The Sound of Things To Come: An Audible History of the Science Fiction Film.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
Works matching DE "SOUND in motion pictures"
Results: 212
1
2
Kinoerzählen und digitaler Wandel in Ostafrika: Transformationen einer intermedialen Erzählgattung.
- Published in:
- Communicatio Socialis, 2024, v. 57, n. 1, p. 28, doi. 10.5771/0010-3497-2024-1-28
- By:
- Publication type:
- Article
3
Sound Technology and the American Cinema.
- Published in:
- 2001
- By:
- Publication type:
- Book Review
4
Godard, un concierto in memoriam.
- Published in:
- EU-topías: A Journal on Interculturality, Communication & European Studies, 2023, v. 26, p. 5, doi. 10.7203/eutopias.26.28083
- By:
- Publication type:
- Article
5
Sound and Perception in Ridley Scott's Blade Runner (1982).
- Published in:
- Arts (2076-0752), 2024, v. 13, n. 5, p. 154, doi. 10.3390/arts13050154
- By:
- Publication type:
- Article
6
"El origen de la música de cine" (1951) de Max Winkler. Edición y traducción al español.
- Published in:
- Sinfonia Virtual, 2024, n. 47, p. 1
- By:
- Publication type:
- Article
7
جماليات البناء الفني في البرامج التلفزيونية التعليمي ة "ً ".
- Published in:
- Al-Academy, 2021, n. 99, p. 37, doi. 10.35560/jcofarts99/37-56
- By:
- Publication type:
- Article
8
توظيف البعد السيكولوجي للصوت في الفيلم السينمائي
- Published in:
- Al-Academy, 2020, n. 95, p. 353, doi. 10.35560/jcofarts95/353-366
- By:
- Publication type:
- Article
9
IN-BETWEEN WAVES, REELS AND GROOVES: ZAGREB PROFESSIONAL MUSICIANS OF THE 1930s AND THE MENACE OF MECHANICAL MUSIC.
- Published in:
- Croatian Musicological Review / Arti Musices, 2022, v. 53, n. 2, p. 297, doi. 10.21857/moxpjh123m
- By:
- Publication type:
- Article
10
Body, Voice and Noise: Acting for Sound Films as Debated in the Interwar Romanian Press.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2023, v. 68, n. 1, p. 71, doi. 10.24193/subbdrama.2023.1.03
- By:
- Publication type:
- Article
11
Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
12
Sound and Domestic Screens.
- Published in:
- 2012
- By:
- Publication type:
- Essay
13
The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition.
- Published in:
- 2011
- By:
- Publication type:
- Essay
14
The 17th Annual Screen Conference.
- Published in:
- 2009
- By:
- Publication type:
- Proceeding
15
Jonas Salk and the Nature of Science.
- Published in:
- 2019
- By:
- Publication type:
- Lesson Plan
16
Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 8, p. 643, doi. 10.1080/10509208.2019.1593027
- By:
- Publication type:
- Article
17
Substituting Speech for Style: Technique and Discourse in Monsieur Verdoux , Limelight, and A King in New York.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
18
The Aural Fold and the Sonic Jump Cut: Godard's (Baroque) Sound.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
19
Non-destructive mapping of stress and strain in soft thin films through sound waves.
- Published in:
- Communications Physics, 2022, v. 5, n. 1, p. 1, doi. 10.1038/s42005-022-01000-3
- By:
- Publication type:
- Article
20
Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism.
- Published in:
- Journal of Modern Literature, 2022, v. 46, n. 1, p. 189, doi. 10.2979/jmodelite.46.1.12
- By:
- Publication type:
- Article
21
From "L+ure" to "Cure". From Critical Spectatorship to a Relational Space of Reverie.
- Published in:
- View: Theories & Practices of Visual Culture / Widok: Teorie I Praktyki Kultury Wizuanlnej, 2023, v. 35, p. 1
- By:
- Publication type:
- Article
22
THE INTERPLAY OF SILENCE, DIEGETIC SOUND AND MUSIC IN CONTEMPORARY GERMAN CINEMA.
- Published in:
- HUM: Journal of the Faculty of Arts at the University of Mostar, 2021, v. 16, n. 25, p. 58, doi. 10.47960/2303-7431.25.2021.58
- By:
- Publication type:
- Article
23
DIN ISTORIA CINEMATOGRAFELOR CLUJENE INTERBELICE ÎN PAGINI DE PRESĂ.
- Published in:
- Banatica, 2021, v. 31, n. 2, p. 445
- By:
- Publication type:
- Article
24
O DESMANTELAMENTO DA ILUSÃO DO CINEMA NO FILME BRITISH SOUNDS (1969).
- Published in:
- Revista Interdisciplinar Científica Aplicada, 2023, v. 17, n. 2, p. 83
- By:
- Publication type:
- Article
25
"Carl Laemmle Presents": A Story of Political and Cultural Risk in Germany, 1917–1934.
