Works matching DE "OPERETTA"
1
- X-tra: Contemporary Art Quarterly, 2018, v. 20, n. 3, p. 64
- Article
2
- Menotyra, 2009, n. 1/2, p. 12
- Article
3
- 2004
- Galo, Gary A.;
- Fisher, James
- Music Review
5
- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 1, p. 85, doi. 10.24193/subbmusica.2019.1.06
- Article
6
- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 103, doi. 10.24193/subbmusica.2018.2.09
- Article
7
- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 115, doi. 10.24193/subbmusica.2018.2.10
- Article
8
- Studia Universitatis Babes-Bolyai, Musica, 2013, v. 58, n. 1, p. 123
- Article
9
- International Review of the Aesthetics & Sociology of Music, 2017, v. 48, n. 1, p. 101
- Article
11
- Musical Quarterly, 2016, v. 99, n. 2, p. 254, doi. 10.1093/musqtl/gdw009
- Article
12
- Journal of Education, 1892, v. 36, n. 15, p. 255
- Article
13
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, n. 1, p. 63
- Article
14
- American Music Review, 2015, v. 45, n. 1, p. 7
- Article
17
- Knowledge: International Journal, 2023, v. 61, n. 5, p. 991
- Article
18
- Journal of Singing, 2010, v. 66, n. 3, p. 303
- De'Ath, Leslie;
- Rethazi, Andrew
- Article
19
- 2008
- Jackson, Margaret;
- Hix, Michael
- Interview
20
- Journal of Singing, 2006, v. 62, n. 3, p. 315
- Crews, Ruth;
- Davis, Richard
- Article
22
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 2, p. 133
- Article
24
- RILCE. Revista de Filología Hispánica, 2013, v. 29, n. 3, p. 669
- Article
25
- Povijesni Prilozi, 2018, v. 37, n. 55, p. 345, doi. 10.22586/pp.v55i0.83
- Article
26
- Music Science Today: The Permanent & the Changeable / Mūzikas Zinātne Šodien: Pastāvīgais un Mainīgais, 2020, v. 12, p. 16
- Article
27
- Journal of Education, 1925, v. 102, n. 11, p. 299, doi. 10.1177/002205742510201111
- Article
30
- Leitmotiv, 2019, v. 6, n. 7, p. 45
- Oliver García, José Antonio
- Article
31
- Studies in Musical Theatre, 2015, v. 9, n. 1, p. 13, doi. 10.1386/smt.9.1.13_1
- Article
32
- Studies in Musical Theatre, 2014, v. 8, n. 2, p. 129, doi. 10.1386/smt.8.2.129_1
- Article
33
- Studies in Musical Theatre, 2013, v. 7, n. 2, p. 175, doi. 10.1386/smt.7.2.175_1
- Article
34
- 2011
- Arts/Entertainment Review
36
- TDR: The Drama Review (MIT Press), 2019, v. 63, n. 1, p. 9, doi. 10.1162/dram_a_00814
- Article
37
- TDR: The Drama Review (MIT Press), 2009, v. 53, n. 3, p. 2, doi. 10.1162/dram.2009.53.3.2
- Article
40
- Opera Quarterly, 2017, v. 33, n. 1, p. 62, doi. 10.1093/oq/kbx019
- Article
41
- Opera Quarterly, 2017, v. 33, n. 1, p. 49, doi. 10.1093/oq/kbx018
- Article
42
- Opera Quarterly, 2017, v. 33, n. 1, p. 28, doi. 10.1093/oq/kbx020
- Article
43
- Opera Quarterly, 2017, v. 33, n. 1, p. 1, doi. 10.1093/oq/kbx021
- Abbate, Carolyn;
- Willson, Flora
- Article
44
- Opera Quarterly, 2015, v. 31, n. 4, p. 199, doi. 10.1093/oq/kbv013
- Article
46
- Queen's Quarterly, 2010, v. 117, n. 3, p. 370
- Article