Interactive engagement with embodied agents: an empirically validated framework.
- Published in:
- Computer Animation & Virtual Worlds, 2009, v. 20, n. 2/3, p. 195
- By:
- Publication type:
- Article
Works matching DE "SUBJECTIVITY in motion pictures"
Results: 98
1
2
Towards neurotic realism: Otherness, subjectivity and new Hindi cinema.
- Published in:
- South Asian Popular Culture, 2017, v. 15, n. 1, p. 73, doi. 10.1080/14746689.2017.1344480
- By:
- Publication type:
- Article
3
Interrogating the Look of the Gaze: Theorizing a Latina Cine-subjectivity.
- Published in:
- Women, 2012, v. 23, n. 3, p. 323, doi. 10.1080/09574042.2012.708229
- By:
- Publication type:
- Article
4
E-learning şi noi strategii media în educatie.
- Published in:
- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2010, n. 1, p. 18
- By:
- Publication type:
- Article
5
What's a nice historian like you doing in a place like this?
- Published in:
- Rethinking History, 2009, v. 13, n. 1, p. 17, doi. 10.1080/13642520802639579
- By:
- Publication type:
- Article
6
Infancia y exilio en el cine chileno.
- Published in:
- IBEROAMERICANA. América Latina - España - Portugal, 2017, v. 17, n. 65, p. 47
- By:
- Publication type:
- Article
7
Camera-Eye, CG-Eye: Videogames and the "Cinematic.".
- Published in:
- Cinema Journal, 2009, v. 48, n. 3, p. 122, doi. 10.1353/cj.0.0126
- By:
- Publication type:
- Article
8
Morphing Realities: The Current Status of the Real in Film and Television.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 48
- By:
- Publication type:
- Article
9
Is there a Minority Report?, or: What is Subjectivity?
- Published in:
- 2007
- By:
- Publication type:
- Editorial
10
Destabilizing and Hypnotic Power of the Modern Seductress in the Movie Madam Ahou's Husband (1968).
- Published in:
- Quarterly Review of Film & Video, 2024, v. 41, n. 7, p. 1091, doi. 10.1080/10509208.2023.2183736
- By:
- Publication type:
- Article
11
Female Subjectivity, Sexuality, and the Femme Fatale in Born to Kill.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
12
The Dismantling of the Fourth Wall.
- Published in:
- 2015
- By:
- Publication type:
- Essay
13
Murnau's The Last Laugh and Hitchcock's Subjective Camera.
- Published in:
- Quarterly Review of Film & Video, 2006, v. 23, n. 3, p. 257, doi. 10.1080/105092090503349
- By:
- Publication type:
- Article
14
The Point of View.
- Published in:
- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 1, doi. 10.1080/10509208909361295
- By:
- Publication type:
- Article
15
Esoteric Archaeologies and Interplanetary Becoming in Laura Kraning's Meridian Plain.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
16
Screenwriting for Sound.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 103, doi. 10.3366/sound.2011.0013
- By:
- Publication type:
- Article
17
The labourers in the vineyard, theory of value and agriculture.
- Published in:
- Hervormde Teologiese Studies, 2023, v. 79, n. 2, p. 1, doi. 10.4102/hts.v79i2.8303
- By:
- Publication type:
- Article
18
Pedagogías del cuerpo. La construcción espec(tac)ular del cuerpo femenino en el reality show español.
- Published in:
- Revista Latina de Comunicación Social, 2009, n. 64, p. 1, doi. 10.4185/RLCS-64-2009-817-203-209
- By:
- Publication type:
- Article
19
JULIO MEDEM Y LA POÉTICA DEL COMPROMISO.
- Published in:
- Alpha: Revista de Artes, Letras y Filosofía, 2004, n. 20, p. 121
- By:
- Publication type:
- Article
20
The ghostly matter of asylum in Kivu Ruhorahoza's A Tree Has Fallen (Europa).
- Published in:
- Tydskrif vir Letterkunde, 2019, v. 56, n. 1, p. 24, doi. 10.17159/2309-9070/tvl.v.56i1.6269
- By:
- Publication type:
- Article
21
Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity.
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
22
In Threads and Tatters: Costume, Identification and Female Subjectivity in Mulholland Dr.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
23
Cinematic subjectivity in Zepo.
- Published in:
- Short Film Studies, 2018, v. 8, n. 1, p. 25, doi. 10.1386/sfs.8.1.25_1
- By:
- Publication type:
- Article
24
The invisible stalker in It Can Pass Through the Wall.
- Published in:
- Short Film Studies, 2017, v. 7, n. 2, p. 191, doi. 10.1386/sfs.7.2.191_1
- By:
- Publication type:
- Article
25
'But There Are No Lions in the Scottish Highlands': Reading the trunk in Matka.
- Published in:
- Short Film Studies, 2014, v. 4, n. 1, p. 51, doi. 10.1386/sfs.4.1.51_1
- By:
- Publication type:
- Article
26
Cinema, Spectatorship, and Subjectivity in Gutiérrez Albelo's Enigma del invitado (1936).
