Works matching Muybridge, Eadweard, 1830-1904
1
- History of Photography, 2023, v. 47, n. 3, p. 203, doi. 10.1080/03087298.2024.2384778
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2
- History of Photography, 2011, v. 35, n. 1, p. 15, doi. 10.1080/03087298.2010.496210
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3
- Journal of the History of the Neurosciences, 2016, v. 25, n. 1, p. 23, doi. 10.1080/0964704X.2015.1070032
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4
- Leonardo, 2018, v. 51, n. 3, p. 251, doi. 10.1162/LEON_a_01149
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5
- Leonardo, 2012, v. 45, n. 5, p. 439, doi. 10.1162/LEON_a_00441
- Tarr, Simon;
- Weiss, Paul S.
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7
- 2011
- Arts/Entertainment Review
8
- History & Technology, 2015, v. 31, n. 4, p. 482, doi. 10.1080/07341512.2015.1090674
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9
- Film History, 1998, v. 10, n. 1, p. 98
- Hill, Paul;
- Herbert, Stephen
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11
- Word & Image, 2012, v. 28, n. 4, p. 397, doi. 10.1080/02666286.2012.740190
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12
- Victorian Literature & Culture, 2021, v. 49, n. 1, p. 55, doi. 10.1017/S1060150319000597
- Aguirre, Robert D.;
- Banerjee, Sukanya;
- Fong, Ryan D.;
- Michie, Helena
- Article
15
- Journal of Film & Video, 2001, v. 53, n. 2/3, p. 93
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16
- Archives of Natural History, 2013, v. 40, n. 1, p. 52, doi. 10.3366/anh.2013.0136
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17
- PUBLIC, 2013, v. 24, n. 47, p. 94, doi. 10.1386/public.24.47.94_1
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19
- Early Popular Visual Culture, 2013, v. 11, n. 1, p. 10, doi. 10.1080/17460654.2012.756651
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20
- Early Popular Visual Culture, 2013, v. 11, n. 1, p. 71, doi. 10.1080/17460654.2012.756650
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21
- Early Popular Visual Culture, 2013, v. 11, n. 1, p. 1, doi. 10.1080/17460654.2012.756649
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25
- Early Popular Visual Culture, 2013, v. 11, n. 1, p. 28, doi. 10.1080/17460654.2012.756645
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26
- Early Popular Visual Culture, 2013, v. 11, n. 1, p. 41, doi. 10.1080/17460654.2012.756644
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27
- Early Popular Visual Culture, 2011, v. 9, n. 2, p. 159, doi. 10.1080/17460654.2011.571043
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28
- Early Popular Visual Culture, 2007, v. 5, n. 1, p. 71, doi. 10.1080/17460650701269820
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29
- Early Popular Visual Culture, 2005, v. 3, n. 1, p. 59, doi. 10.1080/17460650500057079
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32
- Transactions of the Charles S. Peirce Society, 2017, v. 53, n. 4, p. 511, doi. 10.2979/trancharpeirsoc.53.4.01
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33
- Film & History (03603695), 2014, v. 44, n. 2, p. 66, doi. 10.1353/flm.2014.a562889
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34
- Revista Costarricense de Psicología, 2012, v. 31, n. 1/2, p. 191
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35
- International Journal of the Image, 2014, v. 5, n. 1, p. 1, doi. 10.18848/2154-8560/cgp/v05i01/44115
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36
- Nineteenth Century Studies, 2023, v. 35, p. 54, doi. 10.5325/ninecentstud.35.0054
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37
- Society, 2014, v. 51, n. 3, p. 313, doi. 10.1007/s12115-014-9781-2
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38
- Oxford Art Journal, 2005, v. 28, n. 3, p. 407, doi. 10.1093/oxartj/kci035
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39
- History of Photography, 2007, v. 31, n. 1, p. 31, doi. 10.1080/03087298.2007.10443500
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40
- History of Photography, 2002, v. 26, n. 4, p. 341, doi. 10.1080/03087298.2002.10443307
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41
- History of Photography, 2000, v. 24, n. 1, p. 52, doi. 10.1080/03087298.2000.10443363
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42
- History of Photography, 1999, v. 23, n. 3, p. 225, doi. 10.1080/03087298.1999.10443325
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44
- Film Criticism, 2013, v. 37/38, n. 3/1, p. 117
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45
- 2010
- Arts/Entertainment Review
46
- Image, 1973, v. 16, n. 2, p. 28
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47
- Image, 1963, v. 12, n. 2, p. 7
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48
- Image, 1959, v. 8, n. 3, p. 118
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