The Success of Beyoncé and Colorism.
- Published in:
- Journal of Colorism Studies, 2022, v. 4, n. 1, p. 1
- By:
- Publication type:
- Article
Works matching Beyoncé, 1981-
Results: 91
1
2
"They're Closin' Up Girl Land": Female Masculinities in Children's Fantasy.
- Published in:
- 2010
- By:
- Publication type:
- Essay
3
The Power of Black Girl Magic Anthems: Nicki Minaj, Beyoncé, and "Feeling Myself" as Political Empowerment.
- Published in:
- Souls: A Critical Journal of Black Politics, Culture & Society, 2018, v. 20, n. 2, p. 222, doi. 10.1080/10999949.2018.1520067
- By:
- Publication type:
- Article
4
Black Respectable Currency: Reading Black Feminism and Sexuality in Contemporary Performance.
- Published in:
- Journal of American Culture, 2019, v. 42, n. 1, p. 10, doi. 10.1111/jacc.12970
- By:
- Publication type:
- Article
5
The Beyoncé Effect: Essays on Sexuality, Race, and Feminism.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
6
Britney, Beyonce, and me - primary school girls' role models and constructions of the 'popular' girl.
- Published in:
- Gender & Education, 2011, v. 23, n. 1, p. 1, doi. 10.1080/09540251003674089
- By:
- Publication type:
- Article
7
Pop Culture Without Culture: Examining the Public Backlash to Beyoncé's Super Bowl 50 Performance.
- Published in:
- Journal of Black Studies, 2017, v. 48, n. 8, p. 715, doi. 10.1177/0021934717729504
- By:
- Publication type:
- Article
8
On Fame & Fidelity.
- Published in:
- Harvard Political Review, 2018, v. 45, n. 1, p. 41
- By:
- Publication type:
- Article
9
Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
10
Beyoncé’s “Formation”.
- Published in:
- 2016
- By:
- Publication type:
- Music Video Review
11
Beyoncé's "Formation".
- Published in:
- Film Criticism, 2016, v. 40, n. 1, p. 1, doi. 10.3998/fc.13761232.0040.309
- By:
- Publication type:
- Article
12
From Lemonade to Homecoming: Beyoncé's Visual Spaces.
- Published in:
- Atlantis (0210-6124), 2022, v. 44, n. 1, p. 55, doi. 10.28914/Atlantis-2022-44.1.04
- By:
- Publication type:
- Article
13
"Have You Ever Seen the Crowd Goin' Apeshit?": Disrupting Representations of Animalistic Black Femininity in the French Imaginary.
- Published in:
- Humanities (2076-0787), 2019, v. 8, n. 3, p. 135, doi. 10.3390/h8030135
- By:
- Publication type:
- Article
14
Body image survey of young women.
- Published in:
- Youth Studies Australia, 2005, v. 24, n. 4, p. 8
- By:
- Publication type:
- Article
15
What Does Beyoncé See in Josephine Baker?: A Brief Film History of Sampling La Diva, La Bakaire.
- Published in:
- S&F Online, 2007, v. 6, n. 1/2, p. 14
- By:
- Publication type:
- Article
16
Beyoncé's Lemonade: When Life Gave Us Lemons, We Saved the World.
- Published in:
- 2017
- By:
- Publication type:
- Music Review
17
Why We Need to Get in "Formation": The Rhetoric of Beyoncé.
- Published in:
- Young Scholars in Writing, 2017, n. 14, p. 70
- By:
- Publication type:
- Article
18
"She invited other people to that space": audience habitus, place, and social justice in Beyoncé's Lemonade.
- Published in:
- 2019
- By:
- Publication type:
- Music Video Review
19
The sexual politics of veggies: Beyoncé's "commodity veg*ism".
- Published in:
- Feminist Media Studies, 2018, v. 18, n. 2, p. 294, doi. 10.1080/14680777.2017.1358200
- By:
- Publication type:
- Article
20
Cardi B: Love & Hip Hop ’s unlikely feminist hero.
- Published in:
- Feminist Media Studies, 2017, v. 17, n. 6, p. 1114, doi. 10.1080/14680777.2017.1380431
- By:
- Publication type:
- Article
21
Pregnancy, Then It's “Back To Business”.
- Published in:
- Feminist Media Studies, 2015, v. 15, n. 6, p. 926, doi. 10.1080/14680777.2015.1036901
- By:
- Publication type:
- Article
22
“Check On It”.
- Published in:
- Feminist Media Studies, 2012, v. 12, n. 1, p. 35, doi. 10.1080/14680777.2011.558346
- By:
- Publication type:
- Article
23
NAUGHTY GIRLS AND RED BLOODED WOMEN Representations of female heterosexuality in music video.
- Published in:
- Feminist Media Studies, 2005, v. 5, n. 1, p. 51, doi. 10.1080/14680770500058207
- By:
- Publication type:
- Article
24
Fostering Classroom Dialogue Through Beyonce's "Formation" Media.
- Published in:
- Women & Language, 2018, v. 41, n. 2, p. 174
- By:
- Publication type:
- Article
25
Entrepreneurs in Brown Skins? Performing Matter into Contemporary Black Lives.
- Published in:
- Journal of African American Studies, 2021, v. 25, n. 3, p. 367, doi. 10.1007/s12111-021-09544-4
- By:
- Publication type:
- Article
26
“We Are Not an Organically City People”: Black Modernity and the Afterimages of Julie Dash’s Daughters of the Dust.
- Published in:
- Black Scholar, 2018, v. 48, n. 3, p. 46, doi. 10.1080/00064246.2018.1475836
- By:
- Publication type:
- Article
27
The poem as meme? Pop video poetry in the digital age (Warsan Shire/Beyoncé).
