Strategies of Signification in Romanesque Sculpture: The Coiled Man in the Archivolt at Vézelay.Published in:Rutgers Art Review: The Journal of Graduate Research in Art History, 2016, v. 31, p. 20By:SULLIVAN, ALICE ISABELLAPublication type:Article
'For this is a trait of a rhetorical and double-tongued man': artifice and ambiguity in Middle Byzantine art.Published in:Word & Image, 2019, v. 35, n. 4, p. 367, doi. 10.1080/02666286.2019.1580487By:Frentrop, LaraPublication type:Article
The Theophilus Relief at Souillac and the Eleventh-Century Reforms of the Church.Published in:RACAR: Canadian Art Review / Revue d'art Canadienne, 2015, v. 40, n. 1, p. 27, doi. 10.7202/1032749arBy:KRINDLE, C. RUTHPublication type:Article
Multisensory Memories and Monastic Identity at Sant'Elia near Nepi (VT).Published in:California Italian Studies, 2016, v. 6, n. 1, p. 1By:Locke Perchuk, AlisonPublication type:Article