Works matching Oscar Hammerstein II

Results: 26

OSCAR HAMMERSTEIN II AND THE PERFORMATIVITY OF RACE AND INTERSECTIONAL OPPRESSION IN AMERICAN MUSICALS FROM SHOW BOAT (1927) TO CAROUSEL (1945).

Published in:

Croatian Musicological Review / Arti Musices, 2019, v. 50, n. 1/2, p. 355, doi. 10.21857/mwo1vcjk1y

By:

EVERETT, WILLIAM A.

Publication type:

Article

The Complete Lyrics of Oscar Hammerstein II.

Published in:

2013

By:

Stempel, Larry

Publication type:

Book Review

Oscar Hammerstein II and the Invention of the Musical.

Published in:

Notes, 2024, v. 80, n. 3, p. 494, doi. 10.1353/not.2024.a919039

By:

BLOCK, GEOFFREY

Publication type:

Article

Climb High: Sondheim at the gateway to his career.

Published in:

Studies in Musical Theatre, 2019, v. 13, n. 2, p. 103, doi. 10.1386/smt.13.2.103_1

By:

McHugh, Dominic

Publication type:

Article

Re-evaluating Oscar Hammerstein's 1930s: His popular and critical success from Viennese Nights (1930) to The Last Time I Saw Paris (1940).

Published in:

Studies in Musical Theatre, 2017, v. 11, n. 3, p. 247, doi. 10.1386/smt.11.3.247_1

By:

Garber, Michael

Publication type:

Article

C. 1944: South Pacific.

Published in:

2015

By:

Hammerstein, II, Oscar

Publication type:

Poem

The last word: Rewriting musical theatre history with Sondheim.

Published in:

Studies in Musical Theatre, 2019, v. 13, n. 2, p. 133, doi. 10.1386/smt.13.2.133_1

By:

Block, Geoffrey

Publication type:

Article

Rodgers and Hammerstein's musical metatheatre, or: Why Billy Bigelow had to die.

Published in:

Studies in Musical Theatre, 2014, v. 8, n. 3, p. 215, doi. 10.1386/smt.8.3.215_1

By:

MAGEE, JEFFREY

Publication type:

Article

What did 'Mamoo' do? The Rouben Mamoulian papers and Oklahoma!

Published in:

Studies in Musical Theatre, 2010, v. 4, n. 3, p. 247, doi. 10.1386/smt.4.3.247_1

By:

Jensen, Kurt

Publication type:

Article

'Do you want to hear a Mammy song?': A Historiography of Show Boat.

Published in:

Contemporary Theatre Review, 2009, v. 19, n. 1, p. 8, doi. 10.1080/10486800802547252

By:

Decker, Todd

Publication type:

Article

RECORDINGS IN REVIEW.

Published in:

Yale Review, 2002, v. 90, n. 3, p. 189

By:

Grubler, Paul

Publication type:

Article

The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema.

Published in:

Theatre Survey, 2022, v. 63, n. 2, p. 160, doi. 10.1017/S0040557422000059

By:

Rogers, Bradley

Publication type:

Article

Rodgers and Hammerstein's 'Chopsticks' Musicals.

Published in:

Literature Film Quarterly, 2003, v. 31, n. 1, p. 17

By:

Ma, Sheng-mei

Publication type:

Article

COMPOUND MELODY AND JAZZ IMPROVISATIONS: A RECONSIDERATION.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2010, v. 3, n. 1, p. 69

By:

Check, John D.

Publication type:

Article

'Ah, Sweet Mystery': Rediscovering Three Female Lyricists of the Early Twentieth-Century American Musical Theater.

Published in:

Contemporary Theatre Review, 2009, v. 19, n. 1, p. 48, doi. 10.1080/10486800802547278

By:

Peck, EllenMarie

Publication type:

Article

Hope and despair.

Published in:

2004

By:

Peniket, John

Publication type:

Letter

Show Boat: The revival, the racism.

Published in:

1995

By:

Breon, Robin

Publication type:

Literary Criticism

Ethnic mobilities and representations in Rose-Marie on stage and screen.

Published in:

Studies in Musical Theatre, 2022, v. 16, n. 3, p. 193, doi. 10.1386/smt_00103_1

By:

Everett, William A.

Publication type:

Article

Editorial.

Published in:

Studies in Musical Theatre, 2017, v. 11, n. 3, p. 231, doi. 10.1386/smt.11.3.231_2

By:

Symonds, Dominic;
Burrows, George

Publication type:

Article

Oh, what a beautiful Mormon: Rodgers and Hammerstein, intertextuality and The Book of Mormon.

Published in:

Studies in Musical Theatre, 2017, v. 11, n. 1, p. 39, doi. 10.1386/smt.11.1.39_1

By:

Rush, Adam

Publication type:

Article

Vampires on the Mississippi: The miscegenation scene in Show Boat.

Published in:

Studies in Musical Theatre, 2014, v. 8, n. 3, p. 281, doi. 10.1386/smt.8.3.281_1

By:

WALLS, ALISON

Publication type:

Article

The craft of making art: The creative processes of eight musical theatre songwriters.

Published in:

Studies in Musical Theatre, 2013, v. 7, n. 2, p. 261, doi. 10.1386/smt.7.2.261_1

By:

Horowitz, Mark Eden

Publication type:

Article

Ol' (wo)man river?: Broadway's gendering of Edna Ferber's Show Boat.

Published in:

Studies in Musical Theatre, 2010, v. 4, n. 3, p. 321, doi. 10.1386/smt.4.3.321_1

By:

Wood, Bethany

Publication type:

Article

SHOW BOAT.

Published in:

2012

By:

LOCOCO, MARK E.

Publication type:

Arts/Entertainment Review

Flower Drum Song (Theatrical production).

Published in:

Theatre Journal, 2002, v. 54, n. 4, p. 640, doi. 10.1353/tj.2002.0111

By:

Lee, Sun Hee Teresa

Publication type:

Article

'A Matter of Attention': A Conversation with Andrei Serban.

Published in:

2004

By:

Svich, Caridad

Publication type:

Interview