Chromaticisms or Performance Rules? Evidence from Traditional Singing.
- Published in:
- Journal of Interdisciplinary Music Studies, 2008, v. 2, n. 1/2, p. 19
- By:
- Publication type:
- Article
Works matching Chromaticism (Music theory)
Results: 68
1
2
Audacious Euphony: Chromaticism and the Triad's Second Nature.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
3
HARMONIC TEXT-PAINTING IN FRANZ LISZT'S LIEDER.
- Published in:
- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2013, v. 6, n. 1, p. 1
- By:
- Publication type:
- Article
4
LIVIU GLODEANU'S "MIKROKOSMOS": AN INTRODUCTION.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 1, p. 377, doi. 10.24193/subbmusica.2019.1.24
- By:
- Publication type:
- Article
5
STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S SUITE FOR CLARINET SOLO.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 279
- By:
- Publication type:
- Article
6
ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU.
- Published in:
- 2011
- By:
- Publication type:
- Case Study
7
THE CONCEPTION OF THE MUSICAL FORM OF FRYDERYK CHOPIN'S PRELUDES OP. 28.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2010, v. 55, n. 1, p. 59
- By:
- Publication type:
- Article
8
Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’.
- Published in:
- Journal of Mathematics & Music, 2013, v. 7, n. 2, p. 145, doi. 10.1080/17459737.2013.821634
- By:
- Publication type:
- Article
9
Audacious euphony: Chromaticism and the triad's second nature.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
10
Insights into Early Seventeenth-Century Italian Ornamentation and Musica Ficta, Particularly Frescobaldi's Fiori musicali, from the Torino Tablatures.
- Published in:
- Early Keyboard Journal, 2012, v. 27/28/29, p. 76
- By:
- Publication type:
- Article
11
Sketching a New Verticality: Varèse's Atonal Sound and its Contexts—Schoenberg, Webern and Ruggles.
- Published in:
- Contemporary Music Review, 2019, v. 38, n. 3/4, p. 271, doi. 10.1080/07494467.2019.1596635
- By:
- Publication type:
- Article
12
Billy Joel’ s Enharmonic Duplicity.
- Published in:
- Music Theory Online, 2022, v. 28, n. 2, p. 20, doi. 10.30535/mto.28.2.1
- By:
- Publication type:
- Article
13
Writing Wrong Notes: Chromatic Clashes in the Music of Tune-Yards.
- Published in:
- Music Theory Online, 2019, v. 25, n. 3, p. 1, doi. 10.30535/mto.25.3.1
- By:
- Publication type:
- Article
14
Key Profiles in Bruckner's Symphonic Expositions: "Ein Potpourri von Exaltationen"?
- Published in:
- Music Theory Online, 2018, v. 24, n. 1, p. 28, doi. 10.30535/mto.24.1.3
- By:
- Publication type:
- Article
15
Hipster Harmony: The Hybrid Syntax of Seventh Chords in Post-Millennial Rock.
- Published in:
- Music Theory Online, 2015, v. 21, n. 2, p. 1, doi. 10.30535/mto.21.2.5
- By:
- Publication type:
- Article
16
Genus, Species and Mode in Vicentino's 31-tone Compositional Theory.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.7
- By:
- Publication type:
- Article
17
Review of Richard Cohn, Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012).
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
"Tuning the Early Medieval Harp" from The Early Medieval Harp: A Practical Guide.
- Published in:
- American Harp Journal, 2013, v. 24, n. 2, p. 13
- By:
- Publication type:
- Article
19
"Färg färg!"--Strindberg's Chromatic Language in Ett drömspel.
- Published in:
- 2005
- By:
- Publication type:
- Literary Criticism
20
Grieg As Storyteller: The Poetics of the Ballade in G Minor, Op. 24.
- Published in:
- Music & Letters, 2019, v. 100, n. 4, p. 615, doi. 10.1093/ml/gcz042
- By:
- Publication type:
- Article
21
Eye-Hand Span is not an Indicator of but a Strategy for Proficient Sight-Reading in Piano Performance.
- Published in:
- Scientific Reports, 2019, v. 9, n. 1, p. N.PAG, doi. 10.1038/s41598-019-54364-y
- By:
- Publication type:
- Article
22
Worth the price of the Musurgia universalis: Athanasius Kircher on the secret of the ''metabolic style''.
- Published in:
- Recercare, 2016, v. 28, n. 1/2, p. 43
- By:
- Publication type:
- Article
23
Cemal Resit Rey'in Çelebi operasinin günışığina çıkarılisı ve restorasyonu: Bir kritik inceleme.
- Published in:
- ITU Journal Series B: Social Sciences, 2008, v. 5, n. 2, p. 69
- By:
- Publication type:
- Article
24
FLEXIBLE MUSIC RETRIEVAL IN SUBLINEAR TIME.
- Published in:
- International Journal of Foundations of Computer Science, 2006, v. 17, n. 6, p. 1345, doi. 10.1142/S0129054106004455
- By:
- Publication type:
- Article
25
Aggregates and Quasi-Aggregates: A Study of Dodecaphony in Schnittke's Music.
- Published in:
- Music Theory Spectrum, 2019, v. 41, n. 2, p. 305, doi. 10.1093/mts/mtz008
- By:
- Publication type:
- Article
26
A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena.
