Gurinder Chadha's Bride and Prejudice: A Transnational Journey Through Time and Space.
- Published in:
- International Journal of English Studies, 2012, v. 12, n. 1, p. 167
- By:
- Publication type:
- Article
Works matching DE "TRANSNATIONAL films"
Results: 109
1
2
(Trans)Cultural Legibility and Online Yuri!!! on Ice Fandom.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
3
Cinephilia and the Unrepresentable in Miguel Gomes' Tabu (2012).
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
4
One on Top of the Other: Lucio Fulci, Transnational Film Industries, and the Retrospective Construction of the Italian Horror Canon.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
5
An unconventional zombie: Subcultural genres, global art cinema and bio-power in Sebastian Hofmann's Halley (2012).
- Published in:
- New Cinemas: Journal of Contemporary Film, 2020, v. 17, n. 3, p. 163, doi. 10.1386/ncin_00015_1
- By:
- Publication type:
- Article
6
Lesbians in the house: Female queerness in Bend It Like Beckham (Gurinder Chadha, 2002) and Chutney Popcorn (Nisha Ganatra, 1999).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
7
The rhetoric of the transnational: interpretation and identity in Géla and Temur Babluani's L'Héritage/Legacy (2006).
- Published in:
- New Cinemas: Journal of Contemporary Film, 2010, v. 8, n. 1, p. 3, doi. 10.1386/ncin.8.1.3_1
- By:
- Publication type:
- Article
8
Narration in World cinema: Mapping the flows of formal exchange in the era of globalisation.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 1, p. 5, doi. 10.1386/ncin.6.1.5_1
- By:
- Publication type:
- Article
9
Locating the diaspora: Delhi 6 and its challenge to Bollywood's image of the transnational Indian.
- Published in:
- South Asian Popular Culture, 2011, v. 9, n. 3, p. 247, doi. 10.1080/14746689.2011.597955
- By:
- Publication type:
- Article
10
Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945–1960.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
11
Je t’aime … Moi non plus: Franco-British cinematic relations.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
12
Lü Ban's Comedies, Transnational Film Auteurism, and Comedic Modernism in Early Socialist China.
- Published in:
- Modern Chinese Literature & Culture, 2024, v. 36, n. 1, p. 116, doi. 10.3366/mclc.2024.0050
- By:
- Publication type:
- Article
13
Diasporic Film Cultures from a Multi-level Perspective: Moroccan and Indian Cinematic Flows In and Towards Antwerp (Belgium).
- Published in:
- Critical Studies in Media Communication, 2013, v. 30, n. 4, p. 257, doi. 10.1080/15295036.2012.672758
- By:
- Publication type:
- Article
14
German Visual Culture: From National to European Style.
- Published in:
- 2016
- By:
- Publication type:
- Essay
15
Kung Fu Panda: Animated Animal Bodies as Layered Sites of (Trans)National Identities.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
16
The Korean Valentino: Jin Yan (Kim Yŏm), Sino-Korean Unity, and Shanghai Films of the 1930s.
- Published in:
- Korean Studies, 2013, v. 37, p. 150, doi. 10.1353/ks.2013.0004
- By:
- Publication type:
- Article
17
Migrant Cinema: Transnational and Guerrilla Practices of Film Production and Representation.
- Published in:
- Journal of Ethnic & Migration Studies, 2008, v. 34, n. 8, p. 1237, doi. 10.1080/13691830802364825
- By:
- Publication type:
- Article
18
Viewing Identity: Second-Generation Korean American Ethnic Identification and the Reception of Korean Transnational Films.
- Published in:
- Communication, Culture & Critique, 2011, v. 4, n. 2, p. 184, doi. 10.1111/j.1753-9137.2011.01096.x
- By:
- Publication type:
- Article
19
Making Personas: Transnational Film Stardom in Modern Japan.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
20
Latitudes: New Indian Transnational Cinema.
- Published in:
- Journal of Lesbian Studies, 2014, v. 18, n. 3, p. 209, doi. 10.1080/10894160.2014.896609
- By:
- Publication type:
- Article
21
Imagining global India: Bollywood's transnational appeal.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2013, v. 27, n. 2, p. 254, doi. 10.1080/10304312.2013.766309
- By:
- Publication type:
- Article
22
Mapping Cult Cinema in Latin American Film Cultures.
- Published in:
- 2014
- By:
- Publication type:
- Essay
23
Approaching the (Trans)National in Criticism of Early Latin American Sound Film.
- Published in:
- Cinema Journal, 2014, v. 54, n. 1, p. 115, doi. 10.1353/cj.2014.0062
- By:
- Publication type:
- Article
24
Media Heterotopia and Transnational Filmmaking: Mapping Real and Virtual Worlds.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
25
Hong Kong Cinema as a Dialect Cinema?
- Published in:
- 2010
- By:
- Publication type:
- Essay
26
Transnationalism and Translocality in Chinese Cinema.
- Published in:
- Cinema Journal, 2010, v. 49, n. 3, p. 135, doi. 10.1353/cj.0.0204
- By:
- Publication type:
- Article
27
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project.
- Published in:
- Screen, 2023, v. 64, n. 2, p. 233, doi. 10.1093/screen/hjad016
- By:
- Publication type:
- Article
28
Projecting Maoist China: the PRC's transnational film distribution, 1949 to 1966.
- Published in:
- Screen, 2023, v. 64, n. 1, p. 58, doi. 10.1093/screen/hjad004
- By:
- Publication type:
- Article
29
German film, European film: transnational production, distribution and reception.