- Published in:
- Journal of Iberian & Latin American Studies, 2005, v. 11, n. 1, p. 1, doi. 10.1080/14701840500127289
- By:
- Publication type:
- Article
27
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe's Enter the Void".
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
28
Video Summarization Based on Camera Motion and a Subjective Evaluation Method.
- Published in:
- EURASIP Journal on Image & Video Processing, 2007, v. 2007, p. 2, doi. 10.1155/2007/60245
- By:
- Publication type:
- Article
29
Future perfect loss: Richard Fung's Sea in the Blood.
- Published in:
- Screen, 2008, v. 49, n. 4, p. 426, doi. 10.1093/screen/hjn053
- By:
- Publication type:
- Article
30
Narrative spaces.
- Published in:
- Screen, 2002, v. 43, n. 2, p. 139, doi. 10.1093/screen/43.2.139
- By:
- Publication type:
- Article
31
The effect of multiform narrative on subjectivity.
- Published in:
- Screen, 1999, v. 40, n. 2, p. 146, doi. 10.1093/screen/40.2.146
- By:
- Publication type:
- Article
32
Questions of Identity in Beur cinema: from Tea in the Harem to Cheb.
- Published in:
- Screen, 1993, v. 34, n. 4, p. 321, doi. 10.1093/screen/34.4.321
- By:
- Publication type:
- Article
33
Early cinema, late cinema: permutations of the public sphere.
- Published in:
- Screen, 1993, v. 34, n. 3, p. 197, doi. 10.1093/screen/34.3.197
- By:
- Publication type:
- Article
34
Formal Permutations of the Point-of-View Shot.
- Published in:
- Screen, 1975, v. 16, n. 3, p. 54, doi. 10.1093/screen/16.3.54
- By:
- Publication type:
- Article
35
An Epic of Riots: The Multitude as Hero in Handsworth Songs.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
36
The Horror of Discorrelation: Mediating Unease in Post-Cinematic Screens and Networks.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2020, v. 60, n. 1, p. 26, doi. 10.1353/cj.2020.0061
- By:
- Publication type:
- Article
37
La representación fílmica de la memoria personal: las películas de memoria.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2017, v. 22, n. 42, p. 175, doi. 10.1387/zer.17842
- By:
- Publication type:
- Article
38
Allegorized Subaltern: Subjectivity and Death in the Works of Bahman Ghobadi.
- Published in:
- Theory & Practice in Language Studies (TPLS), 2015, v. 5, n. 2, p. 370, doi. 10.17507/tpls.0502.18
- By:
- Publication type:
- Article
39
'Killing romance' by 'giving birth to love': Hélène Cixous, Jane Campion and the language of In the Cut (2003).
- Published in:
- Feminist Theory, 2019, v. 20, n. 1, p. 93, doi. 10.1177/1464700118804445
- By:
- Publication type:
- Article
40
Do Cyborgs Desire Their Own Subjection? Thinking Anthropology With Cinematic Science Fiction.
- Published in:
- 2016
- By:
- Publication type:
- Essay
41
On the Eastern Woman’s Body: Ethnic Stigma and Complex Trauma in Giuseppe Tornatore’s La sconosciuta (2006).
- Published in:
- Quaderni d'italianistica, 2022, v. 43, n. 2, p. 83
- By:
- Publication type:
- Article
42
Discourse, Linguistic Production, and Subjectivity: Disney-fying Language.
- Published in:
- Taboo: The Journal of Culture & Education, 2006, v. 10, n. 2, p. 109
- By:
- Publication type:
- Article
43
Beyond the Lens: Increasing Community Involvement through Book and Film Series at Bay County Public Library.
- Published in:
- Florida Libraries, 2016, v. 59, n. 1, p. 10
- By:
- Publication type:
- Article
44
Leaving It Up to the Imagination: POV Shots and Imagining from the Inside.
- Published in:
- Journal of Aesthetics & Art Criticism, 2005, v. 63, n. 1, p. 17, doi. 10.1111/j.0021-8529.2005.00177.x
- By:
- Publication type:
- Article
45
Understanding characters.
- Published in:
- Projections: The Journal for Movies & Mind, 2010, v. 4, n. 1, p. 16, doi. 10.3167/proj.2010.040103
- By:
- Publication type:
- Article
46
Subjectivism, uncertainty and individuality: Munk's Człowiek na torze/Man on the Tracks (1956) and its influence on the Czechoslovak New Wave.
- Published in:
- Studies in Eastern European Cinema, 2011, v. 2, n. 1, p. 61, doi. 10.1386/seec.2.1.61_1
- By:
- Publication type:
- Article
47
Horrorspace: Reading House of Leaves.
- Published in:
- Horror Studies, 2015, v. 6, n. 2, p. 239, doi. 10.1386/host.6.2.239_1
- By:
- Publication type:
- Article
48
El cosmopolitismo del pobre.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
49
Psychoanalysis and the Scene of Love: Lars and the Real Girl, In the Mood for Love, and Mulholland Drive.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
50
A Philopoetic Engagement Deleuze and The Element of Crime.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review