Works matching Griffith, D. W. (David Wark), 1875-1948
1
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 1, doi. 10.3138/CJFS.26.2.2017-0005
- GAUDREAULT, ANDRÉ;
- GAUTHIER, PHILIPPE
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2
- Image, 1958, v. 7, n. 3, p. 66
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3
- New Mexico Historical Review, 2020, v. 95, n. 1, p. 33
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4
- Nineteenth Century Theatre & Film, 2008, v. 35, n. 1, p. 48, doi. 10.7227/NCTF.35.1.5
- Day-Mayer, Helen;
- Mayer, David
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7
- Adaptation, 2010, v. 3, n. 2, p. 155, doi. 10.1093/adaptation/apq012
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8
- Film History, 1990, v. 4, n. 4, p. 337
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9
- Modernist Cultures, 2010, v. 5, n. 1, p. 9, doi. 10.3366/mod.2010.0003
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10
- Early Popular Visual Culture, 2022, v. 20, n. 1, p. 83, doi. 10.1080/17460654.2022.2064088
- McGinity-Peebles, Adelaide
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12
- Modernism/Modernity, 2008, v. 15, n. 2, p. 221, doi. 10.1353/mod.2008.0040
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13
- Nineteenth Century Theatre & Film, 2020, v. 47, n. `2, p. 100, doi. 10.1177/1748372720942737
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14
- Cinema Journal, 2000, v. 39, n. 4, p. 3, doi. 10.1353/cj.2000.0016
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15
- 2012
- Film/TV Criticism and Review
16
- Early Popular Visual Culture, 2023, v. 21, n. 2, p. 299, doi. 10.1080/17460654.2023.2207844
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17
- Digital Scholarship in the Humanities, 2017, v. 32, n. 1, p. 1, doi. 10.1093/llc/fqv035
- Baxter, Mike;
- Khitrova, Daria;
- Tsivian, Yuri
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18
- 2013
- Film/TV Criticism and Review
19
- Film History, 2023, v. 35, n. 2, p. 95, doi. 10.2979/fih.00005
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20
- Adaptation, 2012, v. 5, n. 2, p. 219, doi. 10.1093/adaptation/aps013
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22
- Literature Film Quarterly, 1976, v. 4, n. 1, p. 76
- Hilenski, Ferdinand Alexi
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23
- 2015
- Film/TV Criticism and Review
25
- 1976
- Film/TV Criticism and Review
26
- Berichte zur Wissenschafts-Geschichte, 2014, v. 37, n. 2, p. 112, doi. 10.1002/bewi.201401679
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28
- Film Matters, 2016, v. 7, n. 1, p. 25, doi. 10.1386/fm.7.1.25_1
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30
- Film History, 2011, v. 23, n. 2, p. 174, doi. 10.2979/filmhistory.23.2.174
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32
- Film History, 1999, v. 11, n. 3, p. 342
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33
- CounterPunch, 2021, p. 1
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35
- Film International (16516826), 2006, v. 4, n. 2, p. 6, doi. 10.1386/fiin.4.2.6
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36
- American Scholar, 1990, v. 59, n. 2, p. 255
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37
- Literature Film Quarterly, 1990, v. 18, n. 2, p. 87
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38
- Social Identities, 1997, v. 3, n. 2, p. 161, doi. 10.1080/13504639752041
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39
- Music Theory Online, 2018, v. 24, n. 2, p. 1, doi. 10.30535/mto.24.2.2
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40
- Early Popular Visual Culture, 2012, v. 10, n. 3, p. 211, doi. 10.1080/17460654.2012.694690
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41
- Education, 1973, v. 94, n. 2, p. 134
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42
- Comparative Critical Studies, 2009, v. 6, n. 3, p. 373, doi. 10.3366/E1744185409000858
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43
- 2018
- Film/TV Criticism and Review
44
- Image, 1972, v. 15, n. 4, p. 26
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45
- Film History, 2004, v. 16, n. 2, p. 117, doi. 10.2979/FIL.2004.16.2.117
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46
- Journal of American Studies, 2018, v. 52, n. 1, p. 45, doi. 10.1017/S0021875816001845
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47
- New Review of Film & Television Studies, 2007, v. 5, n. 3, p. 285, doi. 10.1080/17400300701670626
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48
- Fracture & Structural Integrity, 2010, v. 4, p. 63, doi. 10.3221/IGF-ESIS.12.07
- Angelillo, M.;
- Fortunato, A.;
- Babilio, E.;
- Lippiello, M.;
- Cardamone, L.
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49
- Concept (2248-3756), 2021, v. 22, n. 1, p. 98
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50
- University of Toronto Quarterly, 2010, v. 79, n. 2, p. 819, doi. 10.3138/UTQ.79.2.819
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