.245_7
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- Publication type:
- Article
28
Sergei Eisenstein: Catch Up and Overtake.
- Published in:
- Studies in Russian & Soviet Cinema, 2008, v. 2, n. 2, p. 219
- Publication type:
- Article
29
Sergei Eisenstein and Jean Painlevé: science is animation.
- Published in:
- Critical Quarterly, 2017, v. 59, n. 1, p. 47, doi. 10.1111/criq.12321
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- Article
30
Postscript. Intersecting lines: Sergei Eisenstein writes to Ludwig Klages.
- Published in:
- Critical Quarterly, 2017, v. 59, n. 1, p. 113, doi. 10.1111/criq.12325
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- Publication type:
- Article
31
Moving Explosions: Metaphors of Emotion in Sergei Eisenstein's Writings.
- Published in:
- Quarterly Review of Film & Video, 2004, v. 21, n. 4, p. 303, doi. 10.1080/10509200490446196
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- Article
32
Don DeLillo's Transatlantic Dialogue with Sergei Eisenstein.
- Published in:
- Journal of American Studies, 2006, v. 40, n. 1, p. 17, doi. 10.1017/S0021875806000715
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- Article
33
Sergei Eisenstein and William Shakespeare: A Dialectical Love Story.
- Published in:
- Anglistica AION: An Interdisciplinary Journal, 2022, v. 26, n. 2, p. 5, doi. 10.6093/2035-8504/11239
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- Publication type:
- Article
34
Organiczna jedność, patos i plastyczność emocji w Nieobojętnej przyrodzie Sergieja Eisensteina.
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- Kontesksty: Polska Sztuka ludowa, 2019, v. 73, n. 4, p. 156
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- Publication type:
- Article
35
Sergei Eisenstein's ¡Que viva México! in the Light of Mexico's Post-revolutionary Politics.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
36
Sergei M. Eisenstein: Notes for a General History of Cinema.
- Published in:
- 2017
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- Publication type:
- Book Review
37
'Music Made Visible': Sergei Eisenstein's Die Walküre and the Birth of Vertical Montage.
- Published in:
- Wagner Journal, 2018, v. 12, n. 1, p. 40
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- Publication type:
- Article
38
Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis.
- Published in:
- 2019
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- Publication type:
- Book Review
39
Cultivating History: Sergei Eisenstein's The General Line and the Cinema of Agrarian Transition.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2023, v. 45, n. 1/2, p. 138, doi. 10.1353/dis.2023.a907670
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- Publication type:
- Article
40
Sergei Eisenstein, Neurocinematics, and Embodied Cognition: A Reassessment.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2021, v. 43, n. 3, p. 351, doi. 10.13110/discourse.43.3.0351
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- Publication type:
- Article
41
In Between the Arts: Peter Greenaway and Sergei Eisenstein.
- Published in:
- Quarterly Review of Film & Video, 2018, v. 35, n. 4, p. 333, doi. 10.1080/10509208.2018.1434753
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- Publication type:
- Article
42
O encouraçado Potemkin, Outubro e a Revolução russa: usos da história no processo criativo de Sergei Eisenstein.
- Published in:
- Alceu: Revista de Comunicação, Cultura e Política, 2017, v. 17, n. 34, p. 98
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- Publication type:
- Article
43
Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history.
- Published in:
- 2018
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- Publication type:
- Interview
44
Sergei Eisenstein: The Anthropology of Rhythm, a conversation with curators Marie Rebecchi and Elena Vogman.
- Published in:
- NECSUS European Journal of Media Studies, 2018, p. 1
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- Publication type:
- Article
45
Bringing down the Tsar: 'deconstructing' the monument to Tsar Aleksandr III in Sergei Eisenstein's October.
- Published in:
- Sculpture Journal, 2006, v. 15, n. 2, p. 272, doi. 10.3828/sj.15.2.8
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- Publication type:
- Article
46
SERGEI EISENSTEIN, HOLLYWOOD AND TENNESSEE WILLIAMS' "PLASTIC THEATRE".
- Published in:
- DQR Studies in Literature, 2014, v. 54, p. 89
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- Publication type:
- Article
47
Proof: Francisco Goya, Sergei Eisenstein, Robert Longo.
- Published in:
- 2017
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- Publication type:
- Art Exhibition Review
48
Sergei Eisenstein: 'The middle of the three.'.
- Published in:
- Studies in Russian & Soviet Cinema, 2007, v. 1, n. 2, p. 211, doi. 10.1386/srsc.1.2.211_7
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- Publication type:
- Article
49
Sergei Eisenstein as Seen by Peter Greenaway: A Dialectic Representation of an (Anti-)Great Film Director.
- Published in:
- Life Writing, 2019, v. 16, n. 2, p. 177, doi. 10.1080/14484528.2019.1548251
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- Publication type:
- Article
50
Theatricality as Cruelty.
- Published in:
- Image & Narrative, 2016, v. 17, n. 5, p. 54
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- Publication type:
- Article