Between Sensibility and History: The Count de Rethel (1779) by Georgiana Spencer Cavendish, Duchess of Devonshire.
- Published in:
- Humanities (2076-0787), 2024, v. 13, n. 4, p. 101, doi. 10.3390/h13040101
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- Publication type:
- Article
Works matching Georgiana Cavendish
Results: 9
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"Always Ambitious of Having Me Appear to Advantage": Renouncing Fashion in Georgiana Cavendish's Emma; or, The Unfortunate Attachment and The Sylph.
- Published in:
- Women's Writing, 2022, v. 29, n. 3, p. 363, doi. 10.1080/09699082.2021.1959856
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- Article
3
New light on the painter and engraver Thomas Hardy (1757-1804).
- Published in:
- British Art Journal, 2011, v. 12, n. 1, p. 37
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- Publication type:
- Article
4
Georgiana, the Duchess of Devonshire and Emma; Or, The Unfortunate Attachment: a case for de-attribution.
- Published in:
- Notes & Queries, 2014, v. 61, n. 1, p. 47, doi. 10.1093/notesj/gjt224
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- Article
5
Sirens & Scandals.
- Published in:
- History Today, 2008, v. 58, n. 10, p. 32
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- Article
6
The Sylph (Book).
- Published in:
- 2003
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- Publication type:
- Book Review
7
'SOMETHING IN MME DE GENLIS STILE': GEORGIANA, DUCHESS OF DEVONSHIRE'S 'ZILLIA', PLAYWRITING AND FEMALE ARISTOCRATIC AUTHORSHIP.
- Published in:
- 2011
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- Publication type:
- Literary Criticism
8
“BOSOM'D FOXES TOOK THEIR FLIGHT”: THE DUCHESS OF DEVONSHIRE AND THE REPRESENTATION OF CIVIC VIRTUE IN HANNAH COWLEY'S ROLE FOR SARAH SIDDONS.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
9
Georgiana, Duchess of Devonshire, and Princess Diana: a parallel.
- Published in:
- Journal of the Royal Society of Medicine, 1998, v. 91, n. 4, p. 217, doi. 10.1177/014107689809100414
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- Publication type:
- Article