Timing Out: The Politics of Death and Gender in Almodóvar's Volver.
- Published in:
- Hispanic Research Journal, 2015, v. 16, n. 1, p. 49, doi. 10.1179/1468273714Z.000000000111
- By:
- Publication type:
- Article
Works matching DE "POLITICS in motion pictures"
Results: 214
1
2
La poética del enrarecimiento en La mujer sin cabeza (2008), de Lucrecia Martel.
- Published in:
- Hispanic Research Journal, 2015, v. 16, n. 1, p. 31, doi. 10.1179/1468273714Z.000000000110
- By:
- Publication type:
- Article
3
Ordinary Relationships: “Pro-Americans,”“Anti-Americanism,” and “Left-Wing Continentalism” in British Cinema and Culture.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2009, v. 42, n. 6, p. 1073, doi. 10.1111/j.1540-5931.2009.00723.x
- By:
- Publication type:
- Article
4
HORRORS OF HISTORY.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
5
Working Through Political Entertainment: How Negative Emotion and Narrative Engagement Encourage Political Discussion Intent in Young Americans.
- Published in:
- Communication Quarterly, 2011, v. 59, n. 2, p. 200, doi. 10.1080/01463373.2011.563441
- By:
- Publication type:
- Article
6
Exhuming Death of a Bureaucrat.
- Published in:
- Bulletin of Latin American Research, 2008, v. 27, n. 4, p. 519, doi. 10.1111/j.1470-9856.2008.00283.x
- By:
- Publication type:
- Article
7
Anachronism and the militant image: temporal disturbances of the political imagination.
- Published in:
- Journal of Spanish Cultural Studies, 2017, v. 18, n. 4, p. 331, doi. 10.1080/14636204.2017.1380147
- By:
- Publication type:
- Article
8
DEMOCRATIC CINEMA.
- Published in:
- Afterimage, 2008, v. 36, n. 3, p. 2, doi. 10.1525/aft.2008.36.3.2
- By:
- Publication type:
- Article
9
CHOLLYWOOD VS. HOLLYWOOD.
- Published in:
- ArtAsiaPacific, 2011, n. 75, p. 53
- By:
- Publication type:
- Article
10
Fable as History: The Macedonian Context.
- Published in:
- Rethinking History, 2000, v. 4, n. 2, doi. 10.1080/13642520050074777
- By:
- Publication type:
- Article
11
Cinema e história -- as funções do cinema como agente, fonte e representação da história.
- Published in:
- Ler Historia, 2007, n. 52, p. 127, doi. 10.4000/lerhistoria.2547
- By:
- Publication type:
- Article
12
“O Himmlisch Licht!”.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2012, v. 17, n. 4, p. 139, doi. 10.1080/0969725X.2012.747334
- By:
- Publication type:
- Article
13
Território e virtualidade: quando a "cultura" retorna no cinema.
- Published in:
- Revista FAMECOS - Mídia, Cultura e Tecnologia, 2013, v. 20, n. 2, p. 275, doi. 10.15448/1980-3729.2013.2.14207
- By:
- Publication type:
- Article
14
Banal and Magnificent Space in Electra Glide in Blue (1973), or An Allegory of the Nixon Era.
- Published in:
- Cinema Journal, 2007, v. 46, n. 2, p. 91, doi. 10.1353/cj.2007.0018
- By:
- Publication type:
- Article
15
EDITORIAL.
- Published in:
- Framework: The Journal of Cinema & Media, 2014, v. 55, n. 1, p. 5, doi. 10.13110/framework.55.1.0005
- By:
- Publication type:
- Article
16
After The Fall: Politics, Representation, and the Permanence of Empire in the Cinema of Peter Whitehead.
- Published in:
- 2011
- By:
- Publication type:
- Essay
17
Representing politics in disaster films.
- Published in:
- International Journal of Media & Cultural Politics, 2011, v. 7, n. 3, p. 349, doi. 10.1386/macp.7.3.349_3
- By:
- Publication type:
- Article
18
Inter-Titles and Calendar-Time: Godard's History of Manners.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 1, p. 1, doi. 10.1080/10509200802433079
- By:
- Publication type:
- Article
19
Nordestes na Cinematografia Brasileira.
- Published in:
- Estudios Sobre las Culturas Contemporáneas, 2012, v. 18, n. 36, p. 117
- By:
- Publication type:
- Article
20
De la caverna al Chinese Theater: la pantalla de cine como espejo del drama humano.
- Published in:
- Revista de Comunicación, 2007, v. 6, p. 46
- By:
- Publication type:
- Article
21
Confronting The Wind: a reading of a Hollywood film by Victor Sjöström.
- Published in:
- Journal of Aesthetics & Culture, 2009, v. 1, p. 1, doi. 10.3402/jac.v1i0.4641
- By:
- Publication type:
- Article
22
Palestine Uncut: the Inaugural Melbourne-Palestine Film Festival.
- Published in:
- Metro, 2007, n. 153, p. 72
- By:
- Publication type:
- Article
23
TAKING THE 'NATION' OUT OF GALLIPOLI: TOLGA ÖRNEK'S GALLIPOLI: THE FRONTLINE.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
24
A Road Movie Without a Road: an Interview with Michael James Rowland.
- Published in:
- 2007
- By:
- Publication type:
- Interview
25
Remembering Exits and November Eleven.
- Published in:
- Metro, 2006, n. 150, p. 158
- By:
- Publication type:
- Article
26
For a Few Dollars More.