- Published in:
- Music Theory Spectrum, 2019, v. 41, n. 1, p. 1, doi. 10.1093/mts/mty027
- By:
- Publication type:
- Article
27
Tuning Theory and Practice in James Tenney's Works for Guitar.
- Published in:
- Music Theory Spectrum, 2018, v. 40, n. 2, p. 338, doi. 10.1093/mts/mty022
- By:
- Publication type:
- Article
28
Form—Function—Content.
- Published in:
- Music Theory Spectrum, 2018, v. 40, n. 2, p. 208, doi. 10.1093/mts/mty024
- By:
- Publication type:
- Article
29
Common-Tone Tonality in Bizet's Carmen.
- Published in:
- Music Theory Spectrum, 2018, v. 40, n. 2, p. 280, doi. 10.1093/mts/mty023
- By:
- Publication type:
- Article
30
Distorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings.
- Published in:
- Music Theory Spectrum, 2015, v. 37, n. 1, p. 120, doi. 10.1093/mts/mtu020
- By:
- Publication type:
- Article
31
A New Lydian Theory for Frank Zappa's Modal Music.
- Published in:
- Music Theory Spectrum, 2014, v. 36, n. 1, p. 146, doi. 10.1093/mts/mtu002
- By:
- Publication type:
- Article
32
Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann.
- Published in:
- Music Theory Spectrum, 2009, v. 31, n. 1, p. 57, doi. 10.1525/mts.2009.31.1.57
- By:
- Publication type:
- Article
33
Enharmonic Position Finding and the Resolution of Seventh Chords in Chromatic Music.
- Published in:
- Music Theory Spectrum, 2007, v. 29, n. 1, p. 73, doi. 10.1525/mts.2007.29.1.73
- By:
- Publication type:
- Article
34
The A♭-C-E Complex." The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music.
- Published in:
- Music Theory Spectrum, 2006, v. 28, n. 2, p. 167, doi. 10.1525/mts.2006.28.2.167
- By:
- Publication type:
- Article
35
When Functions Collide: Aspects of Plural Function in Chromatic Music.
- Published in:
- Music Theory Spectrum, 2005, v. 27, n. 2, p. 249, doi. 10.1525/mts.2005.27.2.249
- By:
- Publication type:
- Article
36
Toggling Cycles, Hexatonic Systems, and Some Analysis of Early Atonal Music.
- Published in:
- Music Theory Spectrum, 2005, v. 27, n. 2, p. 221, doi. 10.1525/mts.2005.27.2.221
- By:
- Publication type:
- Article
37
A Theory of Motives for Prokofiev's Music.
- Published in:
- Music Theory Spectrum, 2004, v. 26, n. 2, p. 265, doi. 10.1525/mts.2004.26.2.265
- By:
- Publication type:
- Article
38
Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music.
- Published in:
- Music Theory Spectrum, 2004, v. 26, n. 1, p. 87, doi. 10.1525/mts.2004.26.1.87
- By:
- Publication type:
- Article
39
The Theory and Practice of Chromatic Wedge Progressions in Romantic Music.
- Published in:
- Music Theory Spectrum, 2004, v. 26, n. 1, p. 1, doi. 10.1525/mts.2004.26.1.1
- By:
- Publication type:
- Article
40
The Construction and Interpretation of Bespoke Pitch-Class Set Genera as Models of Harmonic Duality in William Schuman's Sixth Symphony.
- Published in:
- Music Theory Spectrum, 2003, v. 25, n. 2, p. 243, doi. 10.1525/mts.2003.25.2.243
- By:
- Publication type:
- Article
41
We Lift Our Voices in Faith.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
42
Five Summer Pieces.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
43
20 Little Studies for Piano.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
44
Richard Cohn, Audacious Euphony: Chromaticism and the Triad's Second Nature.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
45
Resonance: Unifying Factor in Messiaen's Accords Speciaux.
- Published in:
- Journal of Musicological Research, 2009, v. 28, n. 1, p. 30, doi. 10.1080/01411890802414347
- By:
- Publication type:
- Article
46
Milton's "Chromatick jarres" and "Tuscan Aire"
- Published in:
- 1985
- By:
- Publication type:
- Poetry Review
47
INTEGRATION OF SCHENKERIAN ANALYSIS AND NEO-RIEMANNIAN TRANSFORMATIONS IN LISZT'S TRANSCENDENTAL ÉTUDE NO. 1.
- Published in:
- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2019, v. 19, n. 1, p. 45
- By:
- Publication type:
- Article
48
Orlande de Lassus's Prophetiae Sibyllarum.
- Published in:
- Choral Journal, 2010, v. 50, n. 11, p. 8
- By:
- Publication type:
- Article
49
HARMONIC ANALYSIS OF SCRIABIN'S PRELUDES OP.11: C MAJOR, A MINOR, E MINOR.
- Published in:
- German International Journal of Modern Science / Deutsche Internationale Zeitschrift für Zeitgenössische Wissenschaft, 2023, n. 64, p. 4, doi. 10.5281/zenodo.8355146
- By:
- Publication type:
- Article
50
Abstracts.
- Published in:
- Early Music, 2015, v. 43, n. 1, p. 193, doi. 10.1093/em/cau162
- Publication type:
- Article