THE MEDIEVALISMS OF DISNEY'S MOANA (2016): NARRATIVE COLONIZATION FROM VICTORIAN ENGLAND TO CONTEMPORARY AMERICA.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "IMPERIALISM in motion pictures"
Results: 62
1
2
Foreign Domestics: The Filipino 'Homefront' in World War II Hollywood.
- Published in:
- Comparative American Studies, 2010, v. 8, n. 1, p. 3, doi. 10.1179/147757010X12658885872251
- By:
- Publication type:
- Article
3
Cinema and colonization: American colonization and the rise of cinema in the Philippines.
- Published in:
- Comparative American Studies, 2007, v. 5, n. 2, p. 147, doi. 10.1179/147757007X204420
- By:
- Publication type:
- Article
4
Projecting Empire: imperialism and popular cinema.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
5
Creaturely Life in "We Come as Friends".
- Published in:
- Humanities (2076-0787), 2019, v. 8, n. 1, p. 44, doi. 10.3390/h8010044
- By:
- Publication type:
- Article
6
Discourses of impegno and Italian colonial legacies: Reassessing times, spaces and voices in documentaries on (post)colonial mobility.
- Published in:
- Journal of Italian Cinema & Media Studies, 2018, v. 6, n. 1, p. 33, doi. 10.1386/jicms.6.1.33_1
- By:
- Publication type:
- Article
7
Documentary without borders: Salomé Lamas's Extinction and the orientalism of post-soviet borders and space.
- Published in:
- Studies in Eastern European Cinema, 2021, v. 12, n. 3, p. 237, doi. 10.1080/2040350X.2020.1822586
- By:
- Publication type:
- Article
8
ANOTHER DAY IN PARADISE: Sex Tourism and Colonialism in Bangkok Nites.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
9
Monsters, American Denialism and The Gift.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
10
Caught on Camera.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
11
James Chapman and Nicholas J. Cull, Projecting Empire: Imperialism and Popular Cinema (London and New York: I. B. Tauris, 2009), pp xii + 244, ISBN 978 1 84511 940 9 (pb), £15.99.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
12
Made to Move, Made of this Place: Into America, Mobility, and the Eco-Logics of Settler Colonialism.
- Published in:
- Amerikastudien, 2016, v. 61, n. 4, p. 507
- By:
- Publication type:
- Article
13
DREAM FACTORIES OF A FORMER COLONY: AMERICAN FANTASIES, PHILIPPINE CINEMA.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
14
Anti-Racism and Anti-Colonialism in Canada: Identifying Key Components of Critical Pedagogy in Film.
- Published in:
- Review of Education, Pedagogy & Cultural Studies, 2011, v. 33, n. 4, p. 365, doi. 10.1080/10714413.2011.597649
- By:
- Publication type:
- Article
15
Memory and History: Early Film, Colonialism and the French Civilising Mission in Indochina.
- Published in:
- French History & Civilization, 2011, v. 4, p. 223
- By:
- Publication type:
- Article
16
Cultural Dyslexia and the Politics of Cross-cultural Excursion in Claudia Llosa's Madeinusa.
- Published in:
- 2013
- By:
- Publication type:
- Essay
17
How the Other Is Not Allowed to Be: Elision and Condensation in Avatar.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
18
From Marinetti to Pasolini: Massawa, the Red Sea, and the Construction of "Mediterranean Africa" in Italian Literature and Cinema.
- Published in:
- Northeast African Studies, 2012, v. 12, n. 1, p. 273, doi. 10.1353/nas.2012.0019
- By:
- Publication type:
- Article
19
The Rise of Dark Americana: Depicting the “War on Terror” On-Screen.
- Published in:
- Studies in Conflict & Terrorism, 2016, v. 39, n. 1, p. 1, doi. 10.1080/1057610X.2015.1084802
- By:
- Publication type:
- Article
20
"Remember, you're the good guy:" Hidalgo, American Identity, and Histories of the Western.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
21
EDITORIAL.
- Published in:
- Werkstatt Geschichte (Klartext Verlag), 2015, n. 69, p. 3
- By:
- Publication type:
- Article
22
Der Antagonismus der Räume und die Militanz des Blicks. Gillo Pontecorvos Battaglia di Algeri.
- Published in:
- Werkstatt Geschichte (Klartext Verlag), 2015, n. 69, p. 23
- By:
- Publication type:
- Article
23
Projecting Empire: Imperialism and Popular Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
24
Restor(y)ing Meaning: Reading Manoel de Oliveira's Non ou a Vã Glória de Mandar.
- Published in:
- Hispanic Research Journal, 2013, v. 14, n. 1, p. 49, doi. 10.1179/1468273712Z.00000000033
- By:
- Publication type:
- Article
25
India Song's politics of sound.
