The Cabinet of Curiosities—The String Quartet in the USA after 1950.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 341, doi. 10.1080/07494467.2013.809238
- By:
- Publication type:
- Article
Works matching Feldman, Morton, 1926-1987
Results: 28
1
2
FROM VISION TO SOUND: MORTON FELDMAN AND ABSTRACT EXPRESSIONISM.
- Published in:
- Music in Art: International Journal for Music Iconography, 2013, v. 38, n. 1/2, p. 223
- By:
- Publication type:
- Article
3
Cornelius Cardew's Camouflage and Bun No. 2.
- Published in:
- Music Analysis, 2023, v. 42, n. 1, p. 112, doi. 10.1111/musa.12205
- By:
- Publication type:
- Article
4
Egocentric Predicaments: Charles Olson and the New York School of Music.
- Published in:
- Journal of Modern Literature, 2014, v. 37, n. 4, p. 54, doi. 10.2979/jmodelite.37.4.54
- By:
- Publication type:
- Article
5
For Frank O'Hara: Morton Feldman's Three Voices as Interpretation and Elegy.
- Published in:
- Modernist Cultures, 2013, v. 8, n. 1, p. 120, doi. 10.3366/mod.2013.0054
- By:
- Publication type:
- Article
6
Samuel Beckett and Morton Feldman's 'Text-Music Tandem' in Words and Music.
- Published in:
- Modernist Cultures, 2013, v. 8, n. 1, p. 100, doi. 10.3366/mod.2013.0053
- By:
- Publication type:
- Article
7
Samuel Beckett, Repetition and Modern Music. By John McGrath.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
8
Chapter 8: 'Together, dogs!': Feldman's Music for Words and Music.
- Published in:
- Faux Titre, 2013, v. 391, p. 321
- Publication type:
- Article
9
Chapter 7: 'Doing it one way and doing it another way': Morton Feldman's Neither.
- Published in:
- Faux Titre, 2013, v. 391, p. 255
- Publication type:
- Article
10
Understanding Wolff through Music: Problems with Reading Politics into His Early Work (1950-1976).
- Published in:
- Musicological Explorations, 2018, v. 15, p. 23
- By:
- Publication type:
- Article
11
An Interview with Jordan Nobles.
- Published in:
- 2012
- By:
- Publication type:
- Interview
12
STRING QUARTET NO. 2.
- Published in:
- 2008
- By:
- Publication type:
- Music Review
13
Musical, Rhetorical, and Visual Material in the Work of Feldman.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2011, v. 13, n. 3, p. 1, doi. 10.7771/1481-4374.1803
- By:
- Publication type:
- Article
14
Hollow Sounds: Toward a Zen‐Derived Aesthetics of Contemporary Music.
- Published in:
- Journal of Aesthetics & Art Criticism, 2018, v. 76, n. 3, p. 331, doi. 10.1111/jaac.12581
- By:
- Publication type:
- Article
15
Form and Process in Morton Feldman's Spring of Chosroes.
- Published in:
- Music Analysis, 2015, v. 34, n. 1, p. 47, doi. 10.1111/musa.12040
- By:
- Publication type:
- Article
16
'Élan Vital ... and How to Fake it': Morton Feldman and Merle Marsicano's Vernacular Metaphysics.
- Published in:
- Contemporary Music Review, 2019, v. 38, n. 3/4, p. 229, doi. 10.1080/07494467.2019.1596632
- By:
- Publication type:
- Article
17
Breaking the Sound Barrier: Transparency and Cinematic Space in Works of Calder (1950) and Jackson Pollock 51'.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 5/6, p. 512, doi. 10.1080/07494467.2014.998416
- By:
- Publication type:
- Article
18
It Must Mean Something: Narrative in Beckett's Molloy and Feldman's Triadic Memories.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 6, p. 639, doi. 10.1080/07494467.2014.882551
- By:
- Publication type:
- Article
19
The Marvelous Illusion: Morton Feldman's The Viola in My Life (1).
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 6, p. 589, doi. 10.1080/07494467.2014.882550
- By:
- Publication type:
- Article
20
Vertical Thoughts: Feldman, Judaism, and the Open Aesthetic.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 6, p. 571, doi. 10.1080/07494467.2014.882549
- By:
- Publication type:
- Article
21
‘The Breathing of Sound Itself’: Notation and Temporality in Feldman's Music to 1970.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 6, p. 531, doi. 10.1080/07494467.2014.882548
- By:
- Publication type:
- Article
22
How to make a difference.
- Published in:
- 2006
- By:
- Publication type:
- Abstract
23
rgn.1 | ‘nt’rl’d’ | and rgn.2.
- Published in:
- Textual Practice, 2017, v. 31, n. 4, p. 595, doi. 10.1080/0950236X.2017.1296092
- By:
- Publication type:
- Article
24
Departing Landscapes: Morton Feldman's "String Quartet II" and "Triadic Memories."
- Published in:
- Substance: A Review of Theory & Literary Criticism, 2006, v. 35, n. 2, p. 17, doi. 10.1353/sub.2006.0037
- By:
- Publication type:
- Article
25
Beckett's Neither.
- Published in:
- Journal of Beckett Studies (Edinburgh University Press), 2017, v. 26, n. 2, p. 285, doi. 10.3366/jobs.2017.0210
- By:
- Publication type:
- Article
26
Review of Footfalls/Neither by Samuel Beckett and Morton Feldman, directed by Katie Mitchell, conducted by David Robert Coleman, Staatsoper im Schillertheater.
- Published in:
- Journal of Beckett Studies (Edinburgh University Press), 2016, v. 25, n. 1, p. 156, doi. 10.3366/jobs.2016.0165
- By:
- Publication type:
- Article
27
Morton Feldman's Graphic Notation: Projections and Trajectories.
- Published in:
- Journal of the Society for American Music, 2012, v. 6, n. 4, p. 457, doi. 10.1017/S1752196312000363
- By:
- Publication type:
- Article
28
Morton Feldman: For Bunita Marcus. Louis Goldstein, piano. Nuscope Recordings CD 1024, 2010.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review