Marketing, Monsters, and Music: Teensploitation Horror Films.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "HAYS Code (Motion pictures)"
Results: 54
1
2
Speaking in Code.
- Published in:
- History Today, 2014, v. 64, n. 10, p. 19
- By:
- Publication type:
- Article
3
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures.
- Published in:
- Historical Journal of Film, Radio & Television, 2023, v. 43, n. 2, p. 359, doi. 10.1080/01439685.2022.2116858
- By:
- Publication type:
- Article
4
Hollywood Diplomacy and The Purple Heart (1944): Preserving Wartime Alliances through Film Regulation.
- Published in:
- Historical Journal of Film, Radio & Television, 2018, v. 38, n. 3, p. 495, doi. 10.1080/01439685.2017.1369669
- By:
- Publication type:
- Article
5
Hollywood's Production Code and Thirties Romantic Comedy.
- Published in:
- Historical Journal of Film, Radio & Television, 2010, v. 30, n. 1, p. 55, doi. 10.1080/01439680903577268
- By:
- Publication type:
- Article
6
That Hamilton woman' (1941): Propaganda, feminism and the production code.
- Published in:
- 1991
- By:
- Publication type:
- Arts/Entertainment Review
7
El aperturismo del Código Hays: prostitución masculina en las adaptaciones de los 60 .
- Published in:
- Revista de Humanidades (1130-5029), 2021, n. 44, p. 171
- By:
- Publication type:
- Article
8
Reserving the Kill: The Suicide Ban and Criminal Punishment in Code-Era Hollywood Film.
- Published in:
- Film History, 2019, v. 31, n. 4, p. 1, doi. 10.2979/filmhistory.31.4.01
- By:
- Publication type:
- Article
9
On Deadline and Reviewed in Pieces.
- Published in:
- Film History, 2017, v. 29, n. 4, p. 32, doi. 10.2979/filmhistory.29.4.02
- By:
- Publication type:
- Article
10
Reviewing Reviewing the Fan Mags.
- Published in:
- Film History, 2016, v. 28, n. 4, p. 29, doi. 10.2979/filmhistory.28.4.02
- Publication type:
- Article
11
Bennett, Breen, and the Birdman of Alcatraz: A Case Study of Collaborative Censorship between the Production Code Administration and the Federal Bureau of Prisons.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 1, doi. 10.2979/filmhistory.28.2.02
- By:
- Publication type:
- Article
12
Regulating 'Nigger': Racial Offense, African American Activists, and the MPPDA, 1928-1961.
- Published in:
- Film History, 2014, v. 26, n. 4, p. 1, doi. 10.2979/filmhistory.26.4.1
- By:
- Publication type:
- Article
13
VD Propaganda, Dr. Ehrlich's Magic Bullet, and the Production Code.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 130, doi. 10.2979/filmhistory.25.1-2.130
- By:
- Publication type:
- Article
14
Closet Cases: Costuming, Lesbian Identities and Desire, Hollywood Cinema and the Motion Picture Production Code.
- Published in:
- International Journal of the Image, 2011, v. 1, n. 4, p. 43, doi. 10.18848/2154-8560/cgp/v01i04/44221
- By:
- Publication type:
- Article
15
Blood, Guts, and Disgust: The Effects of Censorship Changes on American Horror Films.
- Published in:
- Film Matters, 2015, v. 6, n. 3, p. 78, doi. 10.1386/fm.6.3.78_1
- By:
- Publication type:
- Article
16
Films with a Criminal Record: An Investigation of Exploitation Films.
- Published in:
- Film Matters, 2015, v. 6, n. 3, p. 83, doi. 10.1386/fm.6.3.83_1
- By:
- Publication type:
- Article
17
Censorship: Representations of Justice in James M. Cain Adaptations.
- Published in:
- Film Matters, 2015, v. 6, n. 3, p. 28, doi. 10.1386/fm.6.3.28_1
- By:
- Publication type:
- Article
18
The Production Code Administration and Sexualized Spaces in East of Eden.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
19
Morality Behind Bars: Regulating Prison Films in Postwar Hollywood.
- Published in:
- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 7, doi. 10.14746/i.2024.37.46.1
- By:
- Publication type:
- Article
20
Los personajes fugitivos de las adaptaciones cinematográficas de Tennessee Williams: Dulce pájaro de juventud (Richard Brooks, 1962) y la crisis del Código Hays.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2020, v. 25, n. 48, p. 127, doi. 10.1387/zer.21347
- By:
- Publication type:
- Article
21
El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2016, v. 21, n. 40, p. 177, doi. 10.1387/zer.15533
- By:
- Publication type:
- Article
22
El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2015, v. 20, n. 39, p. 177, doi. 10.1387/zer.15533
- By:
- Publication type:
- Article
23
Naturalism, Aesthetics, and the New Hollywood Cinema.