- Published in:
- Word & Image, 2021, v. 37, n. 2, p. 152, doi. 10.1080/02666286.2020.1866970
- By:
- Publication type:
- Article
28
The copyright implications of Beyoncé's choreographic 'borrowings'.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 95, doi. 10.1386/chor.4.1.95_1
- By:
- Publication type:
- Article
29
Mama Louisiana: Our quarterly roundup of holdings that have appeared outside The Collection, either on loan to other institutions or reproduced in noteworthy media projects.
- Published in:
- 2017
- Publication type:
- Image
30
"You Don't Have to Try," and Other Smash Hit Lies.
- Published in:
- 2015
- By:
- Publication type:
- Music Review
31
Competition and controlling images as the fuel igniting Beyoncé and Rihanna fandom fights.
- Published in:
- Transformative Works & Cultures, 2019, v. 29, p. 1, doi. 10.3983/twc.2019.1489
- By:
- Publication type:
- Article
32
The Future of Online User-Generated Content in the Video-Sharing Business: Capitol Records LLC v. Vimeo LLC.
- Published in:
- Tulane Journal of Technology & Intellectual Property, 2014, v. 17, p. 375
- By:
- Publication type:
- Article
33
Beyoncé's Response (eh?).
- Published in:
- TDR: The Drama Review (MIT Press), 2015, v. 59, n. 1, p. 67, doi. 10.1162/DRAM_a_00429
- By:
- Publication type:
- Article
34
Beyoncé in formation: remixing black feminism: by Omise'eke Natasha Tinsley, Austin, TX, University of Texas Press, 2018, 204pp., US $17.95 (paperback), ISBN 978-1-4773-1839-3.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
35
The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters' Afrosurrealist music video.
- Published in:
- Postcolonial Studies, 2021, v. 24, n. 4, p. 484, doi. 10.1080/13688790.2021.1985245
- By:
- Publication type:
- Article
36
Black Is King, Beyoncé Knowles-Carter, Kwasi Fordjour, Emmanuel Adjei, Blitz Bazawule, Ibra Ake, Jenn Nkiru, Jake Nava, Pierre Debusschere and Dkayl Rimmasch (dirs) (2020).
- Published in:
- Studies in Musical Theatre, 2021, v. 15, n. 1, p. 65, doi. 10.1386/smt_00058_5
- By:
- Publication type:
- Article
37
Leveraging African Spirituality and Popular Culture betwixt Africa and the African Diaspora.
- Published in:
- Journal for the Academic Study of Religion, 2021, v. 34, n. 3, p. 242, doi. 10.1558/jasr.21027
- By:
- Publication type:
- Article
38
The Snapchat Monteur? New Platforms for Photomontage.
- Published in:
- History of Photography, 2019, v. 43, n. 2, p. 206, doi. 10.1080/03087298.2019.1682834
- By:
- Publication type:
- Article
39
Letters.
- Published in:
- 2014
- By:
- Publication type:
- Letter to the Editor
40
Beyoncé is doing it her way.
- Published in:
- New Humanist, 2014, v. 129, n. 1, p. 18
- By:
- Publication type:
- Article
41
If Ya Liked It, Then You Shoulda Made a Video Beyonce Knowles, YouTube and the public sphere of images.
- Published in:
- Performance Research, 2011, v. 16, n. 2, p. 145, doi. 10.1080/13528165.2011.578846
- By:
- Publication type:
- Article
42
'Formation' of the female author in the hip hop visual album: Beyoncé and FKA twigs.
- Published in:
- Soundtrack, 2016, v. 9, n. 1/2, p. 41, doi. 10.1386/ts.9.1-2.41_1
- By:
- Publication type:
- Article
43
HOLD UP: DIGITAL SAMPLING, COPYRIGHT INFRINGEMENT, AND ARTIST CREDIT THROUGH THE LENS OF BEYONCÉ'S LEMONADE.
- Published in:
- Journal of Intellectual Property Law, 2019, v. 26, n. 1, p. 131
- By:
- Publication type:
- Article
44
"I Love to Love You Baby": Beyoncé, Disco Aesthetics, and Black Feminist Politics.
- Published in:
- Theory & Event, 2020, v. 29, n. 3, p. 512, doi. 10.1353/tae.2020.0052
- By:
- Publication type:
- Article
45
Why I too write about Beyoncé.
- Published in:
- Celebrity Studies, 2019, v. 10, n. 3, p. 432, doi. 10.1080/19392397.2019.1630158
- By:
- Publication type:
- Article
46
Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape.
- Published in:
- Celebrity Studies, 2016, v. 7, n. 3, p. 419, doi. 10.1080/19392397.2016.1202660
- By:
- Publication type:
- Article
47
The culture industry and Beyoncé’s proprietary blackness.
- Published in:
- 2016
- By:
- Publication type:
- Music Review
48
Introduction: feminism and contemporary celebrity culture.
- Published in:
- Celebrity Studies, 2015, v. 6, n. 1, p. 124, doi. 10.1080/19392397.2015.1005382
- By:
- Publication type:
- Article
49
‘Beyoncé feminism’ and the contestation of the black feminist body.
- Published in:
- Celebrity Studies, 2015, v. 6, n. 1, p. 128, doi. 10.1080/19392397.2015.1005389
- By:
- Publication type:
- Article
50
Buying Beyonce.
- Published in:
- Celebrity Studies, 2010, v. 1, n. 2, p. 135, doi. 10.1080/19392397.2010.482262
- By:
- Publication type:
- Article