- Published in:
- Business History Review, 2021, v. 95, n. 3, p. 375, doi. 10.1017/S0007680520000902
- By:
- Publication type:
- Article
26
Lights, Camera, Music.
- Published in:
- International Journal of the Image, 2023, v. 14, n. 1, p. 17, doi. 10.18848/2154-8560/CGP/v14i01/17-25
- By:
- Publication type:
- Article
27
Unplugging the Matrix.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 78, doi. 10.3366/sound.2018.0119
- By:
- Publication type:
- Article
28
Engagement versus Immersion.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 73, doi. 10.3366/sound.2018.0118
- By:
- Publication type:
- Article
29
From Sync to Surround: Walt Disney and its Contribution to the Aesthetics of Music in Animation.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 61, doi. 10.3366/sound.2018.0117
- By:
- Publication type:
- Article
30
Internal Soundscapes: An Interview with Dan Jones.
- Published in:
- 2018
- Publication type:
- Interview
31
The Soundscape in Michelangelo Antonioni's Cinema.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 1, doi. 10.3366/sound.2018.0113
- By:
- Publication type:
- Article
32
Sound, Space, Gravity : A Kaleidoscopic Hearing (part II).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 191, doi. 10.3366/sound.2016.0091
- By:
- Publication type:
- Article
33
The Undersea World of the Sound Department: The Construction of Sonic Conventions in Sub-aqua Screen Environments.
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 143, doi. 10.3366/sound.2016.0088
- By:
- Publication type:
- Article
34
Photographic Sound Art and the Silent Modernity of Walter Ruttmann's Weekend (1930).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 109, doi. 10.3366/sound.2016.0086
- By:
- Publication type:
- Article
35
I will leave you now and this loudspeaker will take my place.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 17, doi. 10.3366/sound.2016.0080
- By:
- Publication type:
- Article
36
Why use Linear Workflows with Non-linear Tools?
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 51, doi. 10.3366/sound.2016.0082
- By:
- Publication type:
- Article
37
Digital 3D and the Contemporary Soundtrack: Competing Cinema Spaces.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 63, doi. 10.3366/sound.2016.0083
- By:
- Publication type:
- Article
38
Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079
- By:
- Publication type:
- Article
39
Aural ImaginationPaul Davies talks about Kevin ... and Ratcatcher, Hunger, Love is the Devil, The American, Jonny Greenwood and Robert Bresson.
- Published in:
- 2012
- Publication type:
- Interview
40
Türkiye'de Taşraya Sesli Sinemanın Gelişi (1930-1945).
- Published in:
- Ileti-s-im, 2022, n. 37, p. 7, doi. 10.16878/gsuilet.1190660
- By:
- Publication type:
- Article
41
Designing Sound for Social Robots: Candidate Design Principles.
- Published in:
- International Journal of Social Robotics, 2022, v. 14, n. 6, p. 1507, doi. 10.1007/s12369-022-00891-0
- By:
- Publication type:
- Article
42
Power in Silence: Captions, Deafness, and the Final Girl.
- Published in:
- M/C Journal, 2017, v. 20, n. 3, p. 1, doi. 10.5204/mcj.1268
- By:
- Publication type:
- Article
43
THE CHICAGO FILM INDUSTRY.
- Published in:
- Illinois Geographer, 2021, v. 63, n. 2, p. 52
- By:
- Publication type:
- Article
44
(LA) MUERTE EN VENECIA: MANN-VISCONTI.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
45
L'italiano e il cinema/The voice in Italian cinema.
- Published in:
- Italianist, 2011, v. 31, n. 2, p. 329, doi. 10.1179/026143411X13051090965090
- By:
- Publication type:
- Article
46
The Sound of "The Birds."
- Published in:
- 2013
- By:
- Publication type:
- Essay
47
'Taken by my wife' – Challenging the Amateur/Professional Binary in Wessex Film and Sound Archive's (WFSA) Early Films (1895–1922).
- Published in:
- Open Screens: Journal of the British Association of Film, Television & Screen Studies, 2024, v. 6, n. 3, p. 1, doi. 10.16995/os.18210
- By:
- Publication type:
- Article
48
India Song's politics of sound.
- Published in:
- French Screen Studies, 2021, v. 21, n. 1, p. 60, doi. 10.1080/26438941.2020.1766234
- By:
- Publication type:
- Article
49
Truth in the mix: Frederick Wiseman's construction of the observational microphone.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2012, n. 54, p. 36
- By:
- Publication type:
- Article
50
Titles available for review.
- Published in:
- Sound Studies, 2025, v. 11, n. 1, p. 196, doi. 10.1080/20551940.2025.2450121
- Publication type:
- Article