- Published in:
- Studies in American Naturalism, 2022, v. 17, n. 2, p. 175, doi. 10.1353/san.2022.a899843
- By:
- Publication type:
- Article
24
MORALS, MARKETS, AND "HORROR PICTURES": THE RISE OF UNIVERSAL PICTURES AND THE HOLLYWOOD PRODUCTION CODE.
- Published in:
- Film & History (03603695), 2012, v. 42, n. 2, p. 23, doi. 10.1353/flm.2012.a490429
- By:
- Publication type:
- Article
25
Souvenirs of the Apocalypse: Guns as Authenticating Props.
- Published in:
- Cross Currents, 2020, v. 70, n. 3, p. 310, doi. 10.1353/cro.2020.0027
- By:
- Publication type:
- Article
26
Tennessee Williams in the 50s: A Mirror Competing Discourses.
- Published in:
- k@ta, 2012, v. 14, n. 2, p. 69, doi. 10.9744/kata.14.2.69-74
- By:
- Publication type:
- Article
27
More than a "Passing" Sophistication: Dress, Film Regulation, and the Color Line in 1930s American Films.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
28
A Proper Dash of Spice: Screwball Comedy and the Production Code.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
29
Challenging the Production Code.
- Published in:
- Journal of Popular Film & Television, 2005, v. 33, n. 1, p. 39, doi. 10.3200/JPFT.33.1.39-48
- By:
- Publication type:
- Article
30
The production code and the profanity amendment of 1954.
- Published in:
- Journal of Popular Film & Television, 1997, v. 25, n. 2, p. 76, doi. 10.1080/01956059709602753
- By:
- Publication type:
- Article
31
The production code.
- Published in:
- Journal of Popular Film & Television, 1994, v. 22, n. 1, p. 2, doi. 10.1080/01956051.1994.9943661
- By:
- Publication type:
- Article
32
The production code & precedent.
- Published in:
- Journal of Popular Film & Television, 1992, v. 20, n. 3, p. 70
- By:
- Publication type:
- Article
33
Working the Crowd: Movies and Mass Politics.
- Published in:
- Criticism, 2003, v. 45, n. 1, p. 53, doi. 10.1353/crt.2003.0035
- By:
- Publication type:
- Article
34
Dame in the Kimono: Hollywood, Censorship & the Production Code From the 1920s to the 1960s.
- Published in:
- 1990
- By:
- Publication type:
- Book Review
35
Queering the (New) Deal: Lesbian and Gay Representation and the Depression-Era Cultural Politics of Hollywood's Production Code.
- Published in:
- Cinema Journal, 1999, v. 38, n. 2, p. 3
- By:
- Publication type:
- Article
36
The Toilet View: Riot in Cell Block 11, Prison Collaboration, and the Production Code Administration.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
37
"Not Only 'Double Entendre' but Outright Smut": Some Like It Hot's Code-Compatible Style.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
38
Hollywood Film Style and the Production Code: Criticism and History.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
39
Lonely Parade: Three Filmed Versions of Fannie Hurst's Back Street.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
40
The Miracle of Morgan's Creek (1944): Three Perspectives on Preston Sturges and the Production Code.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
41
"Sacred Intimacies": Sexual Ambiguity and Performance in My Favorite Wife (1940).
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
42
Queering the Code: Performing Queerness in George Cukor's 1930s Films.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
43
The "Pre-Codeness" of Only Yesterday (1933) in the Light of Letter from an Unknown Woman (1948): Discrepant Consciousness, Sexual Morality and the Hollywood Production Code.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
44
"But What if I Don't Want Him Under Those Terms?": Adaptation, Marriage, and Performance in The Women.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
45
Manners Before Morals: Sophisticated Comedy and the Production Code, 1930-1934.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 3, p. 239, doi. 10.1080/10509200802641119
- By:
- Publication type:
- Article
46
Courting Controversy: The Making and Selling of Baby Doll and the Demise of the Production Code.
- Published in:
- Quarterly Review of Film & Video, 2001, v. 18, n. 4, p. 347, doi. 10.1080/10509200109361535
- By:
- Publication type:
- Article
47
Documents on the Genesis of the Production Code.
- Published in:
- Quarterly Review of Film & Video, 1995, v. 15, n. 4, p. 33
- By:
- Publication type:
- Article
48
The Genesis of the Production Code.
- Published in:
- Quarterly Review of Film & Video, 1995, v. 15, n. 4, p. 5, doi. 10.1080/10509209509361445
- By:
- Publication type:
- Article
49
Rethinking the Production Code.
- Published in:
- Quarterly Review of Film & Video, 1995, v. 15, n. 4, p. 1, doi. 10.1080/10509209509361444
- Publication type:
- Article
50
Quiet Americans: The CIA and Early Cold War Hollywood Cinema.
- Published in:
- Journal of American Studies, 2013, v. 47, n. 1, p. 127, doi. 10.1017/S0021875812000060
- By:
- Publication type:
- Article