Works matching Cole Porter
1
- 2004
- Galo, Gary A.;
- Fisher, James
- Music Review
2
- Musical Quarterly, 1993, v. 77, n. 4, p. 607, doi. 10.1093/mq/77.4.607
- Article
3
- 2013
- Arts/Entertainment Review
4
- JAMA: Journal of the American Medical Association, 2011, v. 305, n. 3, p. 310, doi. 10.1001/jama.2010.2007
- Article
5
- Theatre Journal, 2012, v. 64, n. 4, p. 533, doi. 10.1353/tj.2012.a494444
- Article
7
- Criticism, 1999, v. 41, n. 1, p. 7
- Article
8
- Journal of the Society for American Music, 2018, v. 12, n. 1, p. 37, doi. 10.1017/S1752196317000517
- Article
9
- Gay & Lesbian Review Worldwide, 2004, v. 11, n. 6, p. 50
- Article
14
- Studies in Musical Theatre, 2012, v. 6, n. 2, p. 173, doi. 10.1386/smt.6.2.173_1
- Article
15
- Historical Methods, 2009, v. 42, n. 1, p. 17, doi. 10.3200/HMTS.42.1.17-34
- Article
16
- Studies in Musical Theatre, 2013, v. 7, n. 2, p. 261, doi. 10.1386/smt.7.2.261_1
- Article
17
- Architectural Design, 2020, v. 90, n. 5, p. 82, doi. 10.1002/ad.2614
- Article
18
- Studies in Musical Theatre, 2013, v. 7, n. 3, p. 327, doi. 10.1386/smt.7.3.327_1
- Article
19
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 61, doi. 10.1080/10486800802583091
- Article
20
- Latin American Research Review, 2008, v. 43, n. 2, p. 180
- Article
21
- Gay & Lesbian Review Worldwide, 2020, v. 27, n. 2, p. 12
- Article
22
- Yale Review, 2011, v. 99, n. 2, p. 204, doi. 10.1353/tyr.2011.0048
- Article
23
- Yale Review, 1998, v. 86, n. 4, p. 98, doi. 10.1111/0044-0124.00260
- Article
24
- New Bookbinder, 2011, v. 31, p. 78
- Article
25
- New Bookbinder, 2011, v. 31, p. 66
- Article
26
- Journal of Singing, 2010, v. 66, n. 5, p. 617
- Article
27
- American String Teacher, 2012, v. 62, n. 2, p. 74
- Article
28
- Journal of Bisexuality, 2005, v. 5, n. 1, p. 113, doi. 10.1300/J159v05n01_09
- Article
30
- Journal of Aesthetics & Art Criticism, 2013, v. 71, n. 1, p. 35, doi. 10.1111/j.1540-6245.2012.01539.x
- Article
31
- Music Education Research, 2007, v. 9, n. 1, p. 145, doi. 10.1080/14613800601127627
- Article
32
- Journal of Personality, 1997, v. 65, n. 2, p. 291, doi. 10.1111/j.1467-6494.1997.tb00956.x
- Article
33
- CounterPunch, 2025, p. 1
- Article
35
- Journal of Singing, 2020, v. 76, n. 4, p. 489
- Article
36
- Cultural Intertexts, 2015, v. 3, p. 6
- COLIPCĂ-CIOBANU, Gabriela Iuliana
- Article
37
- Creativity Research Journal, 2009, v. 21, n. 2/3, p. 183, doi. 10.1080/10400410902855275
- Hass, RichardW.;
- Weisberg, RobertW.
- Article
38
- REVART: Specialized Review of Theory & Critique of Arts, 2020, n. 35, p. 45
- Article
39
- ETC: A Review of General Semantics, 1992, v. 49, n. 1, p. 80
- Article
40
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 71, doi. 10.1386/smt.11.1.71_5
- Banfield, Stephen;
- Westover, Jonas;
- Buchman, Andrew
- Article
42
- 2013
- Arts/Entertainment Review
43
- Studies in Canadian Literature / Études en Littérature Canadienne, 2007, v. 32, n. 2, p. 43
- Article
44
- Journal of Child Neurology, 2009, v. 24, n. 8, p. 1037, doi. 10.1177/0883073809332765
- Article
45
- ARSC Journal, 2023, v. 54, n. 2, p. 252
- Article
46
- American Scholar, 2007, v. 76, n. 3, p. 17
- Article
48
- 2005
- Galo, Gary A.;
- Levin, Floyd
- Music Review