- Published in:
- Screen, 2006, v. 47, n. 2, p. 251, doi. 10.1093/screen/hjl019
- By:
- Publication type:
- Article
30
'Shanghai is burning': Extravaganza, transgender representation and transnational cinema.
- Published in:
- Global Media & China, 2018, v. 3, n. 4, p. 233, doi. 10.1177/2059436418818274
- By:
- Publication type:
- Article
31
French and Italian co-productions and the limits of transnational cinema.
- Published in:
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 25, doi. 10.1386/jicms.4.1.25_1
- By:
- Publication type:
- Article
32
Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s <italic>Sweetie</italic> (1989) and Lucrecia Martel’s <italic>La Ciénaga</italic> (2001).
- Published in:
- Critical Arts: A South-North Journal of Cultural & Media Studies, 2017, v. 31, n. 5, p. 142, doi. 10.1080/02560046.2017.1401102
- By:
- Publication type:
- Article
33
One ghost, two shells: the transnational treasure text of Kikuchi Rinko.
- Published in:
- Feminist Media Studies, 2021, v. 21, n. 2, p. 233, doi. 10.1080/14680777.2020.1726983
- By:
- Publication type:
- Article
34
Location shooting in “the Wild East”: risk and masculinity in Hollywood productions in the Philippines.
- Published in:
- Feminist Media Studies, 2017, v. 17, n. 6, p. 988, doi. 10.1080/14680777.2017.1313290
- By:
- Publication type:
- Article
35
Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
36
Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
37
Negotiating the bounds of transnational cinema with Georges Méliès, 1896–1908.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 155, doi. 10.1080/17460654.2016.1162428
- By:
- Publication type:
- Article
38
The Politics of Transnational Film Remakes: A Turkish Young Frankenstein Betwixt Coup d'etats.
- Published in:
- Literature Film Quarterly, 2022, v. 50, n. 2, p. 5
- By:
- Publication type:
- Article
39
Transnational Film Remaking and Destabilized Meanings: Reading Kim Jee-woon's The Good, the Bad, the Weird.
- Published in:
- Korea Journal, 2019, v. 59, n. 3, p. 53, doi. 10.25024/kj.2019.59.3.53
- By:
- Publication type:
- Article
40
From My Fancy High Heels to Useless clothing: 'Interconnectedness' and eco-critical issues in transnational documentaries.
- Published in:
- Interactions: Studies in Communication & Culture, 2011, v. 2, n. 2, p. 127, doi. 10.1386/iscc.2.2.127_1
- By:
- Publication type:
- Article
41
The politics of viewing ecocinema in China: Reflections on audience studies and transnational ecocinema.
- Published in:
- Interactions: Studies in Communication & Culture, 2011, v. 2, n. 2, p. 145, doi. 10.1386/iscc.2.2.145_1
- By:
- Publication type:
- Article
42
Colourful screens: Water imaginaries in documentaries from China and Taiwan.
- Published in:
- Interactions: Studies in Communication & Culture, 2011, v. 2, n. 2, p. 109, doi. 10.1386/iscc.2.2.109_1
- By:
- Publication type:
- Article
43
The Adaptation of Don Camillo through the Cultural Transduction Framework: From Italian Bestseller to Franco-Italian Film to a Colombian TV Series.
- Published in:
- Adaptation, 2019, v. 12, n. 1, p. 44, doi. 10.1093/adaptation/apy020
- By:
- Publication type:
- Article
44
REPRESENT CUBA: HAVANA HIP HOP UNDER THE LENS.
- Published in:
- Alter/nativas, latin american cultural studies journal, 2014, n. 2, p. 1
- By:
- Publication type:
- Article
45
In and out: the transnational circulation of Spanish cinema in digital times.
- Published in:
- Journal of Spanish Cultural Studies, 2015, v. 16, n. 1, p. 1, doi. 10.1080/14636204.2015.1042324
- By:
- Publication type:
- Article
46
Surveillant filmmaking, the carceral and the transnational: image and viewers in Celda 211.
- Published in:
- Journal of Spanish Cultural Studies, 2015, v. 16, n. 1, p. 61, doi. 10.1080/14636204.2015.1041315
- By:
- Publication type:
- Article
47
Fernando Trueba: rewriting the pedagogy of Spanish transnational musical narratives.
- Published in:
- Journal of Spanish Cultural Studies, 2015, v. 16, n. 1, p. 45, doi. 10.1080/14636204.2015.1041314
- By:
- Publication type:
- Article
48
Multilingual Encounters in the Contact Zone. The Transnational Film Adaptations of Tabucchi's Dama de Porto Pim and Nocturne indien.
- Published in:
- Italian Studies, 2020, v. 75, n. 4, p. 487, doi. 10.1080/00751634.2020.1820820
- By:
- Publication type:
- Article
49
Hmollywood Movies: 1.5-Generation Hmong Americans and Transnational Film Production in Thailand.
- Published in:
- SOJOURN: Journal of Social Issues in Southeast Asia, 2019, v. 34, n. 2, p. 366, doi. 10.1355/sj34-2e
- By:
- Publication type:
- Article
50
The Alien as a Vehicle for Cosmopolitan Discourses: The Case of The Day the Earth Stood Still.
- Published in:
- Atlantis (0210-6124), 2018, v. 40, n. 2, p. 123, doi. 10.28914/Atlantis-2018-40.2.07
- By:
- Publication type:
- Article