- Published in:
- Metro, 2005, n. 144, p. 10
- By:
- Publication type:
- Article
27
Subjective Displacements and 'Reserves of Life'.
- Published in:
- Journal of Latin American Cultural Studies (1356-9325), 2011, v. 20, n. 1, p. 5, doi. 10.1080/13569325.2011.562630
- By:
- Publication type:
- Article
28
Vietnam, McNamara, and the fog of history.
- Published in:
- New Political Science (Taylor & Francis Ltd), 2004, v. 26, n. 3, p. 459, doi. 10.1080/0739314042000251379
- By:
- Publication type:
- Article
29
Ambiguous 'Culture': Contrasting Interpretations of the Basque Film Ama Lur and the Relationship Between Centre and Periphery in Franco's Spain.
- Published in:
- National Identities, 2002, v. 4, n. 3, p. 291, doi. 10.1080/1460894022000026141
- By:
- Publication type:
- Article
30
Stehle, Maria, and Beverly Weber. Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema.
- Published in:
- 2021
- Publication type:
- Book Review
31
At Home in the New Germany? Local Stories and Global Concerns in Yüksel Yavuz's Aprilkinder and Kleine Freiheit.
- Published in:
- German Quarterly, 2009, v. 82, n. 1, p. 90, doi. 10.1111/j.1756-1183.2009.00040.x
- By:
- Publication type:
- Article
32
Michael Flynn and Fabiola F. Salek (eds), Screening Torture: Media Representations of State Terror and Political Domination (New York: Columbia University Press, 2012), pp. 315, ISBN 9780231153591 (pb), £20.
- Published in:
- Journal of British Cinema & Television, 2015, v. 12, n. 1, p. 141, doi. 10.3366/jbctv.2015.0251
- By:
- Publication type:
- Article
33
Towards a minor cinema: a Deleuzian reflection on Chahine's Alexandria Why? (1978).
- Published in:
- Journal of North African Studies, 2015, v. 20, n. 2, p. 159, doi. 10.1080/13629387.2014.917583
- By:
- Publication type:
- Article
34
Visualising political thinking on the screen: a dialogue between von Trotta’s Hannah Arendt and its protagonist.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
35
Image as gesture: notes on Aernout Mik’s Communitas and the modern political film.
- Published in:
- Journal for Cultural Research, 2015, v. 19, n. 1, p. 69, doi. 10.1080/14797585.2014.920186
- By:
- Publication type:
- Article
36
Life Is Like a Bowl of Fish: The Aquarium , the French New Wave and the Urban Reflection of the Cairene Self.
- Published in:
- Journal for Cultural Research, 2012, v. 16, n. 2/3, p. 283, doi. 10.1080/14797585.2012.655946
- By:
- Publication type:
- Article
37
The Moderation of Creative Dissidence in Syria: Reem Ali’s Documentary Zabad.
- Published in:
- Journal for Cultural Research, 2012, v. 16, n. 2/3, p. 297, doi. 10.1080/14797585.2012.647709
- By:
- Publication type:
- Article
38
Broken Heart of the City: Youssef Chahine’s Bab al-Hadid ( Cairo Station ).
- Published in:
- Journal for Cultural Research, 2012, v. 16, n. 2/3, p. 217, doi. 10.1080/14797585.2012.647670
- By:
- Publication type:
- Article
39
The Roma In New Millennium Italian Fiction Films: Dissensus, Liminality, Emancipation.
- Published in:
- Italianist, 2016, v. 36, n. 2, p. 266, doi. 10.1080/02614340.2016.1178889
- By:
- Publication type:
- Article
40
APPUNTI PER UNA DEFINIZIONE DEL (NUOVO) CINEMA POLITICO.
- Published in:
- Italianist, 2013, v. 33, n. 2, p. 240, doi. 10.1179/0261434013Z.00000000048
- By:
- Publication type:
- Article
41
THE POLITICS OF ITALIAN CINEMA: GENRES, MODES, AND SCHOLARSHIP. A ROUNDTABLE INTRODUCTION.
- Published in:
- Italianist, 2013, v. 33, n. 2, p. 236, doi. 10.1179/0261434013Z.00000000049
- By:
- Publication type:
- Article
42
The Biopolitical Film (A Nietzschean Paradigm).
- Published in:
- Postmodern Culture, 2012, v. 23, n. 1, p. 0
- By:
- Publication type:
- Article
43
The Biopolitical Film (A Nietzschean Paradigm).
- Published in:
- Postmodern Culture, 2012, v. 23, n. 1, p. 1, doi. 10.1353/pmc.2013.0016
- By:
- Publication type:
- Article
44
Como era gostoso meu frances: Tropicalismo in the Cinema.
- Published in:
- Studies in Latin American Popular Culture, 2000, v. 19, p. 93
- By:
- Publication type:
- Article
45
The significance of Steven Spielberg's Old Mr. Lincoln: political emotions and intertextual knowledge.
- Published in:
- 2013
- By:
- Publication type:
- Essay
46
Lincoln in contemporary U.S. culture and politics.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2013, n. 55, p. 29
- By:
- Publication type:
- Article
47
Capitalist childhood in film: modes of critique.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2013, n. 55, p. 9
- By:
- Publication type:
- Article
48
Should the Dark Knight have risen?
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
49
Performing the new economy: New York, neoliberalism, and mass communication in late 1970s cinema.
- Published in:
- 2012
- By:
- Publication type:
- Essay
50
Narrating the global: pedagogy and disorientation in Syriana.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review