- Published in:
- French Screen Studies, 2021, v. 21, n. 1, p. 60, doi. 10.1080/26438941.2020.1766234
- By:
- Publication type:
- Article
26
The Biafran War According to Hollywood: Militainment and Historical Distortion in Antoine Fuqua's Tears of the Sun (2003).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
27
Moving the (B)order: The Magic that is the Desire to Live a Livable Life, A conversation with lucine talalyan, Arpi Adamyan, Shushan Avagyan, Milena Tadukhepa, Gayane Davtyan, and Anna Shahnazaryan.
- Published in:
- 2018
- By:
- Publication type:
- Proceeding
28
Acknowledged absences: Claire Denis' cinema of longing.
- Published in:
- Studies in European Cinema, 2006, v. 3, n. 1, p. 67, doi. 10.1386/seci.3.1.67/1
- By:
- Publication type:
- Article
29
"THE EYES ARE ALIVE!": Envisioning History in Ernst Lubitsch's The Eyes of the Mummy (1918).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
30
‘Assignment Africa’: Donald Swanson's Colonial Imaginary and Chisoko the African (1949)*.
- Published in:
- Journal of Southern African Studies, 2013, v. 39, n. 3, p. 701, doi. 10.1080/03057070.2013.827445
- By:
- Publication type:
- Article
31
Hong Kong undercover: an approach to 'collaborative colonialism'.
- Published in:
- Inter-Asia Cultural Studies, 2008, v. 9, n. 4, p. 522, doi. 10.1080/14649370802386412
- By:
- Publication type:
- Article
32
Free Trade in Images?
- Published in:
- Nepantla: Views from South, 2001, v. 2, n. 3, p. 489
- By:
- Publication type:
- Article
33
Imperial Screens: Ruth Ben-Ghiat's Italian Fascism's Empire Cinema.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
34
Memories of the Italian colonial past.
- Published in:
- International Social Science Journal, 2011, v. 62, n. 203/204, p. 33, doi. 10.1111/j.1468-2451.2011.01791.x
- By:
- Publication type:
- Article
35
Cloud Atlas' Queer Tiki Kitsch: Polynesians, Settler Colonialism, and Sci-Fi Film.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
36
Italy'S Postcolonial Cinema and its Histories of Representation.
- Published in:
- Italian Studies, 2008, v. 63, n. 2, p. 195, doi. 10.1179/007516308X344351
- By:
- Publication type:
- Article
37
Reimagining Puerto Rican history in Seva Vive.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
38
Electricity within: Islam, pre-Islamic traditions and secular forms of belief in contemporary Kyrgyz cinema.
- Published in:
- Studies in Russian & Soviet Cinema, 2021, v. 15, n. 2, p. 153, doi. 10.1080/17503132.2021.1906009
- By:
- Publication type:
- Article
39
Trapped in the prisoner scenario: the first Chechen war and Sergei Bodrov's Prisoner of the Mountains.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
40
Colonial Possessions: A Fanonian Reading of The Exorcist and its Sequels.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
41
Decolonising James Cameron's Pandora: Imperial history and science fiction.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
42
Pocahontas and Settler Colonialism in Early Film, 1907– 1910.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2021, v. 60, n. 3, p. 83, doi. 10.1353/cj.2021.0028
- By:
- Publication type:
- Article
43
Rogue One: A U.S. Imperialism Story.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
44
Shifting the gaze: Colonial and postcolonial portraits of the zenana in Hindi and Euro-American cinema.
- Published in:
- South Asian Popular Culture, 2011, v. 9, n. 3, p. 259, doi. 10.1080/14746689.2011.597957
- By:
- Publication type:
- Article
45
Images and Representations of British Imperialism: Cinematic Adaptations of A.E.W. Mason's The Four Feathers.
- Published in:
- Interdisciplinary Humanities, 2010, v. 27, n. 1, p. 12
- By:
- Publication type:
- Article
46
Skyfall , James Bond's Resurrection, and 21st-Century Anglo-American Imperial Nostalgia.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
47
Ponto de vista e encontro colonial: a construção da cena e a representação de estereótipos.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
48
"I Wanted You to Be Present": Guilt and the History of Violence in Michael Haneke's Caché.
- Published in:
- 2010
- By:
- Publication type:
- Essay
49
Imperfectible narrative within colonial melancholia: Gendered sovereignty and the technology of colonial subjects in the wartime Korean propaganda film, The Volunteer (1941).
- Published in:
- Asian Cinema, 2013, v. 24, n. 2, p. 223, doi. 10.1386/ac.24.2.223_1
- By:
- Publication type:
- Article
50
Reading cricket fiction in the times of hindu nationalism and farmer suicides: Fallacies of textual interpretation.
- Published in:
- International Journal of the History of Sport, 2007, v. 24, n. 9, p. 1200, doi. 10.1080/09523360701448349
- By:
- Publication type:
- Article